Merry Gentleman, LLC v. George & Leona Productions, Inc. ( 2015 )


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  •                                In the
    United States Court of Appeals
    For the Seventh Circuit
    ____________________
    No. 15-1195
    MERRY GENTLEMAN, LLC,
    Plaintiff-Appellant,
    v.
    GEORGE AND LEONA PRODUCTIONS, INC.
    and MICHAEL KEATON,
    Defendants-Appellees.
    ____________________
    Appeal from the United States District Court for the
    Northern District of Illinois, Eastern Division.
    No. 13 C 2690 — Gary Feinerman, Judge.
    ____________________
    ARGUED JUNE 4, 2015 — DECIDED AUGUST 25, 2015
    ____________________
    Before BAUER, ROVNER, and HAMILTON, Circuit Judges.
    HAMILTON, Circuit Judge. Plaintiff Merry Gentleman, LLC
    produced the motion picture The Merry Gentleman, which
    was released in 2009. Despite some critical acclaim, the film
    was a commercial flop. Merry Gentleman blames defendant
    Michael Keaton, the film’s lead actor and director, for the
    bust. It brought this breach of contract action against Keaton
    and defendant George and Leona Productions, Inc., Keaton’s
    2                                                    No. 15-1195
    “loan-out company” that he uses for professional contract-
    ing, alleging that Keaton violated his directing contract by
    (1) failing to prepare the first cut of the film in a timely fash-
    ion, (2) submitting a first cut that was incomplete, (3) sub-
    mitting a revised cut that was not ready for the producers to
    watch, (4) communicating directly with officials at the Sun-
    dance Film Festival and threatening to boycott the festival if
    they did not accept his director’s cut instead of the produc-
    ers’ preferred cut, (5) failing to cooperate with the producers
    during the post-production process, and (6) failing to pro-
    mote the film adequately.
    If the case were to go to trial, one might expect Keaton to
    dispute that any of these alleged breaches actually violated
    the directing contract. After all, Keaton completed the mov-
    ie. It was accepted at the prestigious Sundance Film Festival.
    It received critical praise—Roger Ebert, for example, gave it
    3.5 stars out of 4 and called it “original, absorbing and curi-
    ously moving.” And the film’s executive producer, Paul
    Duggan, admitted during his deposition that he was una-
    ware of any director who did more publicity than Keaton
    did for a movie with a comparable budget.
    Keaton moved for summary judgment, however, on the
    narrow ground that Merry Gentleman had failed to produce
    sufficient evidence that his alleged breaches of the directing
    contract caused it damages. For purposes of deciding this
    appeal, we must therefore assume as the district court did
    that Keaton in fact breached the contract.
    Illinois law governs the directing contract. Under Illinois
    law, a “party injured by another’s breach or repudiation of a
    contract usually seeks recovery in the form of damages
    based on his ‘expectation interest,’ which involves obtaining
    No. 15-1195                                                   3
    the ‘benefit of the bargain,’ or his ‘reliance interest,’ which
    involves reimbursement for loss caused by reliance on a con-
    tract.” MC Baldwin Financial Co. v. DiMaggio, Rosario & Veraja,
    LLC, 
    845 N.E.2d 22
    , 30 (Ill. App. 2006), quoting Restatement
    (Second) of Contracts § 344 (1981). The district court granted
    Keaton’s motion for summary judgment, concluding that
    Merry Gentleman had failed to present a genuine issue of
    material fact on either damages theory.
    First, the district court held that Merry Gentleman for-
    feited the expectation damages theory by not addressing it
    sufficiently in its response to summary judgment. Merry
    Gentleman, LLC v. George & Leona Productions, Inc., 
    76 F. Supp. 3d
    756, 761 (N.D. Ill. 2014). Merry Gentleman does not dis-
    pute this conclusion on appeal, so expectation damages are
    out.
    Second, the district court held that Merry Gentleman
    failed to produce evidence from which a reasonable trier of
    fact could find that Keaton’s alleged breaches caused the
    damages Merry Gentleman seeks: all $5.5 million it spent
    producing the movie. 
    Id. at 761–66.
    This holding is the focus
    of Merry Gentleman’s appeal.
    We review the grant of summary judgment de novo, re-
    viewing the record in the light most favorable to Merry Gen-
    tleman, as the non-moving party, and drawing all reasonable
    inferences in its favor. E.g., Bentrud v. Bowman, Heintz, Boscia
    & Vician, P.C., — F.3d —, —, 
    2015 WL 4509935
    , at *2 (7th Cir.
    2015). Summary judgment is appropriate only where there
    are no genuine issues of material fact and the moving party
    is entitled to judgment as a matter of law. Fed. R. Civ. P.
    56(a).
    4                                                 No. 15-1195
    Illinois follows the approach of § 349 of the Restatement
    (Second) of Contracts (1981), which provides that as an al-
    ternative to expectation damages, “the injured party has a
    right to damages based on his reliance interest, including
    expenditures made in preparation for performance or in per-
    formance, less any loss that the party in breach can prove
    with reasonable certainty the injured party would have suf-
    fered had the contract been performed.” See, e.g., Herbert W.
    Jaeger & Associates v. Slovak American Charitable Ass’n, 
    507 N.E.2d 863
    , 868 (Ill. App. 1987) (discussing § 349). Reliance
    damages are designed to put the injured party “in as good a
    position as [the injured party] would have been in had the
    contract not been made.” Restatement (Second) of Contracts
    § 344; MC Baldwin 
    Financial, 845 N.E.2d at 30
    (discussing
    § 344); Designer Direct, Inc. v. DeForest Redevelopment Auth.,
    
    313 F.3d 1036
    , 1049 (7th Cir. 2002) (same).
    Merry Gentleman argues that the district court required
    too much when it held that Merry Gentleman failed to estab-
    lish a causal connection between its expenditures on the film
    and Keaton’s alleged breaches. The causation standard is
    minimal when the injured party seeks reliance damages un-
    der § 349, Merry Gentleman contends, and it cleared this low
    hurdle when it submitted an affidavit from Duggan stating
    that the production company spent over $5 million in reli-
    ance on the directing contract. Once it produced that evi-
    dence, Merry Gentleman continues, the burden shifted to
    Keaton to prove that the production company would have
    suffered the alleged losses even if Keaton had fully per-
    formed. And because Keaton did not submit evidence with
    his motion for summary judgment showing beyond reason-
    able dispute that these losses were inevitable, summary
    No. 15-1195                                                   5
    judgment against Merry Gentleman was improper. Or so
    goes the argument.
    We agree with Merry Gentleman that a party seeking re-
    liance damages under § 349 has a relatively low bar to clear
    to establish causation and that once it makes this showing,
    the burden shifts to the breaching party to prove any reduc-
    tion in those damages. This causation threshold is low be-
    cause the injured party is forced to prove a counterfactual:
    what would have happened if the contract had not been
    signed in the first place. See Autotrol Corp. v. Continental Wa-
    ter Systems Corp., 
    918 F.2d 689
    , 695 (7th Cir. 1990). Proving
    this kind of counterfactual is difficult because the value of
    performance can be so difficult to establish. That is especial-
    ly true in cases where the injured party is seeking reliance
    damages. If damages were easy to calculate, the injured par-
    ty likely would have sought expectation damages to begin
    with on a benefit-of-the-bargain theory under § 347. Reliance
    damages are appropriate precisely because the injured party
    is at an evidentiary disadvantage. Cf. Restatement (Second)
    of Contracts § 349, cmt. a (1981) (reliance damages are ap-
    propriate where the injured party “cannot prove his profit
    with reasonable certainty”). That is why courts use the bur-
    den-shifting framework of § 349. As Judge Hand explained
    long ago:
    It is often very hard to learn what the value of
    the performance would have been; and it is a
    common expedient, and a just one, in such sit-
    uations to put the peril of the answer upon that
    party who by his wrong has made the issue
    relevant to the rights of the other. On principle
    therefore the proper solution would seem to be
    6                                                 No. 15-1195
    that the promisee may recover his outlay in
    preparation for the performance, subject to the
    privilege of the promisor to reduce it by as
    much as he can show that the promisee would
    have lost, if the contract had been performed.
    L. Albert & Son v. Armstrong Rubber Co., 
    178 F.2d 182
    , 189 (2d
    Cir. 1949) (footnote omitted).
    The burden does not shift to the breaching party until the
    injured party first satisfies this threshold showing of causa-
    tion, however. And just because the causation threshold un-
    der § 349 is low does not mean it is not there, as Merry Gen-
    tleman seems to suggest. To oppose summary judgment on
    this point, the injured party must still produce evidence suf-
    ficient to permit a reasonable trier of fact to find that the
    losses claimed were caused by the breach. See Spitz v. Proven
    Winners North America, LLC, 
    759 F.3d 724
    , 730 (7th Cir. 2014)
    (“To prevail on a breach of contract claim, a plaintiff must
    establish the existence of a valid and enforceable contract,
    plaintiff’s performance, defendant’s breach of the terms of
    the contract, and damages resulting from the breach.”) (em-
    phasis added); Avery v. State Farm Mutual Auto. Ins. Co., 
    835 N.E.2d 801
    , 832 (Ill. 2005) (“basic theory of damages for
    breach of contract” requires plaintiff to prove “an actual loss
    or measurable damages resulting from the breach in order to
    recover”) (emphasis added); see also Old Stone Corp. v. Unit-
    ed States, 
    450 F.3d 1360
    , 1375 (Fed. Cir. 2006) (“[R]eliance
    damages are subject to two pertinent limitations—the dam-
    ages must have been both proximately caused by the breach,
    and foreseeable.”).
    In the typical case where reliance damages are sought,
    the defendant has simply repudiated the contract and
    No. 15-1195                                                   7
    walked away from the deal. This causal link will be straight-
    forward in those cases. As the district court explained, in
    such cases the non-breaching plaintiff is left “holding the
    bag after having made its expenditures.” Merry Gentleman,
    
    76 F. Supp. 3d
    at 763. In those cases, it is appropriate for the
    injured party to claim as damages all expenditures it made
    in preparation for performance because the other side failed
    to perform at all. In such cases, the complete loss of invest-
    ment will often be the proximate result of the breach.
    But in cases like this one, where the breaching party has
    substantially performed and the alleged breaches have to do
    with the quality of the final product, the causal link between
    reliance damages and the breach is not so direct. An injured
    party cannot reasonably claim that all of its expenditures
    were caused by the other party’s breach without some reason
    to think the breach destroyed the entire value of the breach-
    ing party’s performance. In this context, the breach does not
    cause the complete loss of investment.
    Take this case, for example. Who can say why a critically
    praised movie did not make money? Merry Gentleman
    claims as damages all $5.5 million it spent to produce the
    movie. If Keaton had somehow prevented completion of the
    movie, Merry Gentleman might well have been entitled to all
    expenditures made in preparation for his performance (sub-
    ject, of course, to the “losing contract” limitation in § 349).
    But here, Keaton actually made the movie. Merry Gentleman
    complains that Keaton slowed down the production process
    and failed to publicize the movie adequately after it was fin-
    ished. No doubt, these services have economic value and, on
    a proper showing, Merry Gentleman might have been enti-
    tled to recover damages for these shortcomings. (Imagine,
    8                                                  No. 15-1195
    for instance, if Keaton’s tardiness in submitting the first cut
    forced Merry Gentleman to pay the film editors for a longer
    period. Or, to take a more extreme example, imagine if Kea-
    ton had publicly criticized the film released to theaters so
    harshly that no one bought tickets to see it.) But no reasona-
    ble trier of fact could find that Merry Gentleman lost its en-
    tire investment of $5.5 million because Keaton failed to sub-
    mit his first cut on time or failed to publicize the movie bet-
    ter. Merry Gentleman entered the directing contract to have
    Keaton deliver a finished movie, and he delivered one that
    showed well at Sundance and won some critical praise. The
    breaches by Keaton that Merry Gentleman alleges cannot
    reasonably be said to have rendered the investment com-
    pletely worthless.
    The fundamental problem we have been describing is
    that Merry Gentleman’s damages theory is completely insen-
    sitive to the importance and severity of Keaton’s alleged
    breaches. This is how Merry Gentleman explained its dam-
    ages theory in opposing summary judgment:
    Keaton’s actions were in breach of his contract,
    and caused damage to MG LLC in that it was
    unable to screen and market the film of its
    choosing (as was its contractual right); in that it
    endured substantial additional costs; and in
    that in reliance on its expectation that Keaton
    would satisfy his contractual obligations, it
    spent millions of dollars to finance Keaton’s
    temper tantrum, money it never would have
    expended if it had been aware of Keaton’s un-
    willingness to conform his behavior to his con-
    tractual obligations.
    No. 15-1195                                                       9
    That’s it. Merry Gentleman did not explain how Keaton’s cut
    differed from “the film of its choosing.” Nor did it explain
    how that difference caused it damage. It did not identify
    what it meant by “substantial additional costs.” And the last
    claim—that it never would have signed the contract if it had
    known that Keaton would breach—is something almost any
    plaintiff can say in a breach-of-contract dispute.
    The only evidence Merry Gentleman cited in support of
    these conclusory assertions were the following facts:
    MG LLC spent over $5 million to produce the
    film, the vast majority of which was spent after
    Keaton entered into his directorial contract.
    Had MG LLC known that Keaton would fail to
    meet his contractual obligations as a director,
    including honoring MG LLC’s right to “sole
    discretion” over “business and creative deci-
    sions,” it would not have entered into the di-
    rectorial contract with him, nor would it have
    expended millions of dollars with Keaton as
    the director.
    Dkt. No. 79 at 24, ¶¶ 121–22 (internal record citations omit-
    ted). Again, Merry Gentleman made no effort to establish
    any causal connection between the particular breaches as-
    serted—the failure to submit a first cut on time, submitting a
    revised cut that was incomplete, failing to publicize the film
    better, etc.—and the $5.5 million that Merry Gentleman
    spent on the production process as a whole.1
    1  One of the most troubling aspects of Merry Gentleman’s theory
    here is evident from the disparity between the price Merry Gentleman
    agreed to pay Keaton under the directing contract ($100,000) and the
    10                                                           No. 15-1195
    We agree with the district court that Merry Gentleman, in
    seeking $5.5 million in reliance damages, “effectively wants
    to shift the entire cost—and risk—of producing The Merry
    Gentleman to Keaton for his alleged breaches, giving it a
    windfall and placing it in a better position than it would have
    been in had the contract never been signed.” Merry Gentle-
    man, 
    76 F. Supp. 3d
    at 766. Reliance damages are not insur-
    ance. Courts “will not ‘knowingly put the plaintiff [receiving
    a reliance recovery] in a better position than he would have
    occupied had the contract been fully performed.’” Bausch &
    Lomb Inc. v. Bressler, 
    977 F.2d 720
    , 729 (2d Cir. 1992), quoting
    L.L. Fuller & William R. Perdue, Jr., The Reliance Interest in
    Contract Damages: 1, 46 Yale L.J. 52, 79 (1936); see also, e.g.,
    V.S. Int’l, S.A. v. Boyden World Corp., 
    862 F. Supp. 1188
    , 1198
    (S.D.N.Y. 1994) (assuming for sake of argument that defend-
    ant breached contract but declining to award reliance dam-
    ages: “Based on plaintiffs continued running of a successful
    business, any compensation for these initial expenses would
    not place plaintiffs in the same position as they were prior to
    the execution of the contract, as reliance damages are in-
    tended to do, but would instead constitute a windfall for
    plaintiffs.”).
    As noted, we must assume here that Keaton breached the
    $100,000 contract as alleged, but these alleged breaches did
    damages Merry Gentleman seeks ($5,500,000). Comment a to § 349 of the
    Restatement (Second) of Contracts (1981) teaches: “If the injured party’s
    expenditures exceed the contract price, it is clear that at least to the ex-
    tent of the excess, there would have been a loss. For this reason, recovery
    for expenditures under the rule stated in this section may not exceed the
    full contract price.” The relevant contract price here would seem to be
    the price for the contract that was breached, which would be $100,000.
    Nevertheless, we do not need to depend on that theory to affirm here.
    No. 15-1195                                                         11
    not render his performance completely worthless. He di-
    rected the movie, it was accepted by Sundance, and it was
    released to the public. Reimbursing Merry Gentleman for all
    $5.5 million it spent, even though it received from Keaton a
    finished film praised by critics, would put it in a better posi-
    tion than if the contract had not been made. Perhaps Merry
    Gentleman might have been able to present a genuine issue
    for trial on a more modest damages theory, but it decided to
    shoot for the moon and missed. A reasonable trier of fact
    could not find that Keaton’s alleged breaches caused Merry
    Gentleman to sustain $5.5 million in damages.2
    The district court’s judgment is AFFIRMED.
    2  Merry Gentleman’s contention that Keaton forfeited the argument
    that Merry Gentleman failed to establish causation is meritless. Keaton
    attacked both possible damages theories simultaneously. The district
    court did not abuse its discretion in considering his method of framing
    the argument sufficient to raise the issue. See Merry Gentleman, 76 F.
    Supp. 3d at 761 n.*.