Muzikowski, Robert v. Paramount Pictures ( 2007 )


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  •                             In the
    United States Court of Appeals
    For the Seventh Circuit
    ____________
    Nos. 05-3004 & 05-3005
    ROBERT E. MUZIKOWSKI,
    Plaintiff-Appellant,
    v.
    PARAMOUNT PICTURES CORP.,
    SFX TOLLIN/ROBBINS, INC. and
    FIREWORKS PICTURES,
    Defendants-Appellees.
    ____________
    Appeals from the United States District Court
    for the Northern District of Illinois, Eastern Division.
    No. 01 C 6721—Charles P. Kocoras, Judge.
    ____________
    ARGUED MAY 5, 2006—DECIDED FEBRUARY 8, 2007
    ____________
    Before KANNE, WOOD, and SYKES, Circuit Judges.
    WOOD, Circuit Judge. Robert Muzikowski has devoted
    years of his life to coaching Little League Baseball teams
    in economically depressed areas of Chicago. His com-
    mitment to this pursuit led to a book about the league he
    co-founded, and later to a movie produced by defendant
    Paramount Pictures entitled Hardball, which was based
    on the book. Muzikowski regarded the movie as defama-
    tory and sued Paramount, claiming that one particular
    character that Muzikowski believed was easily identifi-
    able as himself was portrayed in a negative way, and
    2                                  Nos. 05-3004 & 05-3005
    that this amounted to disseminating falsehoods about
    him and about his league.
    This is the second time that Muzikowski has asked this
    court to reverse a judgment in favor of Paramount. See
    Muzikowski v. Paramount Pictures Corp., 
    322 F.3d 918
    (7th Cir. 2003) (Muzikowski I ). After considering his first
    appeal, we concluded that the district court should not
    have granted Paramount’s motion to dismiss, because
    the heightened pleading standard that the Illinois courts
    use does not apply in federal court to a claim of defama-
    tion per se. 
    Id. at 926
    . When Muzikowski returned to the
    district court, he took advantage of his lawsuit’s second
    lease on life to add several new claims. Nevertheless, the
    district court again rejected his suit and granted sum-
    mary judgment for Paramount. To top things off, the
    court sanctioned Muzikowski’s lawyers from the law firm
    Schuyler, Roche & Zwirner (SRZ) for their repeated fail-
    ure to abide by an order requiring them to identify the
    documents they planned to use at trial in support of
    Muzikowski’s claims.
    Muzikowski now challenges the district court’s grant
    of summary judgment to Paramount on each of his claims.
    In a separate appeal, SRZ contests the district court’s
    sanctions order. We affirm both of the district court’s
    decisions.
    I
    Because the underlying facts of this case are summa-
    rized in our earlier decision, we repeat only those facts
    relevant to the issues raised in this round of appeals.
    Since 1991, Muzikowski has been involved in founding
    and coaching inner-city Little League programs in Chi-
    cago. In 1994, author Daniel Coyle, who had served as an
    assistant coach of a team in a league in which Muzikowski
    Nos. 05-3004 & 05-3005                                     3
    had been involved, published a work of non-fiction titled
    Hardball: A Season in the Projects. Although this book
    focused on the children in the baseball league, it also
    devoted some attention to the coaches, including
    Muzikowski.
    In 1993, Paramount acquired the motion picture rights
    to the book; several years later, in 2001, it released the
    Hardball film. The film told the story of a Little League
    coach named Conor O’Neill. Although the movie claimed
    that it was “a fictitious story and no actual persons, events
    or organizations have been portrayed,” the O’Neill char-
    acter had many similarities to Muzikowski. Both came
    from Irish-Catholic working-class backgrounds; both were
    involved in a bar fight in which they cut their hand;
    both were jailed as a result; both experienced the death
    of their father and financial difficulties. Nevertheless,
    there were also differences between the real Muzikowski
    and the fictional O’Neill. Some were benign and others
    painted O’Neill as a far less reputable figure. On the
    neutral side, there is nothing in the name “Conor O’Neill”
    that would make one think of “Robert Muzikowski.” Also,
    O’Neill is single with no children, unlike Muzikowski.
    O’Neill coached only one team, while Muzikowski co-
    founded and ran more than one league, in addition to
    coaching his teams. Other differences were more trouble-
    some: unlike Muzikowski, who had a history of alcohol
    and drug abuse that he successfully overcame, O’Neill
    was still an alcoholic at the time of the events portrayed
    in the film; O’Neill was a compulsive gambler; and
    O’Neill’s original motivation for becoming involved in the
    team was a selfish desire to pay off a gambling debt.
    Muzikowski was not flattered by the attention he
    received because of the film. To the contrary, he was
    convinced that the movie was a thinly disguised bio-
    graphy of him, although at one point he conceded that
    no fewer than three characters in the film could be con-
    4                                  Nos. 05-3004 & 05-3005
    strued to be him. Muzikowski felt that the movie por-
    trayed him in a false and unflattering light, implying
    wrongly that he (like the O’Neill character) had a drink-
    ing problem and that he (like O’Neill) became a Little
    League coach in order to pay off a gambling debt, rather
    than out of a desire to help children. Offended and deter-
    mined to protect his name, Muzikowski sued Paramount
    for defamation and false light invasion of privacy under
    Illinois law.
    In the initial proceeding before the district court, the
    court dismissed Muzikowski’s complaint under Rule
    12(b)(6), concluding that he had failed to state a claim for
    defamation per se under Illinois law because the Hard-
    ball film was reasonably capable of an “innocent con-
    struction,” meaning, for this purpose, that it could have
    been referring to someone other than Muzikowski. We
    reversed, holding that although the district court acted
    correctly by applying Illinois substantive law, it improp-
    erly held Muzikowski to Illinois’s heightened pleading
    standard rather than the notice pleading requirements of
    Federal Rule 8. Under the more lenient federal pleading
    standard, we explained, Muzikowski “might [still] be
    able to produce evidence showing that there is in fact
    no reasonable interpretation of the movie that would
    support an innocent construction.” Muzikowski I, 
    322 F.3d at 927
    . We reached the same conclusion concerning
    Muzikowski’s false light invasion of privacy claim, explain-
    ing that “[o]ur analysis of the false light claim tracks
    our assessment of the claim for defamation per se.” 
    Id.
    Back in the district court, Muzikowski amended his
    complaint, adding new defamation counts and theories of
    false advertising, intentional infliction of emotional
    distress, and unjust enrichment. This time, the case
    proceeded to summary judgment. Based on the record
    presented by the parties’ submissions, the district court
    granted summary judgment to Paramount. The court
    Nos. 05-3004 & 05-3005                                   5
    also sanctioned Muzikowski’s lawyers for their repeated
    failure to abide by its orders to identify the documents
    they planned to use at trial to support Muzikowski’s
    claims. It ordered SRZ to pay Paramount $50,915.25.
    Muzikowski and SRZ have each appealed.
    II
    The two primary theories on which Muzikowski relies
    are defamation per se and the branch of the common law
    tort of invasion of privacy that penalizes portrayal of the
    plaintiff in a false light. We therefore address those
    arguments first.
    A
    The Supreme Court of Illinois recently summarized the
    law of defamation in Tuite v. Corbitt, 
    2006 WL 3742112
    (Ill. Dec. 21, 2006), as follows:
    A statement is defamatory if it tends to harm a per-
    son’s reputation to the extent that it lowers that
    person in the eyes of the community or deters others
    from associating with that person. . . . Statements
    may be considered defamatory per se or defamatory
    per quod . . . . A statement is defamatory per se if its
    defamatory character is obvious and apparent on
    its face and injury to the plaintiff ’s reputation may
    be presumed. . . . In a defamation per quod action,
    damage to the plaintiff ’s reputation is not presumed.
    Rather, the plaintiff must plead and prove special
    damages to recover. . . .
    In Illinois, there are five categories of statements
    that are defamatory per se: (1) statements imputing
    the commission of a crime; (2) statements imputing
    infection with a loathsome communicable disease;
    (3) statements imputing an inability to perform or
    6                                  Nos. 05-3004 & 05-3005
    want of integrity in performing employment duties;
    (4) statements imputing a lack of ability or that
    otherwise prejudice a person in his or her profession or
    business; and (5) statements imputing adultery or
    fornication. . . . However, even if a statement falls
    into one of the categories of words that are defama-
    tory per se, it will not be actionable per se if it is
    reasonably capable of an innocent construction. . . .
    
    2006 WL 3742112
     at *4-5 (citations omitted). Muzikowski,
    like the plaintiff in Tuite, relies here on the theory of
    defamation per se.
    In contrast to a claim of defamation per quod, for which
    a plaintiff is required to show “extrinsic facts . . . to ex-
    plain [a statement’s] defamatory meaning,” a plaintiff
    claiming defamation per se is not required to prove dam-
    ages, since “the words used are so obviously and mate-
    rially harmful to the plaintiff that injury to his reputation
    may be presumed.” Kolegas v. Heftel Broadcasting Corp.,
    
    607 N.E.2d 201
    , 206 (Ill. 1992); see also Muzikowski I, 
    322 F.3d at 924
    . In order to prove defamation per se, a plain-
    tiff must show that her claim fits into one of the five
    categories summarized in Tuite, supra. See also Bryson v.
    News Am. Publ’ns, Inc., 
    672 N.E.2d 1207
    , 1214-15 (Ill.
    1996). As the state supreme court reaffirmed in Tuite,
    however, even if a statement falls into a recognized per se
    category, it will not be actionable if it “may reasonably
    be innocently interpreted or reasonably be interpreted
    as referring to someone other than the plaintiff.” Tuite,
    
    2006 WL 3742112
     at *5 (quoting Chapski v. The Copley
    Press, 
    442 N.E.2d 195
    , 199 (Ill. 1982)); Solaia Tech., LLC
    v. Specialty Publ’g Co., 
    852 N.E.2d 825
    , 839 (Ill. 2006)
    (same). Illinois has chosen a difficult standard to meet, as
    “if a statement is capable of two reasonable construc-
    tions, one defamatory and one innocent, the innocent one
    will prevail.” Muzikowski I, 
    322 F.3d at
    925 (citing Ander-
    Nos. 05-3004 & 05-3005                                    7
    son v. Vanden Dorpel, 
    667 N.E.2d 1296
    , 1302 (Ill. 1996)).
    The supreme court has recognized that its version of the
    innocent construction rule (which applies only to per se
    actions) favors defendants, but it has concluded that “the
    tougher standard is warranted because damages
    are presumed in per se actions.” Tuite, 
    2006 WL 3742112
    at *9; Anderson, 
    667 N.E.2d at 1302
    .
    In Muzikowski I, we ruled that Muzikowski’s complaint
    adequately alleged (for purposes of FED. R. CIV. P. 8) that
    the portrayal of O’Neill as an unlicensed securities broker
    injured Muzikowski professionally (Muzikowski is a
    licensed securities broker and insurance salesman), and
    that the portrayal of O’Neill committing crimes such as
    theft injured Muzikowski’s reputation as well. We held
    that, on remand, Muzikowski had to overcome the inno-
    cent construction rule by demonstrating that “no one
    could think that anyone but him was meant, and the
    changes to ‘his’ character, far from supporting an inno-
    cent construction that O’Neill is a fictional or different
    person, only serve to defame him. . . .” Muzikowski I, 
    322 F.3d at 927
    .
    By reversing the district court’s grant of Paramount’s
    motion to dismiss, and by noting that “facts beyond those
    that appear in [Muzikowski’s] federal complaint may
    be relevant to the reasonableness inquiry,” 
    id. at 924-25
    ,
    we indicated to the district court that Muzikowski was
    entitled to proceed with discovery. At the same time, we
    warned that “the most serious hurdle Muzikowski faces
    is the question whether he has in essence pleaded him-
    self out of court, by showing that the federal trier of fact
    (whether judge or jury) would be compelled to find an
    innocent construction of the movie.” 
    Id. at 926
    . We also
    acknowledged that “[a]s the case develops further, of
    course, it is entirely possible that Paramount will be able
    to produce enough facts to support its ‘innocent construc-
    8                                  Nos. 05-3004 & 05-3005
    tion’ argument.” 
    Id. at 927
    . In short, we left open the
    possibility that Paramount might prevail at a later stage,
    depending on how the evidence relevant to the innocent
    construction rule developed.
    Rather than focusing on remand on the evidentiary
    burden we outlined, Muzikowski instead argued to the
    district court that our decision definitively resolved in
    his favor the question whether he had presented suf-
    ficient evidence on the innocent construction issue to
    reach a jury. The district court interpreted our opinion
    otherwise; it granted Paramount summary judgment on
    the merits, explaining that “[t]he allegedly defamatory
    portrayal can be construed as not referring to Muzikowski
    or to any real person at all. . . . Because the [innocent
    construction] rule applies, no issues remain for a jury to
    decide with respect to these claims, and Paramount is
    entitled to summary judgment.”
    On appeal, Muzikowski urges this court to find that the
    law of the case establishes that Paramount cannot take
    advantage of the innocent construction rule. Unfortu-
    nately, however, he has misunderstood our statement
    (made in the generous procedural setting of review under
    FED. R. CIV. P. 12(b)(6), which assumes all facts and
    inferences favorably to the plaintiff) that the similarities
    between himself and O’Neill “could cause a reasonable
    person in the community to believe that O’Neill was
    intended to depict him and that Paramount intended
    Hardball’s mischaracterizations to refer to him.”
    Muzikowski I, 
    322 F.3d at 926
    . This sentence fragment
    can be understood properly only in the broader context
    of our discussion of the question whether Muzikowski’s
    original complaint met Rule 8 notice pleading standards.
    What we said was this:
    Muzikowski’s claim for defamation per se does not fall
    under the special pleading regime of Rule 9, and thus
    Nos. 05-3004 & 05-3005                                   9
    he is entitled to the usual rules for notice pleading
    established by Rule 8. Even if Muzikowski’s complaint
    would not have met Illinois’s heightened pleading
    standard, we are satisfied that it was sufficient to
    put Paramount on notice of his claim. In his com-
    plaint, he lists in great detail many similarities
    between himself and O’Neill that could cause a reason-
    able person in the community to believe that O’Neill
    was intended to depict him and that Paramount
    intended Hardball’s mischaracterizations to refer to
    him.
    
    Id.
     We went on to hold that in order to reach a jury,
    Muzikowski first had to show that the innocent construc-
    tion rule should not apply to Paramount’s representation
    of O’Neill. 
    Id.
    In Tuite, the Supreme Court of Illinois was asked to
    jettison the innocent construction rule and join the major-
    ity of states, but it declined the invitation. Instead, it
    reaffirmed several important points about the rule. First,
    it confirmed that the rule must be applied in a con-
    textual, common-sense manner:
    [A] written or oral statement is to be considered
    in context, with the words and the implications there-
    from given their natural and obvious meaning; if, as
    so construed, the statement may reasonably be in-
    nocently interpreted or reasonably be interpreted
    as referring to someone other than the plaintiff it
    cannot be actionable per se.
    Tuite, 
    2006 WL 3742112
     at *6, quoting from Chapski, 
    442 N.E.2d at 199
    . Next, it reiterated that “statements rea-
    sonably capable of an innocent construction should be
    interpreted as nondefamatory,” citing Mittleman v. Witous,
    
    552 N.E.2d 973
    , 979 (Ill. 1989). Tuite, 
    2006 WL 3742112
    at *6. Finally, following Bryson, the court held that
    “the innocent construction rule does not require courts to
    10                                 Nos. 05-3004 & 05-3005
    strain to find an unnatural innocent meaning for a state-
    ment when a defamatory meaning is far more reason-
    able.” Id. at *7.
    Although Tuite had not yet been decided when this
    case was before the district court, the principles it an-
    nounced were already well established. It was the district
    court’s job to decide whether, in light of the summary
    judgment record, the statements in Hardball could
    reasonably (i.e., without undue strain) be interpreted
    innocently or as referring to someone other than
    Muzikowski. It was predictable that this would be a
    difficult task for Muzikowski, but it was not a fool’s
    errand. The pleadings indicated that there are a great
    many similarities between the O’Neill character and
    Muzikowski. As Muzikowski emphasizes, in addition to
    coaching Little League on the west side of Chicago, both
    he and O’Neill share Irish descent and working class
    backgrounds, have at some point gambled on sports
    and engaged in heavy drinking, have some affiliation
    with security brokerage firms, and are regulars at a bar
    named “Duffy’s.” There are also some important differ-
    ences between Muzikowski and O’Neill. To be sure, some
    of those differences portray O’Neill as a disreputable
    character. For example, unlike Muzikowski, who kicked
    his drinking habit years before becoming involved with
    Little League, O’Neill continues to drink throughout
    the Hardball film. While Muzikowski’s motives for be-
    coming involved in the league were altruistic, O’Neill
    began coaching as a means to pay off a gambling debt.
    Whereas O’Neill is the coach of a single team, Muzikowski
    “co-founded and ran more than one league in addition to
    coaching his teams.”
    If this were all that the record contained, we would
    be tempted to ask the Supreme Court of Illinois wheth-
    er liability can be avoided if the only details that distin-
    guish the plaintiff from the character described by the
    Nos. 05-3004 & 05-3005                                  11
    defendant are themselves defamatory. None of the cases
    that we have examined present that situation, and we
    are far from confident that Illinois would adopt a rule
    under which the more defamatory the movie was, the
    better the studio’s defense would be. See, e.g., Geisler v.
    Petrocelli, 
    616 F.2d 636
    , 639 (2d Cir. 1980); Springer v.
    Viking Press, 
    90 A.D.2d 315
    , 
    457 N.Y.S.2d 246
    , 250 (N.Y.
    App. Div. 1982) (Kupferman, J., dissenting). But, as we
    explained earlier, the record in our case is not so one-
    sided. Non-defamatory differences were also evident. The
    two men had different names; one had children and the
    other did not; and O’Neill was less involved with the
    Little League program.
    The district court concluded that the acknowledged
    similarities between Muzikowski and O’Neill “demon-
    strate[d] only that reasonable viewers could see the
    connection Muzikowski detects between himself and the
    film’s protagonist, not that they must.” It was impor-
    tant (though not dispositive) that the character in Hard-
    ball did not share Muzikowski’s name. We acknowledge
    that certain similarities between Muzikowski and O’Neill
    are striking enough that, at the summary judgment
    stage, we must assume that at least some viewers of
    the film who knew Muzikowski or who had read Coyle’s
    book reasonably concluded that O’Neill’s character was
    based on Muzikowski. On the other hand, the significant
    differences between O’Neill and Muzikowski could just
    as easily have led a reasonable viewer who knew about
    Muzikowski to conclude that O’Neill represented either a
    composite of the coaches described in Coyle’s Hardball
    book (a possibility that Muzikowski recognized in some
    early court documents he filed) or an amalgam of these
    real-life figures with a stock Hollywood leading man.
    Most jurisdictions do not use an innocent construction
    rule as favorable to defendants as Illinois’s rule is. See
    David A. Anderson, Defamation in Fiction: Avoiding
    12                                 Nos. 05-3004 & 05-3005
    Defamation Problems in Fiction, 51 Brooklyn L. Rev. 383,
    393-94 (1985). But it is Illinois law that governs
    Muzikowski’s case, and it is our obligation to apply its
    law as faithfully as we can. Reviewing the district
    court’s judgment de novo, we conclude that the O’Neill
    character is reasonably susceptible to both innocent and
    defamatory constructions. Put in the language Tuite used,
    “the statement[s] may reasonably be innocently inter-
    preted or reasonably be interpreted as referring to some-
    one other than the plaintiff ” and thus they are not action-
    able per se. 
    2006 WL 3742112
     at *6. As a result,
    Muzikowski cannot prevail on his defamation claim. And
    since the “of and concerning” requirement of the tort of
    false light invasion of privacy is “basically the same as
    the innocent construction rule,” Muzikowski I, 
    322 F.3d at
    927 (citing Schaffer v. Zekman, 
    554 N.E.2d 988
    , 993 &
    n.2 (Ill. App. Ct. 1990)), the district court properly
    granted Paramount summary judgment on this claim as
    well.
    B
    The legal theories that Muzikowski added on remand
    included charges of false advertising and related con-
    sumer fraud in violation of § 43 of the Lanham Act, 
    15 U.S.C. § 1125
    (a), the Illinois Uniform Deceptive Trade
    Practices Act, 815 ILCS 510/2, and the Illinois Consumer
    Fraud and Deceptive Business Practices Act, 815 ILCS
    505/2. With respect to the last of these, Muzikowski
    claimed that Paramount’s promotion of the Hardball
    movie as “inspired by a true story” was false because of
    the extent to which Muzikowski’s life story was changed
    in the film. The district court concluded that these
    theories failed too, because Muzikowski had neither
    demonstrated that Paramount’s advertisement was false
    nor that consumers who viewed the advertisements had
    been deceived.
    Nos. 05-3004 & 05-3005                                    13
    In order to establish a claim of false or deceptive adver-
    tising under § 43(a) of the Lanham Act, a plaintiff must
    show that the defendant made a material false state-
    ment of fact in a commercial advertisement and that the
    false statement deceived or had the tendency to deceive
    a substantial segment of its audience. Hot Wax, Inc. v.
    Turtle Wax, Inc., 
    191 F.3d 813
    , 819 (7th Cir. 1999). The
    district court held, and we have previously assumed
    without deciding, that this analysis also applies to Illinois
    false advertising claims. See Peaceable Planet, Inc. v. Ty,
    Inc., 
    362 F.3d 986
    , 994 (7th Cir. 2004); Web Printing
    Controls Co. v. Oxy-Dry Corp., 
    906 F.2d 1202
    , 1206 n.5
    (7th Cir. 1990). Because Muzikowski does not argue to the
    contrary, we assume the same in this case.
    In granting summary judgment to Paramount on the
    false advertising claims, the district court reasoned that
    Paramount’s statement “inspired by a true story” is
    “literally true,” observing that neither party disputes
    the veracity of the statement. Paramount insists that
    its advertisement represents the film as “the story of . . .
    the [Little League] team featured in Coyle’s book.”
    Muzikowski, on the other hand, contends that the ad-
    vertisements “lead viewers to believe that the story is his.”
    Since Muzikowski does not in any event contest the
    district court’s conclusion that Paramount’s advertising
    for Hardball did not contain a false statement of fact, we
    conclude that he has waived both this argument and
    his false advertising claims generally.
    Even if we were to find that Muzikowski had not
    waived these points, we would sustain the district court’s
    judgment on an alternative basis. In order to show that a
    substantial segment of Hardball’s audience was deceived
    by Paramount’s advertising for the film, Muzikowski
    presented 18 affidavits from individuals who knew him
    personally or had personal knowledge of his association
    with Little League baseball and who, in addition, had seen
    14                                  Nos. 05-3004 & 05-3005
    the Hardball film. These affidavits all stated that
    “I believed the main character in the movie, Conor
    O’Neill, . . . was portraying Bob [Muzikowski]” and listed
    specific reasons for this belief. The district court con-
    cluded that, given the size of the movie’s audience (the
    court noted that the film had grossed more than $40
    million), the affidavits fell “far short” of proving that a
    substantial segment of the film’s viewers—most of whom
    presumably did not have the same personal acquaintance
    with Muzikowski as the affiants—was deceived by Para-
    mount’s advertising. Given the fact that this theory
    requires proof of the impact of the film on a substantial
    segment of the viewership, we agree with the district
    court that the 18 affidavits were not enough. Although
    Muzikowski argues that he was required only to present
    enough evidence of viewer deception to create a disputed
    issue of fact, the affidavits constituted the type of
    “de minimis evidence of confusion” we have previously
    held insufficient to withstand a motion for summary
    judgment. See Packman v. Chi. Tribune Co., 
    267 F.3d 628
    ,
    645 (7th Cir. 2001).
    Muzikowski’s remaining claims of intentional infliction
    of emotional distress and unjust enrichment require
    little discussion. In order to prove intentional infliction
    of emotional distress in Illinois, a plaintiff must show
    that the defendant engaged in “truly extreme and outra-
    geous” conduct. McGrath v. Fahey, 
    533 N.E.2d 806
    , 809
    (Ill. 1988). The only conduct Muzikowski complains of,
    however, was Paramount’s allegedly false portrayal of
    him in the Hardball film. Even if we were to assume for
    the sake of argument that O’Neill was a defamatory
    portrayal of Muzikowski, this portrayal was insufficiently
    extreme and outrageous to qualify as a tort under Illi-
    nois law. See 
    id.
     (holding that “[m]ere insults [and] indigni-
    ties” do not constitute outrageous conduct). Even O’Neill
    was redeemed in the end, after all, and the behavior the
    Nos. 05-3004 & 05-3005                                   15
    movie portrays falls well short of “extreme and outrageous”
    conduct. Finally, since Paramount obtained the rights to
    Coyle’s book legitimately, as far as this record shows, and
    it adapted its script from the book, Muzikowski cannot
    prove that it was unjustly enriched by its use of details
    about Muzikowski’s life in the Hardball movie.
    III
    Finally, we turn to Muzikowski’s lawyers’ appeal of the
    district court’s sanctions order. We review a district
    court’s entry of sanctions under FED. R. CIV. P. 37, and
    the penalty itself, for an abuse of discretion. In re Thomas
    Consol. Indus., Inc., 
    456 F.3d 719
    , 724 (7th Cir. 2006);
    Johnson v. Kakvand, 
    192 F.3d 656
    , 661 (7th Cir. 1999)
    (“District courts possess wide latitude in fashioning
    appropriate sanctions and evaluating the reasonableness
    of the attorneys’ fees requested.”).
    The court sanctioned SRZ for failing to comply in good
    faith with its order to comply with an interrogatory
    requiring counsel to identify the documents they planned
    to rely on at trial to support Muzikowski’s claims. Rather
    than comply with this order, Muzikowski’s lawyers
    identified 14,599 pages of documents that they character-
    ized as “for possible use at trial.” When the district
    court questioned why they had failed to comply, SRZ
    for mysterious reasons claimed that the court had never
    issued such an order. The district court found this ex-
    planation wholly unsatisfactory, stating that Muzikow-
    ski’s lawyers “persistence in the unfounded position that
    the course of action pursued in this case was a reason-
    able interpretation of express in-court directions consti-
    tutes willful disobedience of court orders that we simply
    cannot countenance.”
    On appeal, SRZ’s only challenge to the entry of sanc-
    tions is to repeat the unconvincing argument that
    16                                 Nos. 05-3004 & 05-3005
    neither Paramount’s interrogatory nor the district court’s
    oral and written orders specifically required counsel to
    identify all documents that they intended to use at trial.
    Having reviewed the relevant transcripts, we agree with
    the district court that SRZ’s position is entirely unfounded.
    And even if we were to accept SRZ’s version of events, SRZ
    still fails to explain why it did not fully comply with the
    district court’s order after the court referred the dis-
    covery dispute to a magistrate to determine “whether or
    not there has been good faith compliance . . . on the part
    of the plaintiff to make a realistic assessment of the
    documents intended to be used at trial.” (Emphasis added.)
    Once the failure to comply was established, Rule 37(b)(2)
    provides that “the court shall require the party failing
    to obey the order or the attorney advising that party or
    both to pay the reasonable expenses, including attor-
    ney’s fees, caused by the failure, unless the court finds
    that the failure was substantially justified or that other
    circumstances make an award of expenses unjust.” (Em-
    phasis added.) The district court reasonably concluded
    that there was no justification or excuse here that would
    have exempted SRZ from the normal rule.
    SRZ’s challenge to the penalty imposed is no more
    convincing. Although SRZ contests the reasonableness of
    the hours expended by Paramount’s lawyers reviewing
    the documents Muzikowski produced, the magistrate
    judge characterized Paramount’s figures as a low-ball
    estimate, explaining that the figure was “reasonable
    especially in light of the fact that its attorneys real-
    istically reviewed thousands of pages of documents far in
    excess of the 14,599 figure [on which the magistrate
    based the sanctions].” Nor are we convinced by SRZ’s
    contention that the district court erred by basing its
    sanctions calculation on the hourly rate Paramount’s
    lawyers charged defendants, rather than requiring Para-
    mount to prove “that the rates claimed are market rates.”
    Nos. 05-3004 & 05-3005                                   17
    It is well established that “[t]he attorney’s actual billing
    rate for comparable work is presumptively appropriate to
    use as the market rate.” People Who Care v. Rockford Bd.
    of Educ., Sch. Dist. No. 205, 
    90 F.3d 1307
    , 1310 (7th Cir.
    1996) (quotation marks omitted). Only “[i]f the court is
    unable to determine the attorney’s true billing rate . . .
    (because he maintains a contingent fee or public inter-
    est practice, for example)” should the court “look to the
    next best evidence—the rate charged by lawyers in the
    community of reasonably comparable skill, experience, and
    reputation.” 
    Id.
     (quotation marks omitted). As far as we
    can tell, SRZ has never come forth with any evidence to
    show that the rates charged by Paramount’s lawyers are
    not market rates. The district court therefore did not
    abuse its discretion by accepting these rates as reasonable.
    IV
    For all these reasons, we AFFIRM the district court’s
    grant of summary judgment to Paramount and AFFIRM
    the court’s issuance of sanctions against SRZ. In so doing,
    we wish to add that this result is largely driven by the
    strict approach Illinois takes to the innocent construc-
    tion rule. It would have been far better if Paramount had
    not touted Hardball as something so closely based on
    reality, only later to turn around and disclaim any such
    connection with real people. From all that we can see,
    Muzikowski provided an important service to the chil-
    dren of Chicago; he did so because he cared about them;
    and he was understandably frustrated to see the movie
    portray a much less admirable character.
    That said, we note that Paramount has requested this
    court to order SRZ to reimburse it for the costs and fees it
    has incurred in connection with the appeal of the sanctions
    issue. It appears, however, that Paramount has not
    formally made a motion under FED. R. APP. P. 38 or
    18                               Nos. 05-3004 & 05-3005
    otherwise specifying the relief it requests and the
    grounds on which it relies. We therefore order SRZ to
    SHOW CAUSE why it should not be ordered to pay the
    reasonable attorneys’ fees Paramount incurred in con-
    nection with the sanctions appeal. Its statement is due
    within 10 days of the date of this opinion.
    A true Copy:
    Teste:
    ________________________________
    Clerk of the United States Court of
    Appeals for the Seventh Circuit
    USCA-02-C-0072—2-8-07