Meaders v. Helwaser ( 2020 )


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  •      20-730
    Meaders v. Helwaser
    UNITED STATES COURT OF APPEALS
    FOR THE SECOND CIRCUIT
    SUMMARY ORDER
    RULINGS BY SUMMARY ORDER DO NOT HAVE PRECEDENTIAL EFFECT. CITATION TO A SUMMARY
    ORDER FILED ON OR AFTER JANUARY 1, 2007, IS PERMITTED AND IS GOVERNED BY FEDERAL RULE OF
    APPELLATE PROCEDURE 32.1 AND THIS COURT=S LOCAL RULE 32.1.1. WHEN CITING A SUMMARY ORDER
    IN A DOCUMENT FILED WITH THIS COURT, A PARTY MUST CITE EITHER THE FEDERAL APPENDIX OR AN
    ELECTRONIC DATABASE (WITH THE NOTATION ASUMMARY ORDER@). A PARTY CITING TO A SUMMARY
    ORDER MUST SERVE A COPY OF IT ON ANY PARTY NOT REPRESENTED BY COUNSEL.
    1                 At a stated term of the United States Court of Appeals for the Second Circuit,
    2   held at the Thurgood Marshall United States Courthouse, 40 Foley Square, in the City of
    3   New York, on the 23rd day of December, two thousand twenty.
    4
    5   PRESENT:
    6               ROBERT D. SACK,
    7               MICHAEL H. PARK,
    8               STEVEN J. MENASHI,
    9                     Circuit Judges.
    10   _____________________________________
    11
    12   PHYLISS P. MEADERS,
    13
    14                          Plaintiff-Appellant,
    15
    16                    v.                                                   20-730
    17
    18   ANTOINE HELWASER, HELWASER
    19   GALLERY, HELWASER FINE ART, INC.,
    20
    21                     Defendants-Appellees.
    22   _____________________________________
    23
    24   FOR PLAINTIFF-APPELLANT:                         JOSHUA LOONEY (Christian W. Habersaat, on
    25                                                    the brief), Goulston & Storrs PC, New York,
    26                                                    NY
    27
    28   FOR DEFENDANTS-APPELLEES:                        JUDD B. GROSSMAN, Grossman LLP, New
    29                                                    York, NY
    1           Appeal from a judgment of the United States District Court for the Southern District of
    2   New York (Castel, J.).
    3           UPON DUE CONSIDERATION, IT IS HEREBY ORDERED, ADJUDGED, AND
    4   DECREED that the judgment of the district court is AFFIRMED.
    5           Phyliss P. Meaders (“Phyliss”) brought this diversity action against Antoine Helwaser,
    6   Helwaser Gallery, and Helwaser Fine Art, Inc. (collectively, “Helwaser”), claiming conversion
    7   and unjust enrichment under New York state law and seeking replevin, a declaration of ownership,
    8   and money damages. Phyliss alleged that in 2016, Helwaser purchased an Alexander Calder
    9   sculpture from her brother, Paul L. Meaders III (“Paul”), for $277,500; that she held an ownership
    10   interest in the sculpture and did not consent to the sale; and that Helwaser “knew, or should have
    11   known” of her ownership. The district court granted Helwaser’s motion for summary judgment,
    12   holding that Phyliss had failed to present evidence from which a jury could conclude that she
    13   owned the sculpture at the time of the sale. Phyliss now appeals. We assume the parties’
    14   familiarity with the underlying facts, procedural history, and issues on appeal.
    15           Phyliss relies on two types of evidence to support her theory of ownership. First, she asserts
    16   that the “provenance” Paul provided on the sale invoice indicates that she was, along with Paul,
    17   the final owner of the sculpture before the sale. 1 Second, she argues that the allegations in her
    18   verified complaint and her deposition testimony suggest that Paul distributed an ownership interest
    19   to her from the estate of Jane Meaders (“Jane”), Paul and Phyliss’s step-mother.
    20           The district court found that this evidence was inadequate to defeat Helwaser’s summary
    21   judgment motion, and we agree. To survive summary judgment, a plaintiff cannot simply raise
    1
    An artwork’s provenance is “a history of its ownership.” DeWeerth v. Baldinger, 
    836 F.2d 103
    , 112 (2d
    Cir. 1987).
    2
    1   “some metaphysical doubt as to the material facts,” Bellamy v. City of New York, 
    914 F.3d 727
    ,
    2   754 (2d Cir. 2019) (internal quotation mark omitted), or present evidence that is “merely
    3   colorable,” Anderson v. Liberty Lobby, Inc., 
    477 U.S. 242
    , 249–50 (1986). Instead, she must
    4   “designate specific facts showing that there is a genuine issue for trial.” Parker v. Sony Pictures
    5   Ent., Inc., 
    260 F.3d 100
    , 111 (2d Cir. 2001) (quoting Celotex Corp. v. Catrett, 
    477 U.S. 317
    , 324
    6   (1986)). Phyllis does not meet this standard.
    7           At bottom, Phyliss identifies no direct evidence that Paul distributed to her an ownership
    8   interest in the sculpture. As the district court noted, she points to “no Surrogate’s Court filing, no
    9   accounting, and no inventory to support her possession of anything more than a beneficial
    10   interest,” “produces no documents reflecting the details of the distribution of Jane’s estate,” and
    11   “offers no allegations of an oral agreement or even a conversation with Paul, reflecting an intention
    12   to distribute the [sculpture] in a manner such that the siblings would share joint ownership.”
    13   Meaders v. Helwaser, 
    436 F. Supp. 3d 677
    , 682 (S.D.N.Y. 2020).
    14          The evidence Phyliss does present fails to support her ownership claim.                Phyllis
    15   undisputedly held a beneficial interest in the sculpture after Jane’s death and before distribution of
    16   the estate, making her inclusion in the provenance both “appropriate and logical” even if she did
    17   not own the sculpture at the time of sale. Id. at 683. In any event, the document on which the
    18   provenance first appeared also included Paul’s express representation that he was the sole owner
    19   of the sculpture, and thus the provenance is “not significantly probative” of Phyliss’s contradictory
    20   theory that Paul granted her an ownership interest that survived until the sale. Anderson, 
    477 U.S. 21
       at 249–50.     Phyliss’s remaining evidence consists of her own allegation of ownership and
    22   testimony that is, at most, consistent with an inference that she at one time believed she owned the
    23   sculpture. The district court correctly held that no reasonable jury, viewing this evidence, could
    3
    1   resolve the ultimate question of ownership in Phyliss’s favor. See, e.g., Heublein, Inc. v. United
    2   States, 
    996 F.2d 1455
    , 1461 (2d Cir. 1993) (“Genuine issues of fact are not created by conclusory
    3   allegations.”).
    4           Finally, Phyliss contends that if we find the record evidence insufficient to support her
    5   claim of ownership, we should nevertheless remand to the district court to allow her a “proper and
    6   sufficient opportunity” to develop her arguments. Appellant’s Br. at 20. On review of the record,
    7   we are satisfied that Phyliss had such an opportunity.        In particular, this case is readily
    8   distinguishable from American Plastic Equipment, Inc. v. CBS Inc., 
    886 F.2d 521
     (2d Cir. 1989),
    9   on which Phyliss relies. Unlike the non-moving party in American Plastic, Phyliss herself raised
    10   a new theory of the case in her opposition to Helwaser’s summary judgment motion. And she
    11   gives no reason to believe that she received inadequate discovery or was otherwise prejudiced in
    12   any way. There is no basis for remand.
    13           We have considered the appellant’s remaining arguments and conclude that they are
    14   without merit. For the foregoing reasons, we AFFIRM the judgment of the district court.
    15                                                FOR THE COURT:
    16                                                Catherine O’Hagan Wolfe, Clerk of Court
    4