Sound of Music Co v. MN Mining ( 2007 )


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  •                              In the
    United States Court of Appeals
    For the Seventh Circuit
    ____________
    No. 05-4109
    SOUND OF MUSIC CO.,
    Plaintiff-Appellant,
    v.
    MINNESOTA MINING AND
    MANUFACTURING CO.,
    Defendant-Appellee.
    ____________
    Appeal from the United States District Court
    for the Northern District of Illinois, Eastern Division.
    No. 99 C 639—John A. Nordberg, Judge.
    ____________
    ARGUED SEPTEMBER 18, 2006—DECIDED FEBRUARY 13, 2007
    ____________
    Before BAUER, ROVNER, and WILLIAMS, Circuit Judges.
    WILLIAMS, Circuit Judge. When Minnesota Mining and
    Manufacturing Company, more commonly known as “3M”,
    decided to end its involvement in the background music
    business, 3M’s dealers, including the Sound of Music
    company, were understandably concerned. In this suit, we
    consider whether Sound of Music has legal recourse for
    3M’s decision to terminate the parties’ background music
    business relationship. We conclude that 3M did not breach
    its contract with Sound of Music, as the contract allowed
    3M to terminate the agreement by providing Sound of
    2                                              No. 05-4109
    Music twelve months’ advance written notice of its inten-
    tion to leave the background music business, as it did here.
    Because we also find that Sound of Music cannot obtain
    relief under either the Illinois or Minnesota franchise
    statutes, we affirm the district court’s grant of summary
    judgment in favor of 3M. In addition, we affirm the district
    court’s decision to deny Sound of Music leave to file a
    second amended complaint to add a claim under the Illinois
    Consumer Fraud Act because the claim would not survive
    a motion for summary judgment.
    I. BACKGROUND
    3M, a diversified company based in Minnesota with
    thousands of products, was once in the background music
    business. In that business, 3M supplied pre-recorded and
    satellite-transmitted background music, as well as the
    equipment that played the music. The Sound of Music
    company, founded in 1973 by former 3M employee Richard
    Cushing, became one of many businesses that marketed
    and sold 3M’s background music products to end users,
    including businesses which played the background music in
    their stores. Sound of Music had its offices in Illinois but
    had contracts with businesses and stores throughout the
    country, including in Minnesota.
    Sound of Music and 3M had several agreements govern-
    ing their relationship. On October 14, 1993, 3M terminated
    an agreement the parties had signed in 1988. The parties’
    next agreement, executed on May 5, 1995, plays a central
    role in this case. Under the 1995 agreement, Sound of
    Music was a non-exclusive distributor of 3M background
    music and background music equipment. The 1995 agree-
    ment provided that it would continue “until December 31,
    1999, unless earlier terminated by either party as pro-
    vided herein.”
    No. 05-4109                                               3
    As in many industries, the technology in the background
    music business has changed over the years. When Sound of
    Music and 3M first began their relationship, background
    music was supplied to end users through magnetic tapes, a
    3M product. By the late 1980s, the industry had moved
    away from magnetic tapes, and suppliers instead used an
    analog satellite signal to transmit music. 3M leased
    satellite space from a North Carolina company to broadcast
    the signal for end users, and 3M provided equipment that
    allowed end users to convert the analog signal into music
    that could be played in their stores.
    During the 1990s, 3M became concerned that the industry
    was shifting from analog to digital technology. As a result,
    it believed that it would incur significant costs if it re-
    mained in the background music business. In 1997, 3M
    asked Donald Will, one of its employees, to evaluate the
    company’s background music business. Will’s team con-
    cluded that: (1) growth of the background music business
    beyond the current satellite contract would not be wise
    because 3M employed aging technology; (2) no serious
    potential buyer for the background music business existed;
    and (3) shutting down the background music project quickly
    would give 3M’s dealers at least twelve months’ notice and
    would enable the company to use gains from the sale of
    another division to offset expected losses from a rapid
    shutdown. On October 21, 1997, Will completed a report
    and recommended a rapid shutdown of 3M’s background
    music business. Shortly thereafter, 3M decided to follow his
    recommendation. On November 18, 1997, 3M sent a letter
    to Sound of Music stating that 3M would terminate its
    involvement in the background music business as of
    December 31, 1998. By its terms, the agreement would not
    have expired until December 31, 1999.
    Three days after receiving the letter, Sound of Music
    contacted its attorney for advice. Sound of Music was
    concerned about the substantial investment it had placed in
    the background music business. During the time the 1988
    4                                                No. 05-4109
    agreement governed, 3M leased “downlink equipment” to
    Sound of Music and other dealers. Sound of Music then
    subleased the equipment to its customers, who used it to
    receive and play the satellite music in their stores. By
    October 1997, however, Sound of Music had purchased the
    downlink equipment from 3M at a cost of approximately
    $600,000 and owned it outright. In the weeks and months
    following receipt of the termination letter, Sound of Music’s
    counsel researched options including possible legal reme-
    dies Sound of Music might have against 3M for the termina-
    tion of the 1995 Agreement. Ultimately, in April 1998,
    Sound of Music was sold to Muzak, another background
    service provider.
    Sound of Music filed a complaint against 3M on Febru-
    ary 2, 1999, alleging claims for breach of contract, violation
    of the Illinois Franchise Disclosure Act, violation of the
    Minnesota Franchise Act, and equitable recoupment. The
    district court granted summary judgment in favor of 3M on
    all counts and denied Sound of Music’s request for leave to
    file a second amended complaint. Sound of Music appeals.
    II. ANALYSIS
    A. Summary Judgment
    1. Standard of Review
    We review a district court’s grant of summary judgment
    de novo. Vision Church v. Vill. of Long Grove, 
    468 F.3d 975
    ,
    988 (7th Cir. 2006). Summary judgment is proper “if the
    pleadings, depositions, answers to interrogatories, and
    admissions on file, together with the affidavits, if any, show
    that there is no genuine issue as to any material fact and
    that the moving party is entitled to a judgment as a matter
    of law.” Fed. R. Civ. P. 56(c); see also Celotex Corp. v.
    Catrett, 
    477 U.S. 317
    , 322 (1986).
    As an initial matter, we note that contrary to Sound of
    Music’s assertion, the district court did not need to explic-
    No. 05-4109                                                5
    itly reconcile all the differences between 3M’s Statement of
    Undisputed Facts and Sound of Music’s response to 3M’s
    Statement when it ruled on 3M’s motion for summary
    judgment. Instead, the district court needed only to decide
    whether, based on the evidence in the record, a material
    dispute of fact existed that required trial. See Fed. R. Civ.
    P. 56(c); Waldridge v. Am. Hoechst Corp., 
    24 F.3d 918
    ,
    920 (7th Cir. 1994). The district court did so in a thorough
    opinion and concluded that there was no genuine issue of
    material fact. Sound of Music maintains that this decision
    was erroneous, as it contends summary judgment should
    not have been granted on its claims for breach of contract,
    violation of the Illinois Franchise Disclosure Act, and
    violation of the Minnesota Franchise Act. We now address
    these arguments.
    2. Breach of Contract Claim
    Sound of Music first argues that the district court improp-
    erly granted summary judgment on its claim that 3M
    breached a contract between the parties when 3M termi-
    nated the 1995 agreement. Although the parties do not
    discuss whether Minnesota or Illinois law applies to this
    claim, the 1995 agreement contains a provision stating that
    Minnesota law will apply to any “questions, claims, dis-
    putes, or litigation arising from or related to this Agree-
    ment.” In a suit where the federal court’s subject matter
    jurisdiction is based on diversity, such as this one, the
    forum state’s choice of law rules determine the applicable
    substantive law. Klaxon Co. v. Stentor Elec. Mfg. Co., 
    313 U.S. 487
    , 496 (1941); Thomas v. Guardsmark, Inc., 
    381 F.3d 701
    , 704-05 (7th Cir. 2004). Illinois courts generally adhere
    to a contract’s choice of law provisions. Thomas, 
    381 F.3d at 705
     (stating Illinois respects a contract’s choice of law
    clause if the contract is valid and the law does not contra-
    dict Illinois’s fundamental public policy); Kohler v. Leslie
    6                                               No. 05-4109
    Hindman, Inc., 
    80 F.3d 1181
    , 1184-85 (7th Cir. 1996).
    Because we see no reason why we should not recognize the
    parties’ choice of Minnesota law as we analyze whether a
    breach of the contract took place, we will apply Minnesota
    law to this claim.
    To prevail on a breach of contract action under Minnesota
    law, a plaintiff must prove: (1) the formation of a contract;
    (2) performance by the plaintiff of any conditions precedent
    to the right to demand performance by the defendant; (3)
    breach of the contract by the defendant; and (4) damages
    resulting from that breach. Indus. Rubber Applicators, Inc.
    v. Eaton Metal Prods. Co., 
    171 N.W.2d 728
    , 731 (Minn.
    1969); D.H. Blattner & Sons, Inc. v. Firemen’s Ins. Co., 
    535 N.W.2d 671
    , 675 (Minn. Ct. App. 1995). The parties agree
    that the 1995 Agreement constituted a valid contract and
    that Sound of Music had performed its obligations under
    the contract. They dispute, however, whether 3M’s termina-
    tion of the parties’ relationship constituted a breach of the
    1995 agreement.
    The 1995 agreement provided that it was to continue
    until December 31, 1999. The agreement also provided,
    however, that it could be terminated sooner if certain
    conditions were met. In particular, the agreement’s termi-
    nation provision stated:
    15.0. TERMINATION. This Agreement may be
    terminated by the parties as follows:
    A. Either 3M or Dealer may terminate
    this Agreement if the other materially
    breaches the Agreement by giving
    ninety (90) days’ written notice . . . .
    B. By either party immediately upon writ-
    ten notice by one party to the other, if
    that other party files or has filed
    against it a petition under any bank-
    No. 05-4109                                                 7
    ruptcy act, has a receiver appointed for
    any of its assets, . . . .
    C. In the event of bankruptcy by Dealer or
    if Dealer is unable to perform its mate-
    rial obligations to end users or to 3M,
    3M may substitute for Dealer and fulfill
    its obligations under the music service
    agreement. In such event end user will
    make payments directly to 3M.
    D. Upon 3M’s exit from the business by
    sale, divestiture, assignment of assets,
    or any other manner of exit, or any
    other material transfer of ownership of
    the Equipment or Music Service portion
    of either Party’s business upon twelve
    (12) months’ advance written notice.
    By providing Sound of Music with over twelve months’
    advance written notice that it was exiting the background
    music business, 3M contends it properly terminated the
    agreement pursuant to section D of paragraph 15.0. Sound
    of Music, however, argues that 3M did not terminate the
    relationship in a manner allowed by the agreement.
    a. Unilateral termination
    Sound of Music first argues that section 15.0(D) did not
    allow 3M to unilaterally terminate the agreement. Instead,
    Sound of Music contends that both parties must agree to
    end the relationship for termination under section 15.0(D)
    to be proper. To support its argument, Sound of Music
    points first to the introductory language in paragraph 15.0,
    which provides that the agreement may be terminated by
    “the parties” (plural, Sound of Music emphasizes) for the
    reasons that follow it. Sound of Music also points to sections
    A and B of paragraph 15.0, which specifically provide that
    8                                                No. 05-4109
    “either” party may terminate the agreement. Because the
    “either party” language does not appear in section D, and
    the introductory language to the entire paragraph provides
    that termination may occur by “the parties,” Sound of
    Music concludes that termination under 15.0(D) can only
    occur if both parties agree to terminate the agreement.
    We do not read the agreement as Sound of Music does.
    First, the introductory “by the parties” phrase does not
    contain any limitation on which party may use the provi-
    sions that follow it, and neither the paragraph’s introduc-
    tory language nor section 15.0(D) states that consent of
    both parties is necessary for proper termination. In addi-
    tion, that termination pursuant to section 15.0(D) is
    contingent upon sufficient advance notice suggests that
    consent is not required, as advance notice would not seem
    critical if a party could simply decline to agree to a proposed
    termination.
    At best, the language in section 15.0(D) is ambiguous,
    meaning that it is susceptible to more than one meaning.
    See Hous. and Redev. Auth. of Chisholm v. Norman, 
    696 N.W.2d 329
    , 337 (Minn. 2005). When a contract is ambigu-
    ous, a court may examine extrinsic evidence to ascertain the
    meaning of the contract. Hickman v. SAFECO Ins. Co. of
    Am., 
    695 N.W.2d 365
    , 369 (Minn. 2005); Norman, 696
    N.W.2d at 337. If the extrinsic evidence is conclusive, the
    proper reading of the contract is not a question of fact. See
    Hickman, 695 N.W.2d at 369.
    Here, the extrinsic evidence conclusively establishes that
    3M could unilaterally terminate the contract upon twelve
    months’ written notice if it exited the background music
    business. The 1995 agreement, and its termination provi-
    sions in particular, resulted from significant negotiations
    between the parties. Unlike the parties’ prior agreement
    signed in 1988, 3M included in its draft of the 1995 agree-
    ment a specific date by which the agreement would expire
    No. 05-4109                                                    9
    on its own terms. 3M’s draft also included a provision
    stating that it could terminate the agreement if it exited the
    business upon ninety days’ advance notice. These proposals
    worried Sound of Music, as it was concerned that 3M might
    leave the background music business (precisely what
    happened here). So Sound of Music asked that the provision
    allowing 3M to terminate the agreement by exiting the
    business be removed entirely, or at least that the agreement
    provide that sixty months’ notice was required to terminate
    the contract if 3M exited the business. 3M, however, would
    not agree. The 1995 agreement reflects that the parties
    ultimately agreed that 3M could terminate the agreement
    if 3M provided twelve months’ advance notice.
    b. Exiting “the business”
    Next, Sound of Music contends that 3M did not exit “the
    business”, as termination pursuant to section 15.0(D)
    required. The agreement does not define the term, “the
    business”, and Sound of Music maintains that “the busi-
    ness” should be read to include more product areas than
    those addressed in the 1995 agreement.1
    1
    Paragraph 1.0 of the 1995 agreement provided that Sound of
    Music was a non-exclusive distributor of 3M Sound Products
    Satellite Reception Equipment and/or 3M Brand Satellite Music
    Service. The text of paragraph 1.0 provides:
    DEALER RELATIONSHIP. This Agreement defines the
    dealer relationship between 3M and Dealer. 3M appoints
    Dealer as a non-exclusive distributor of 3M brand Sound
    Products Satellite Reception Equipment (“Equipment”)
    and/or 3M Brand Satellite Music Service (“Music Ser-
    vices”). For the purposes of this Agreement “Music
    Services” shall be defined as 3M providing a multi-
    channel signal from a designated satellite containing
    music and/or commercial messages to specified receiving
    (continued...)
    10                                                    No. 05-4109
    In particular, Sound of Music contends that the 1995
    agreement should be read to allow for termination only if
    3M terminated its entire “InTouch business.” This division
    included not just background music but also wireless
    communications, for example. Sound of Music draws its
    conclusion from the termination letter it received from 3M,
    which stated in part:
    For the past several months, 3M has been carefully
    evaluating its InTouch business. We have decided
    that a change in strategic business direction is
    necessary. As a result, we will terminate our DBS
    broadcast business on Dec. 31, 1998 . . . . We will
    continue to operate our other In-Touch Businesses.
    “DBS” was shorthand for “direct broadcast satellite,” and
    Sound of Music acknowledges that the letter informed
    Sound of Music that 3M was ending its satellite background
    music services business.
    Significantly, the only subject of the agreement was the
    background music services business. The agreement makes
    no mention of the InTouch line of business (nor of any of
    3M’s thousands of other products). We find nothing in the
    agreement or anywhere else in the record to indicate that
    the parties intended to make 3M’s ability to terminate by
    exiting “the business” contingent on businesses which were
    not the subject of the agreement. Because Sound of Music
    acknowledges that 3M gave it at least twelve months’
    1
    (...continued)
    equipment and satellite dishes at various designated
    customer locations of Dealer. 3M agrees to provide Music
    Services and Equipment to Dealer according to the terms
    and conditions stated on 3M’s price pages for the purpose
    of Dealer providing Equipment and Music Service to end-
    user customers. Dealer agrees to distribute 3M Music
    Services and Equipment.
    No. 05-4109                                                    11
    written notice that it was terminating its background music
    business, 3M properly terminated the agreement pursuant
    to section 15.0(D). Summary judgment in favor of 3M on the
    breach of contract claim was therefore proper.
    3. Illinois Franchise Disclosure Act Claim
    Sound of Music next argues that the entry of summary
    judgment on its claim under the Illinois Franchise Disclo-
    sure Act (“Illinois Franchise Act”) was erroneous.2 The
    Illinois Franchise Act provides that a franchisor may not
    terminate a franchise located in Illinois prior to the expira-
    tion of its term unless “good cause” exists to do so. 815 Ill.
    Comp. Stat. 705/19(a) (2000). But the Act also provides that
    actions thereunder must be brought within one year “after
    the franchisee becomes aware of facts or circumstances
    reasonably indicating that he may have a claim for relief in
    respect to conduct governed by” the Act. 815 Ill. Comp. Stat.
    705/27. The district court granted summary judgment on
    Sound of Music’s claim under the Illinois statute after
    2
    Although the 1995 agreement provided that it would be
    governed by Minnesota law, Sound of Music’s offices were all in
    Illinois. The Illinois franchise statute contains an anti-waiver
    provision. See 815 Ill. Comp. Stat. 705/41 (“Any condition,
    stipulation, or provision purporting to bind any person acquiring
    any franchise to waive compliance with any provision of this
    Act or any other law of this State is void.”). Through this provi-
    sion, “Illinois, like many other states, has made it clear that
    parties cannot opt out of the coverage of the act for Illinois
    franchisees.” To-Am Equip. Co. v. Mitsubishi Caterpillar Forklift
    Am., Inc., 
    152 F.3d 658
    , 662 (7th Cir. 1998) (considering Illinois
    franchisee’s claim under the Illinois franchise statute even though
    parties’ agreement stated Texas law governed). 3M does not
    contend that the agreement’s choice of law clause means we
    cannot consider Sound of Music’s claim under the Illinois Fran-
    chise Act.
    12                                              No. 05-4109
    concluding that the statute of limitations had expired before
    Sound of Music filed suit.
    Although Sound of Music received notice in November
    1997 that 3M would cease its background music services
    business at the end of 1998, Sound of Music did not file its
    complaint until February 2, 1999. Sound of Music acknowl-
    edges that it did not bring its claim until more than a year
    after it received the notice of termination, but it maintains
    that an issue of fact exists as to whether facts or circum-
    stances “reasonably indicated” to Sound of Music that it
    might have a claim under the Illinois Franchise Act before
    February of 1998 (i.e., one year before it filed suit).
    We disagree. Our decision in Pyramid Controls Inc. v.
    Siemens Industrial Automation, Inc., 
    172 F.3d 516
     (7th Cir.
    1999), governs here, and it demonstrates that the district
    court’s grant of summary judgment was proper. In Pyramid
    Controls, a manufacturer sent the plaintiff distributor a
    one-year notice that it was terminating their relationship,
    pursuant to a clause in the distribution agreement. 
    172 F.3d at 517
    . Shortly after learning of the impending
    termination, the plaintiff’s president consulted his com-
    pany’s attorney. 
    Id.
     The attorney considered various causes
    of action, although not one under the Illinois franchise
    statute, and then told the plaintiff it had no legal remedy.
    
    Id.
     More than a year later, when a different attorney
    concluded a viable claim under the Illinois franchise statute
    existed, the plaintiff filed suit. 
    Id. at 518
    . Although the
    plaintiff contended actual knowledge of an Illinois Fran-
    chise Act claim was necessary before a business could
    become “aware of facts or circumstances reasonably indicat-
    ing that he may have a claim for relief” under the statute,
    we disagreed. 
    Id. at 518-19
    . An examination of the statu-
    tory language and Illinois state court decisions, including
    Brenkman v. Belmont Marketing, Inc., 
    410 N.E.2d 500
     (Ill.
    App. Ct. 1980), led us to conclude that “Illinois courts have
    decided that knowledge of facts reasonably indicating a
    No. 05-4109                                                13
    claim plus consultation with an attorney is enough” to
    trigger the statute of limitations clock. Pyramid Controls,
    
    172 F.3d at 519
    .
    No Illinois decision after Pyramid Controls suggests our
    conclusion was incorrect, and Sound of Music does not press
    us to overturn that decision. Instead, it argues first that it
    was reasonable for its attorneys to take slightly over two
    months to review many years of documents to find support
    for a claim under the Illinois franchise statute. (Sound of
    Music would like the statute of limitations clock to begin
    ticking in February 1998, a little over two months after it
    received 3M’s notice of termination and exactly one year
    before it filed suit.) Unfortunately for Sound of Music,
    Pyramid Controls instructs that the “reasonableness” of the
    attorneys’ review is irrelevant here. Instead, the statute of
    limitations began to run when Sound of Music had knowl-
    edge of facts reasonably indicating a claim and it had
    consulted its attorney. There is no requirement that the
    attorney know a viable claim exists. See 
    id. at 519
     (reject-
    ing argument that actual knowledge of claim under Illinois
    franchise statute necessary to trigger statute of limita-
    tions).
    In this case, Sound of Music acquired the requisite
    awareness in November 1997 when it received the termina-
    tion notice from 3M. That letter stated 3M’s intent to
    terminate the 1995 agreement because 3M intended to
    leave the background music business. Sound of Music knew
    sufficient facts reasonably indicating that a claim under the
    Illinois Franchise Act existed in November 1997, more than
    a year before it asserted this claim against 3M.
    Also in November 1997, only three days after Sound of
    Music received 3M’s termination letter, Sound of Music
    consulted its attorney seeking advice. After reviewing the
    letter, the attorney discussed with Sound of Music the
    possibility of continuing the business through obtaining
    14                                               No. 05-4109
    satellite services so that customers of Sound of Music could
    be serviced and the business could continue. This attorney,
    the same attorney who had represented Sound of Music
    when it signed the 1988 agreement with 3M, also directed
    the research of possible legal remedies against 3M. Thus,
    Sound of Music had facts reasonably indicating a claim
    under the Illinois Franchise Act and presented these facts
    to its attorney in November 1997, and it did not file suit
    until more than a year later.
    In a separate argument, Sound of Music contends that the
    statute of limitations should have been triggered not when
    it had facts reasonably indicating a claim and presented
    them to its attorney, but only when its damages were
    ascertainable. Sound of Music contends its damages from
    the termination were not ascertainable until the spring of
    1998, when it sold its business. No case to which Sound of
    Music points supports its argument. First, in Profit Man-
    agement Development, Inc. v. Jacobson, Brandvik, and
    Anderson, Ltd., 
    721 N.E.2d 826
     (Ill. App. Ct. 1999), the
    Illinois Appellate Court stated that although actual dam-
    ages were an essential element of the legal malpractice
    claim at issue, damages were speculative, and thus pre-
    vented a trigger of the statute of limitations, “only if their
    existence itself is uncertain and not if the amount is
    uncertain or yet to be fully determined.” 
    721 N.E.2d at 842
    .
    Similarly, in Midwest Commerce Banking Co. v. Elkhart
    City Centre, 
    4 F.3d 521
     (7th Cir. 1993), we stated that
    damages “are for people who have been harmed,” and that
    the statute of limitations on the tort action at issue would
    not begin to run until harm occurred. 4 F.3d at 526.
    In this case, Sound of Music knew in November 1997 of
    the consequences of the agreement’s termination. Indeed, it
    consulted its attorney almost immediately to investigate
    possible legal remedies for 3M’s decision to terminate the
    parties’ relationship. Even if Sound of Music did not know
    the exact amount of its damages in November 1997, it knew
    No. 05-4109                                                15
    at that time that it had been “harmed.” The one-year
    statute of limitations began to run in November 1997 when
    Sound of Music acquired facts reasonably indicating a claim
    under the Illinois franchise statute and consulted with its
    attorney, and the district court correctly granted summary
    judgment on this claim because Sound of Music did not file
    its claim until more than a year later. In light of our
    determination that Sound of Music’s Illinois Franchise Act
    claim was untimely, we need not address 3M’s additional
    arguments in support of the district court’s decision to grant
    summary judgment on this claim.
    4. Minnesota Franchise Act Claim
    Sound of Music also disagrees with the district court’s
    decision to grant summary judgment in favor of 3M on
    Sound of Music’s claim under the Minnesota Franchise Act.
    Like the Illinois Franchise Disclosure Act, the Minnesota
    Franchise Act provides that a franchise may not be termi-
    nated “except for good cause.” Minn. Stat. § 80C.14, Subd.
    3(b) (2006). Sound of Music maintains 3M violated this
    provision by terminating the 1995 agreement without good
    cause.
    3M raises multiple arguments in support of the district
    court’s decision, including its contention that Sound of
    Music waived any right it may have had to claim it was a
    “franchisee” within the meaning of the Minnesota Franchise
    Act. Specifically, 3M points to paragraph 4.0 of the 1995
    Agreement, which states: “The relationship between 3M
    and [Sound of Music] is that of a supplier to its distributor.
    [Sound of Music] is not an agent, partner, involved in a joint
    venture with, or franchisee of 3M.” (Emphasis added). But
    the Minnesota Court of Appeals has stated that the require-
    ments in the Minnesota Franchise Act, not the labels used
    by the parties, determine whether a franchise-franchisee
    16                                                   No. 05-4109
    relationship exists. Upper Midwest Sales Co. v. Ecolab, Inc.,
    
    577 N.W.2d 236
    , 241 (Minn. Ct. App. 1998).3
    In any event, resolution of the effect of paragraph 4.0 is
    not necessary. We conclude that even if the Agreement did
    not preclude Sound of Music from bringing a claim under
    the Minnesota Franchise Act, summary judgment was
    proper because the agreement between 3M and Sound of
    3
    Sound of Music also contends that the Minnesota Franchise
    Act’s anti-waiver provision means paragraph 4.0 should not be
    given effect. The statute provides:
    Any condition, stipulation or provision, including any
    choice of law provision, purporting to bind any person
    who, at the time of acquiring a franchise is a resident of
    this state . . . or purporting to bind a person acquiring
    any franchise to be operated in this state to waive
    compliance or which has the effect of waiving compliance
    with any provision of section 80C.01 to 80C.22 or any
    rule or order thereunder is void.
    Minn. Stat. § 80C.21 (2006). 3M argues that this provision does
    not help Sound of Music, as by its terms, the Minnesota Franchise
    Act’s anti-waiver provision only applies to franchise owners who
    were residents of Minnesota at the time of acquisition or to
    persons acquiring franchises to be operated in Minnesota. See also
    Martin Investors, Inc. v. Vander Bie, 
    269 N.W.2d 868
    , 872
    (Minn. 1978) (“Chapter 80C was adopted in 1973 as remedial
    legislation designed to protect potential franchisees within
    Minnesota from unfair contracts and other prevalent and previ-
    ously unregulated abuses in a growing national franchise indus-
    try.”). Sound of Music, an Illinois corporation, was never a
    Minnesota resident. However, Minnesota courts have not dis-
    cussed whether a business such as Sound of Music that sold to
    customers in Minnesota constitutes a “franchise to be operated in
    this state” if the other requirements to establish a franchise-
    franchisee relationship are met. Because we conclude that Sound
    of Music has not satisfied the statutory requirements necessary
    to establish a franchise agreement, we need not address this
    argument.
    No. 05-4109                                                  17
    Music was not a “franchise” under the Act. Under the
    Minnesota Franchise Act, a “franchise” is “a contract or
    agreement, either express or implied, whether oral or
    written, for a definite or indefinite period, between two or
    more persons”:
    (i) by which a franchisee is granted the right to
    engage in the business of offering or distributing
    goods or services using the franchisor’s trade name,
    trademark, service mark, logotype, advertising, or
    other commercial symbol or related characteristics;
    (ii) in which the franchisor and franchisee have a
    community of interest in the marketing of goods or
    services at wholesale, retail, by lease, agreement, or
    otherwise; and
    (iii) for which the franchisee pays, directly or
    indirectly, a franchise fee.
    Minn. Stat. § 80C.01, Subd. 4(a)(1).4 All three elements
    must be present for a franchise to fall within the Minnesota
    Franchise Act’s purview. OT Indus., Inc. v. OT-tehdas Oy
    Santasalo-Sohlberg Ab, 
    346 N.W.2d 162
    , 166 (Minn. Ct.
    App. 1984).
    In this case, Sound of Music has not demonstrated that a
    genuine issue of material fact exists as to whether it paid a
    franchise fee for the agreement between Sound of Music
    and 3M. Under the Minnesota Franchise Act, a “franchise
    fee” is any fee a franchisee must pay or agrees to pay “for
    the right to enter into a business or to continue a business
    under a franchise agreement.” Minn. Stat. § 80C.01,
    Subd. 9. Such a fee includes “the payment either in lump
    sum or by installments of an initial capital investment fee,
    4
    The Minnesota Franchise Act sets forth additional circum-
    stances under which a franchise can occur that are not relevant
    here. See Minn. Stat. § 80C.01, Subd. 4(a)(2)-(4).
    18                                                    No. 05-4109
    any fee or charges based upon a percentage of gross or net
    sales whether or not referred to as royalty fees, any pay-
    ment for goods or services, or any training fees or training
    school fees or charges.” Id.5
    Sound of Music maintains in this suit that 3M’s termina-
    tion of the 1995 agreement violated the Minnesota Fran-
    chise Act, yet it does not contend that it paid a franchise fee
    for the agreement the parties entered into in 1995. Nor
    could it succeed on such an argument. The 1995 agreement
    in the record makes no mention of a franchise fee or any fee
    that Sound of Music had to pay for the right to enter into or
    continue business with 3M. And, notably, Sound of Music
    does not contend that any evidence in the record indicates
    it paid a franchise fee for the 1995 agreement.
    Instead, Sound of Music apparently contends that a $2400
    “dealer reception fee” it paid pursuant to the 1988 agree-
    ment constituted a franchise fee sufficient to establish that
    Sound of Music was a 3M franchisee at the time 3M
    terminated the 1995 agreement. It is undisputed, however,
    that in 1993, 3M terminated the 1988 agreement. (The
    propriety of that termination is not at issue in this suit.)
    The record is also clear that the parties negotiated the 1995
    agreement as a stand-alone contract. Moreover, there is no
    evidence in the record that either party considered the 1995
    agreement a renewal or extension of an earlier agreement.
    5
    The statute also excludes from the definition of “franchise”
    any agreement “whereby the franchisee is required to pay less
    than $100 an annual basis.” Minn. Stat. § 80C.01, Subd. 4(c). The
    Supreme Court of Minnesota has interpreted this exclusion to
    apply only when a manufacturer sells directly to the ultimate user
    or consumer. Current Tech. Concepts, Inc. v. Irie Enters., Inc., 
    530 N.W.2d 539
    , 544 (Minn. 1995) (finding one-time $125,000 payment
    constituted franchise fee under Minnesota Franchise Act). Sound
    of Music sold to end users under the agreement at issue, and 3M
    does not argue in its brief that this exclusion applies in this case.
    No. 05-4109                                                 19
    In other words, we have no reason to believe that the terms
    of the 1988 agreement had any bearing on the 1995 agree-
    ment. Sound of Music also does not point us to any evidence
    indicating that a new dealer who sought to distribute 3M’s
    background music in 1995 would need to pay a “dealer
    reception fee” for the right to enter into this business.
    Moreover, we have doubts that the “dealer reception fee”
    paid pursuant to the terminated 1988 agreement consti-
    tuted a “franchise fee” in 1988. Not all payments made by
    a purported franchisee over the course of a business
    relationship constitute franchise fees. Instead, only fees
    paid for the “right” to enter into a business or the “right” to
    continue a business qualify. See Minn. Stat. § 80C.01, Subd.
    9. Ordinary business expenses, for example, do not consti-
    tute franchise fees under the Minnesota Franchise Act. OT
    Indus., 
    346 N.W.2d at 167
    ; RJM Sales & Mktg., Inc. v.
    Banfi Prods. Corp., 
    546 F. Supp. 1368
    , 1373 (D. Minn.
    1982). Agreements to purchase goods at a bona fide whole-
    sale price, Minn. Stat. § 80C.01, Subd. 9(a), and reasonable
    minimum purchase commitments are also not franchise
    fees. Upper Midwest Sales Co. v. Ecolab, Inc., 
    577 N.W.2d 236
    , 241-43 (Minn. Ct. App.1998); Banbury v. Omnitrition
    Int’l Inc., 
    533 N.W.2d 876
    , 882 (Minn. Ct. App.1995); Am.
    Parts Sys., Inc. v. T & T Auto., Inc., 
    358 N.W.2d 674
    , 676-77
    (Minn. Ct. App. 1984).
    Sound of Music signed its first agreement to distribute
    3M’s background music in 1973, and there is no suggestion
    that Sound of Music paid a franchise fee at that time. When
    3M began using a satellite signal instead of magnetic tapes
    to supply the music, the parties signed a new agreement.
    This agreement, signed in 1988, is entitled the “3M Satel-
    lite Network/Dealer Lease Agreement.” The 1988 agree-
    ment states that 3M agreed to lease satellite reception
    equipment to Sound of Music “for the purpose of subleasing
    to end customers” according to prices on an attached price
    schedule. Although this schedule listed an “Entry Fee (One
    20                                             No. 05-4109
    Time)” of $2400, the text of the agreement suggests that
    this was a fee charged to dealers for the space 3M leased on
    the satellite that transmitted music signals, not a fee for
    the “right to enter” or continue in the background music
    business with 3M. There is no indication, for instance, that
    3M retained a portion of this fee beyond that which it paid
    to the satellite company or that it charged an above-market
    rate. Cf. Upper Midwest Sales Co., 
    577 N.W.2d at 242
    (finding no franchise fee where there was “no evidence that
    the [minimum purchase commitments] were not at the
    ordinary, wholesale price or that the distributors were
    required to purchase unreasonable amounts of inventory”).
    We conclude that the record does not support Sound of
    Music’s argument that it paid a franchise fee for the 1995
    agreement. As a result, the agreement between Sound of
    Music and 3M was not a franchise agreement, and sum-
    mary judgment on Sound of Music’s claim under the
    Minnesota Franchise Act was proper.
    B. Denial of Leave to File Second Amended Com-
    plaint
    Finally, Sound of Music contends that the district court
    should have granted its motion for leave to file a second
    amended complaint to add a new claim under the Illinois
    Consumer Fraud and Deceptive Business Practices Act (the
    “Illinois Consumer Fraud Act”), 815 Ill. Comp. Stat. 505/2.
    We review a district court’s decision to deny leave to file
    an amended complaint for abuse of discretion. Butts v.
    Aurora Health Care, Inc., 
    387 F.3d 921
    , 925 (7th Cir. 2004).
    Although Federal Rule of Civil Procedure 15(a) instructs
    that leave to amend shall be freely given “when justice so
    requires,” a district court may deny a plaintiff leave to
    amend if “there is undue delay, bad faith[,] or dilatory
    motive . . . [, or] undue prejudice to the opposing party by
    No. 05-4109                                                  21
    virtue of allowance of the amendment, [or] futility of
    amendment.” Park v. City of Chi., 
    297 F.3d 606
    , 612 (7th
    Cir. 2002) (citing Ferguson v. Roberts, 
    11 F.3d 696
    , 706
    (7th Cir. 1993)). If the amended claim would not survive a
    motion for summary judgment, the amendment is futile.
    Bethany Pharmacal Co. v. QVC, Inc., 
    241 F.3d 854
    , 861 (7th
    Cir. 2001). In this case, the district court found the request
    untimely and determined that the amendment would be
    futile.
    Sound of Music did not file its request until after discov-
    ery had closed. Nonetheless, Sound of Music contends that
    any untimeliness should not bar its request because it did
    not seek additional discovery to support its Illinois Con-
    sumer Fraud Act claim. As a result, it argues, 3M was not
    harmed by any delay in bringing this claim.
    On this record, however, we agree with the district court
    that the amendment would have been futile in light of the
    lack of evidence to support Sound of Music’s proposed claim
    under the Illinois Consumer Fraud Act. The Illinois Con-
    sumer Fraud Act prohibits:
    Unfair . . . or deceptive acts or practices, including
    but not limited to the use or employment of any
    deception, fraud, false pretense, false promise,
    misrepresentation or the concealment, suppression
    or omission of any material fact, with intent that
    others rely upon the concealment, suppression, or
    omission of such material fact . . . in the conduct of
    any trade or commerce.
    815 Ill. Comp. Stat. 505/2. Accordingly, Sound of Music
    needed to establish the following elements to succeed on
    its proposed claim: (1) a deceptive act or practice by the
    defendant; (2) the defendant’s intent that the plaintiff rely
    on the deception; (3) that the deception occur in a course of
    conduct involving trade and commerce; and (4) actual
    damage to the plaintiff; (5) proximately caused by the
    22                                              No. 05-4109
    deception. See Oliveira v. Amoco Oil Co., 
    776 N.E.2d 151
    ,
    160 (Ill. 2002); Connick v. Suzuki Motor Co., 
    675 N.E.2d 584
    , 593 (Ill. 1996). Sound of Music is correct that unlike
    a common law fraud claim, a successful claim under the
    Illinois Consumer Fraud Act does not require that the
    plaintiff have relied on the deception. See Connick, 
    675 N.E.2d at 593
    ; Siegel v. Levy Org. Dev. Co., Inc., 
    607 N.E.2d 194
    , 198 (Ill. 1992).
    The evidence to which Sound of Music points does not
    suggest that 3M committed a deceptive act or practice, let
    alone that 3M intended that Sound of Music rely on any
    deception instead of on the agreement’s text providing that
    it would expire on its own terms on December 31, 1999.
    Sound of Music’s proposed claim is grounded in 3M state-
    ments that 3M had a contract with a projected orbital life
    to the year 2005 (a true statement) and that it had a plan
    to “provide service into the twenty-first century.” In es-
    sence, Sound of Music contends that 3M made statements
    such as these to induce Sound of Music into signing the
    1995 agreement and to create a perception that Sound of
    Music could comfortably make substantial capital pur-
    chases of equipment, when 3M actually knew it would leave
    the background music business before Sound of Music
    signed the agreement in 1995. See Proposed Second Am.
    Compl. ¶ 65 (“Although [Sound of Music] was first notified
    of the decision to terminate the contract in 1997, the
    decision to terminate the contracts of the dealers was made
    well prior to November 1997.”).
    No evidence in the record supports this assertion. Rather,
    all the evidence in the record indicates that 3M did not
    initiate its review of the viability of its background music
    business until 1997, two years after Sound of Music had
    signed the agreement, and that 3M made its decision to
    leave the background music business in November 1997.
    Similarly, at the time 3M made statements that it had a
    plan to provide service into the next century, it had such a
    plan, and it did not decide to leave the background music
    No. 05-4109                                              23
    business until several years later. Cf. Connick, 
    675 N.E.2d at 594
     (complaint pled deceptive act where it alleged that
    manufacturer represented that car had certain safety
    features, but this information was false). Because the
    Illinois Consumer Fraud Act claim would not survive a
    motion for summary judgment, the district court did not
    abuse its discretion when it denied Sound of Music leave to
    amend to add such a claim.
    III. CONCLUSION
    For the foregoing reasons, the district court’s grant of
    summary judgment in favor of 3M is AFFIRMED.
    A true Copy:
    Teste:
    ________________________________
    Clerk of the United States Court of
    Appeals for the Seventh Circuit
    USCA-02-C-0072—2-13-07
    

Document Info

Docket Number: 05-4109

Judges: Per Curiam

Filed Date: 2/13/2007

Precedential Status: Precedential

Modified Date: 9/24/2015

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RJM Sales & Marketing, Inc. v. Banfi Products Corp. , 546 F. Supp. 1368 ( 1982 )

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Carl E. Thomas v. Guardsmark, Inc. , 381 F.3d 701 ( 2004 )

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American Parts System, Inc. v. T & T Automotive, Inc. , 1984 Minn. App. LEXIS 3843 ( 1984 )

D.H. Blattner & Sons, Inc. v. Firemen's Insurance Co. , 1995 Minn. App. LEXIS 1024 ( 1995 )

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Bethany Pharmacal Company, Incorporated v. Qvc, Incorporated , 241 F.3d 854 ( 2001 )

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OT Industries, Inc. v. OT-tehdas Oy Santasalo-Sohlberg AB , 1984 Minn. LEXIS 1264 ( 1984 )

Connick v. Suzuki Motor Co., Ltd. , 174 Ill. 2d 482 ( 1996 )

Oliveira v. Amoco Oil Co. , 201 Ill. 2d 134 ( 2002 )

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