Progressive Lighting, Inc. v. Lowe's Home Centers, Inc. ( 2013 )

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[DO NOT PUBLISH]
IN THE UNITED STATES COURT OF APPEALS
FOR THE ELEVENTH CIRCUIT
________________________
No. 12-14958
________________________
D.C. Docket No. 1:07-cv-02822-TWT
PROGRESSIVE LIGHTING, INC.,
Plaintiff-Appellant,
versus
LOWE’S HOME CENTERS, INC. and BEL AIR LIGHTING, INC.,
Defendants-Appellees.
________________________
Appeal from the United States District Court
for the Northern District of Georgia
________________________
(December 16, 2013)
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Before HULL and HILL, Circuit Judges, and MOTZ, ∗ District Judge.
PER CURIAM:
Plaintiff-appellee Progressive Lighting, Inc. appeals the district court’s grant
of summary judgment to defendants-appellants Lowe’s Home Centers, Inc. and
Bel Air Lighting, Inc. on its copyright infringement claims. After careful review
of the record and the parties’ briefs, and with the benefit of oral argument, we
affirm. 1
I. FACTUAL BACKGROUND
A. The Parties
Plaintiff-appellant Progressive Lighting, Inc. (“Progressive”) is a Georgia
corporation engaged in the design, creation, and distribution of light fixtures
(chandeliers, fans, and lamps). Progressive sells its light fixtures through its own
retail outlets (operating under the brand name “Savoy House”) and by selling to
other retailers.
Defendant-appellee Bel Air Lighting, Inc. (“Bel Air”) is a California
corporation which manufactures light fixtures and sells its products to retailers.
Defendant-appellee Lowe’s Home Centers, Inc. (“Lowe’s”) is a retailer which sells
∗
Honorable J. Frederick Motz, United States District Judge for the District of Maryland,
sitting by designation.
1
Another panel of the court previously denied a motion to dismiss the appeal. We see no
reason to disturb the panel’s ruling.
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light fixtures. Lowe’s is one of Bel-Air’s customers and sells Bel-Air’s light
fixtures in its stores.
B. Plaintiff Progressive’s Contract with Designer Karyl Pierce Paxton
Karyl Pierce Paxton is a nationally-acclaimed designer of home products,
including light fixtures. Paxton is from New Orleans and her hometown “plays a
large role in her creative inspiration.” Around 2000, Paxton signed a contract with
Progressive. That contract gave Progressive exclusive rights to manufacture and
market Paxton’s interior fixture designs. Paxton received a five percent
commission from the sales of light fixtures she designed for Progressive. The
contract was effective at all times between 2000 and 2008.
C. Design of the Cumberland Collection Light Fixtures
According to Paxton, in 2004, she completed hand-drawn designs for a
series of light fixtures that would become Progressive’s “Cumberland Collection.” 2
Paxton intended for the light fixtures in the Cumberland Collection to incorporate
the fleur-de-lis, a symbol long-associated with her native New Orleans. Paxton
designed these light fixtures specifically for Progressive. 3
2
Around the same time, Paxton also created another set of drawings that would become
Progressive’s “Sonoma Collection.” The Sonoma Collection is not at issue in this case.
3
The record contains conflicting evidence about who is the original creator of these
designs: (1) Paxton; (2) a former employee/part-owner of her design studio, Christopher Sacco;
or (3) a Chinese artist working independently of Paxton, Da Young Wang. Because we
determine that Progressive cannot sustain a copyright infringement claim against Bel Air or
Lowe’s, regardless of who designed the various light fixtures, we do not recount the evidence
pertinent to this authorship issue.
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In June 2004, Paxton sent the computer-aided version of the fleur-de-lis-
inspired light fixture designs to Progressive. She did not send her hand sketches at
that time. After Progressive approved the designs, it sent them on to its
manufacturer, Light Star. Progressive made no changes to the designs before
sending them to Light Star.
D. Progressive’s Discovery of Similar Light Fixtures at Lowe’s
Sometime before early 2006, Progressive learned from its customers that
Lowe’s was selling light fixtures strongly resembling those in Progressive’s
Cumberland Collection. A Progressive executive investigated and determined that
the customer complaints were accurate.
E. Paxton’s First Copyright Application
Several months later, on December 13, 2006, Paxton applied for a copyright
on all fixture designs in the Cumberland Collection. On her application, Paxton
referred to the collective body of work for which she sought copyright protection
as “Cumberland/Fleur de Lis Interior & Sonoma Interior.” She stated that these
collections included “3-Dimensional sculpture” and “2-Dimensional artwork,” and
she attached design drawings of thirteen different light fixtures.
In the cover letter attached to her application, Paxton’s attorney wrote, “[t]he
Author has become aware of the unauthorized copying of Author’s sculptural
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works.” Paxton also attached images which she purported were “unauthorized
copies” of the works in the Cumberland Collection.
Paxton’s attorney also anticipated and addressed potential hurdles to
obtaining copyrights. The attorney wrote, “[t]he Author acknowledges that the
underlying works in the January 2005 Collection are useful articles. However, the
January 2005 Collection incorporates pictorial, graphic, or sculptural features that
can be identified separately from, and are capable of existing independently of, the
utilitarian aspects of the articles.” The attorney went on to assert that the works
were “entitled to copyright registration because [they] contain[] a sufficient
amount of separable and creative authorship to support copyright registration.”
F. The Copyright Office’s December 2006 Refusal to Register Letter
A few weeks later, the United States Copyright Office (“Copyright Office”)
sent a letter to Paxton’s attorney in response to Paxton’s application. The
Copyright Office wrote, “[w]hile some of the works [in the application] do not
appear to contain any separable authorship, we do agree that some works contain
ornamentation that may be considered to be separable. However, after careful
consideration, we have determined that the separable ornamentation . . . is not
copyrightable.”
The Copyright Office explained that it reached this conclusion because
“[w]e believe that the placement of preexisting elements around a fixture, in the
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manner we see here, lacks the authorship necessary to support a claim to
copyright.” While the Copyright Office was able to register Paxton’s two-
dimensional drawings of the fixtures, it was not able to register the three-
dimensional sculptures created based on those drawings.
G. Paxton’s Second Copyright Application
Paxton (through counsel) subsequently submitted a second application based
on these works. In the cover letter, Paxton’s attorney wrote that Paxton “disagrees
that the placement of preexisting elements around a fixture, as seen in the January
2005 Collection, lacks the authorship necessary to support a claim to copyright.
The Author did not merely place preexisting elements around a lighting fixture.”
Paxton’s attorney also wrote that Paxton “disagrees that the separable
ornamentation is not copyrightable.”
H. The Copyright Office’s April 2007 Registration of Paxton’s Sculpture
Copyrights
On April 9, 2007, the Copyright Office responded to Paxton’s second
copyright application stating: “[i]t appears we were mistaken in our assumption
that the decorative ornamentation on some of these works was preexisting . . . .
Based on the fact the ornamentation is original with the author, we can make a
registration for the collection as a whole.” In its letter, the Copyright Office noted
that “[t]his is a collection of individual works which were apparently published as
a single unit. Registration has been made because some of the works in the
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collection would support an independent claim to copyright.” However, the
Copyright Office also cautioned that, “[b]ased on the reasons mentioned in our
letter of December 26, 2006, we believe that some of the works, if considered
separately, would not support an independent claim and would not be protected by
copyright.” The Copyright Office did not state which works were and were not
eligible for independent copyright registration. Moreover, Paxton later testified
that she did not “have any idea or information” as to which works were and were
not eligible for such independent registration. Accordingly, the Copyright Office
registered a copyright to Paxton for the “Cumberland/Fleur de Lis Interior and
Sonoma Interior” works. The effective date of the copyright was December 18,
2006—the date on which the Copyright Office received Paxton’s first application.
Thereafter, on May 18, 2007, Paxton assigned to her studio her copyright. That
same day, Paxton’s studio assigned the copyright to Progressive.
I. Progressive’s May 29, 2007 Letter to Lowe’s
After Progressive acquired Paxton’s copyright, Progressive’s attorney sent a
cease and desist letter to Lowe’s. In that letter, Progressive’s attorney informed
Lowe’s that “[y]our company’s ‘6-Light’, ‘3-Light Down’ and ‘6-Light Pot Rack’
chandeliers sold under the ‘Portfolio’ brand are substantially similar (if not
identical) in appearance to our client’s ‘6-Light’, ‘3-Light’ and ‘8 Light Pot Rack’
chandeliers sold under the ‘Cumberland’ mark. Thus, Lowe’s is infringing on our
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client’s copyright in its chandelier products.” Paxton’s attorney informed Lowe’s
general counsel that “Lowe’s is required to cease and desist immediately from any
further sale, offer for sale, or display of the infringing products, to account for the
number of the accused products sold, to account for the gross revenues it has
received to date . . . [,] and to identify the source(s) of those products.”
Lowe’s forwarded this letter to Bel Air, the manufacturer of the alleged
infringing light fixtures. Lowe’s did so pursuant to an indemnity provision in the
agreement between Lowe’s and Bel Air.
II. PROCEDURAL HISTORY
A. Bel Air’s Complaint for a Declaratory Judgment Against Progressive
After receiving Progressive’s letter, on August 28, 2007, Bel Air filed a
complaint in the Central District of California against Progressive seeking a
declaratory judgment that: (1) Paxton’s copyright (since transferred to Progressive)
was invalid; (2) Progressive (through Paxton) had committed fraud on the
Copyright Office by seeking to and successfully registering a design that she knew
was not her own; and (3) Bel Air had not infringed on any copyright of
Progressive’s. Progressive also brought an affirmative copyright infringement
claim and a California state law claim.
B. Progressive’s Complaint Against Lowe’s
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A few weeks later, on September 10, 2007, Progressive filed its own
complaint against Lowe’s in the Northern District of Georgia. Progressive alleged
that: (1) Paxton was the author of the light fixture designs comprising the
Cumberland Collection; (2) Paxton had obtained a valid copyright for these
designs, which she had assigned to Progressive; (3) Lowe’s had access to Paxton’s
designs; and (4) “Lowe’s has sold and offered for sale, publically displayed and/or
distributed unauthorized, infringing lighting fixtures embodying Progressive
Lighting’s copyrighted designs.” Based on these allegations, Progressive brought
a claim for copyright infringement. Unlike its earlier letter to Lowe’s, where
Progressive identified three specific designs from its Cumberland Collection that
Lowe’s was allegedly infringing, the complaint did not identify any specific light
fixture designs from the Cumberland Collection as the bases for the copyright
infringement claim.
C. Transfer of Bel Air’s Complaint to the Northern District of Georgia and
Consolidation
Thereafter, the California district court transferred the case commenced by
Bel Air to the Northern District of Georgia. After the transfer, Bel Air answered
Progressive’s complaint and brought a counterclaim for copyright infringement
against Progressive. Subsequently, the district court consolidated the California
action with the one commenced in Georgia. The case thus proceeded with
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Progressive and Bel Air both asserting copyright infringement claims against the
other.
D. Summary Judgment Motions
After discovery, Bel Air filed a motion for summary judgment. Bel Air did
not state whether it was seeking summary judgment only as to Progressive’s claim
against it, or also as to its own claims against Progressive. Lowe’s also filed a
motion for summary judgment on Progressive’s copyright infringement claim.
E. District Court’s Summary Judgment Order
The district court granted Bel Air’s and Lowe’s motions for summary
judgment. The district court began with Progressive’s concession that the light
fixtures in the Cumberland Collection were useful articles. Although useful
articles are generally not subject to copyright protection, Progressive argued that
its light fixture designs “incorporate sculptural features that are separable from the
utilitarian aspects of the fixture” and therefore were copyrightable. The district
court rejected this argument. Acknowledging that a useful article is copyrightable
when its creative elements are separable from its utilitarian aspects, the district
court determined that separability did not exist in this case. Without separability,
Progressive could not obtain copyright protection, and Lowe’s and Bel Air were
entitled to summary judgment on Progressive’s copyright infringement claims.
F. Dismissal of Bel Air’s Claims Against Progressive
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Notably, the district court did not rule on Bel Air’s remaining claims against
Progressive. Thereafter, on May 13, 2010, the district court entered an order and
stipulation of dismissal stating that Bel Air and Progressive had “reached an
agreement on resolution of the remaining claims made in this action, and hereby
stipulate to the dismissal of this action.” The dismissal was without prejudice,
pursuant to Federal Rule of Civil Procedure 41.
III. STANDARD OF REVIEW
We review de novo a district court’s grant of summary judgment and draw
“all inferences and review all evidence in the light most favorable to the non-
moving party.” Hamilton v. Southland Christian Sch., Inc., 680 F.3d 1316, 1318
(11th Cir. 2012) (internal quotation marks omitted). “Summary judgment is
appropriate only if the movant shows that there is no genuine dispute as to any
material fact and the movant is entitled to judgment as a matter of law.” Id.
(internal quotation marks omitted).
IV. COPYRIGHT INFRINGEMENT ANALYSIS
To prevail on its copyright infringement claims, Progressive must show: (1)
that it “owns a valid copyright in the work”; and (2) “copying by the defendant.”
Original Appalachian Artworks, Inc. v. Toy Loft, Inc., 684 F.2d 821, 824 (11th
Cir. 1982).
A. The Effect of Progressive’s Certificate of Registration
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As a threshold matter, we note that Progressive owns a valid certificate of
copyright registration in the works of the Cumberland Collection. A certificate of
registration, however, is not conclusive on the copyright ownership issue. Rather,
the Copyright Act provides that such a certificate “shall constitute prima facie
evidence of the validity of the copyright and of the facts stated in the certificate.”
17 U.S.C. § 410(c). “Once a plaintiff produces a certificate of registration, the
burden shifts to the defendant to establish that the work in which the copyright is
claimed is unprotectable . . . .” Latimer v. Roaring Toyz, Inc., 601 F.3d 1224,
1233 (11th Cir. 2010) (internal quotation marks omitted).
Here, Lowe’s and Bel Air ask this Court to conclude that Progressive’s
certificate of copyright registration does not constitute prima facie evidence of a
valid copyright, because the Copyright Office registered the Cumberland
Collection with the express caveat that “some individual fixtures in the collection
were not protected because they lacked separability and/or originality.” The
defendants argue that, in light of this caveat and Progressive’s lack of information
about which works the Copyright Office intended to protect, the certificate does
not establish a presumption of validity as to any individual work in the collection.
We need not decide the effect of Progressive’s certificate of copyright
registration in this case. Even assuming that Progressive’s certificate did give rise
to a presumption of a valid copyright, “this presumption is rebuttable.” Bateman v.
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Mnemonics, Inc., 79 F.3d 1532, 1541 n.20 (11th Cir. 1996). As our sister circuits
have held, “[t]o rebut the presumption of validity, an infringement defendant must
simply offer some evidence or proof to dispute or deny the plaintiff’s prima facie
case of infringement.” United Fabrics Int’l, Inc. v. C&J Wear, Inc., 630 F.3d 1255,
1257 (9th Cir. 2011) (internal quotation marks and alterations omitted); see also
Palladium Music, Inc. v. EatSleepMusic, Inc., 398 F.3d 1193, 1196 (10th Cir.
2005). Here, Bel Air and Lowe’s rebutted the presumption of validity by offering
evidence showing, inter alia, that the works whose copyrightability is at issue were
useful articles that did not contain separable copyrightable elements. We thus turn
to whether, absent a presumption of validity, Progressive’s light fixtures were
entitled to copyright protection.
B. Copyrightability of Useful Articles
Under the Copyright Act, “[c]opyright protection subsists . . . in original
works of authorship fixed in any tangible medium of expression, now known or
later developed, from which they can be perceived, reproduced, or otherwise
communicated, either directly or with the aid of a machine or device.” 17 U.S.C.
§ 102(a). “Works of authorship include,” inter alia, “pictorial, graphic, and
sculptural works.” 17 U.S.C. § 102(a)(5).
The statute defines “pictorial, graphic, and sculptural works” as “two-
dimensional and three-dimensional works of fine, graphic, and applied art,
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photographs, prints and art reproductions, maps, globes, charts, diagrams, models,
and technical drawings, including architectural plans.” 17 U.S.C. § 101. It further
provides that “the design of a useful article . . . shall be considered a pictorial,
graphic, or sculptural work only if, and only to the extent that, such design
incorporates pictorial, graphic, or sculptural features that can be identified
separately from, and are capable of existing independently of, the utilitarian
aspects of the article.” Id. Other useful articles—defined as articles “having an
intrinsic utilitarian function that is not merely to portray the appearance of the
article or to convey information,” id.—are not entitled to copyright protection. See
Norris Indus., Inc. v. Int’l Tel. & Tel. Corp., 696 F.2d 918, 923 (11th Cir. 1983).
Here, there is no dispute that the Cumberland Collection light fixtures are
useful articles. Paxton, through counsel, conceded this point when she first applied
for copyright registration, and Progressive has not challenged this concession. The
copyrightability of Progressive’s light fixtures, therefore, depends primarily on
whether the fixtures contain copyrightable components that are separable from
their utilitarian aspects. There are two types of separability: physical and
conceptual. Id. We consider the potential applicability of each type of separability
in turn.
C. Physical Separability
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Physical separability exists when, “after removal of those features which are
necessary for the utilitarian function of the article, the artistic features . . .
nevertheless remain intact.” Id. (internal quotation marks omitted); see Mazer v.
Stein, 347 U.S. 201, 218, 74 S. Ct. 460, 471 (1954) (“We find nothing in the
copyright statute to support the argument that the intended use or use in industry of
an article eligible for copyright bars or invalidates its registration.”). A physically
separable element of a useful article, however, is only entitled to copyright
protection where that element otherwise satisfies the statutory requirements for
copyrightability, such as originality. See 17 U.S.C. § 102(a).
Before the district court, Progressive limited its physical separability
argument to its “bath bar” light fixtures. 4 Specifically, Progressive argued the
fleur-de-lis “scroll work” at the bases of these light fixtures “serves no utilitarian
feature . . . [,] is merely serving an aesthetic, artistic function [and] . . . . could
easily be displayed on a wall or other surface independently of the lighting
fixture.” As noted by the district court, however, because Progressive did not
adequately allege that Bel Air or Lowe’s infringed Progressive’s bath bar light
fixtures, it is not necessary to determine whether the fleur-de-lis scroll designs
4
Intended for use in the bathroom, the Cumberland Collection “bath bar” light fixtures consist of
a base with arms extending outward, each arm supporting a light bulb at its end. Decorative
scroll work, intended to evoke the fleur-de-lis, adorns each base.
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were physically separable or sufficiently original to obtain copyrightability. 5 For
this reason, the district court appropriately granted defendants’ motion for
summary judgment with respect to the bath bar fixtures.
D. Conceptual Separability
As for conceptual separability, this doctrine refers to “ornamental,
superfluous designs contained within useful objects.” Norris, 696 F.3d at 924. We
previously noted that examples of conceptually separable works within a useful
article include “a carving on the back of a chair and a floral relief design on silver
flatware.” Id. at 923. Conceptual separability does not apply to “functional
components of useful articles, no matter how artistically designed . . . unless they
5
Assuming (contrary to a finding made by the district court) that the fleur-de-lis scroll work was
sufficiently original so as to be copyrightable, there was no proof of any infringement. Although
a conventional fleur-de-lis is certainly not eligible for copyright protection, a design is not
automatically deprived of copyright protection because it derives from a design in the public
domain. See Bucklew v. Hawkins, Ash, Baptie & Co., LLP, 329 F.3d 923, 929 (7th Cir. 2003).
Indeed, courts have generally been generous in finding originality where authors contribute some
minimal creative touches to conventional designs. See Baby Buddies, Inc. v. Toys R Us,
Inc.,611 F.3d 1308, 1316–18 (11th Cir. 2010) (concluding that although the plaintiff could not
obtain copyright protection for the idea of a teddy bear on a pacifier holder, the specific
expressive design of that particular teddy bear—the shape of its paws, its nose, the proportion of
its ears—was original and entitled to copyright protection); see also Satava v. Lowry, 323 F.3d
805 (9th Cir. 2003) (refusing to afford copyright protection to the concept of a glass-in-glass
jellyfish sculpture but observing that the designer’s original expressive contributions—the
distinctive curls of the jellyfish tendrils, the specific hues used in the arrangement—were
copyrightable).
That said, assuming that Progressive’s designs are entitled to copyright protection at all,
they only deserve “thin” protection—they are copyrightable only for their specific stylized
rendering of a conventional fleur-de-lis. In other words, Progressive’s copyrights only protect
against virtually identical copying. See Ets-Hokin v. Skyy Spirits, 323 F.3d 763, 766 (9th Cir.
2003). Progressive did not present evidence of the fleur-de-lis scroll design used by Bel Air, and
therefore did not sustain its burden of proving identical copying.
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are physically separable from the useful article.” Id. at 923. In Norris, we held
that a wheel cover design that “simulate[d] a wire wheel,” id. at 919, did not
contain conceptually separable elements because “[t]he wire wheel covers . . .
[were] not superfluous ornamental designs, but functional components of
utilitarian articles,” id. at 924.
Here, Progressive does not point to any individual nonfunctional aspect of a
Cumberland Collection light fixture which itself contains copyrightable material.
Rather, like in Norris, the expressive aspects of the light fixtures are also functional
components of the utilitarian articles. See id. The light fixtures “do not contain a
superfluous sculptured design, serving no function, that can be identified apart
from the [light fixtures] themselves.” See id. Therefore, conceptual separability
does not apply.
Progressive’s main argument to the contrary is that the overall shapes and
appearances of the light fixtures reflect artistic, nonfunctional considerations.
However, in Norris, we noted that, under the Copyright Act, “although the shape of
an industrial product may be aesthetically satisfying and valuable,” this fact alone
does not make the entire useful article copyrightable. Id. at 923 n.9 (internal
quotation marks omitted). Furthermore, “even if the appearance of an article is
determined by aesthetic (as opposed to functional) considerations, only elements, if
any, which can be identified separately from the useful article are copyrightable.”
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Id. at 924 n.9 (internal quotation marks omitted). As we later explained, “a useful
article, as a whole, does not receive copyright protection, but any constituent
design elements that can be physically or conceptually separated from the
underlying article can receive copyright protection.” Baby Buddies., 611 F.3d at
1316.
Progressive’s argument fails because it asks us to confer copyright
protection on a light fixture “as a whole.” For example, Progressive contends that
“[a] utilitarian 5-light chandelier needs only one rod running from the ceiling to the
base and then five arms extending from the base to the light . . . . Although
absolutely unnecessary to the function of a lighting fixture, [Paxton] added two
curving bars to surround and embrace the rod extending from the ceiling to the
base.” Progressive does not, however, argue that the extra arms, individually,
contain expressive material such that they are copyrightable. Rather, Progressive
contends that the existence of the extra arms makes the entire light fixture
copyrightable. Our precedent makes clear that an entire useful article cannot
receive copyright protection, no matter how many superfluous, aesthetic individual
components it has.
Progressive also argues that the district court erroneously failed to consider
certain facts during its conceptual separability analysis, specifically: (1) that the
Cumberland Collection light fixtures “could work as just a sculptural element in a
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room”; (2) “Paxton’s reputation in the industry”; and (3) “that creative chandelier
designs have traditionally been afforded copyright protection.” None of these
considerations are relevant in our analysis or change the fact that the light fixtures
do not contain separable elements entitled to copyright protection.
V. CONCLUSION
For the reasons explained, we affirm the district court’s grant of summary
judgment to defendants Lowe’s and Bel Air on plaintiff Progressive’s copyright
infringement claims.
AFFIRMED.
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