Entertainment v. Lori Swanson, etc. ( 2008 )


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  •                    United States Court of Appeals
    FOR THE EIGHTH CIRCUIT
    ___________
    No. 06-3217
    ___________
    Entertainment Software Association;    *
    Entertainment Merchants Association,   *
    *
    Appellees,                *
    *
    v.                               *
    *
    Lori Swanson, in her official capacity *
    as Attorney General of the State of    *
    Minnesota,                             *
    *   Appeal from the United States
    Appellant.                *   District Court for the
    _____________________            *   District of Minnesota.
    *
    American Booksellers Foundation for *
    Free Expression; Association of        *
    American Publishers, Incorporation;    *
    Comic Book Legal Defense Fund;         *
    Freedom to Read Foundation;            *
    Magazine Publishers of America;        *
    Motion Picture Association of America, *
    Incorporated; National Association     *
    of Theatre Owners, Inc.; Publishers    *
    Marketing, Publishers Marketing        *
    Association; Recording Industry        *
    Association of America; National       *
    Association of Recording               *
    Merchandisers,                         *
    *
    Not Parties – Amici on    *
    Behalf of Appellees.
    ___________
    Submitted: February 12, 2007
    Filed: March 17, 2008
    ___________
    Before WOLLMAN, SMITH, and BENTON, Circuit Judges.
    ___________
    WOLLMAN, Circuit Judge.
    The State of Minnesota appeals from the district court’s1 grant of a permanent
    injunction against the enforcement of section 325I.06 of the Minnesota code, which
    prohibits minors from purchasing or renting video games bearing a “Mature” or
    “Adult Only” rating. We affirm.
    I.
    On May 31, 2006, the Governor of Minnesota signed the Minnesota Restricted
    Video Games Act (“the Act”) into law. The Act provides, in relevant part, that:
    [a] person under the age of 17 may not knowingly rent or purchase [a
    video game rated AO or M by the Entertainment Software Rating
    Board]. A person who violates this subdivision is subject to a civil
    penalty of not more than $25.
    Minn. Stat. § 325I.06, subd. 2 (2006). Additionally, the act requires that video game
    retailers post a sign notifying minors of the above-stated prohibition and penalty.
    Minn. Stat. § 325I.06, subd. 3.
    1
    The Honorable James M. Rosenbaum, Chief Judge, United States District
    Court for the District of Minnesota.
    -2-
    The ratings pertinent to the Act are assigned to games that have been
    voluntarily submitted by game publishers to the Entertainment Software Rating Board
    (“ESRB”), a private organization established by the industry to classify games based
    on their age-appropriateness. Once a game is submitted to the ESRB, a panel of three
    trained and randomly selected reviewers considers the game and proposes a rating.
    Consumer focus groups evaluate the proposed rating, and game publishers may
    challenge the rating if they disagree with it. There are six possible ratings within the
    ESRB’s classification system: EC (Early Childhood), E (Everyone), E+10 (Everyone
    10 and Older), T (Teen), M (Mature), and AO (Adults Only). Virtually all publishers
    submit their games to the rating process. In the absence of state enforcement schemes,
    retailers voluntarily enforce the ratings by educating consumers and preventing minors
    under 17 from acquiring M or AO games. Despite these efforts, some children under
    17 are able to rent or purchase M-rated games.
    The Entertainment Software Association and Entertainment Merchants
    Association (Appellees), consisting of parties who create, publish, sell, and rent video
    games, challenged the constitutionality of the Act and sought a permanent injunction
    to prevent it from becoming effective. In response to appellees’ complaint, the State
    submitted a meta-analysis performed by Craig Anderson in 2004 in support of its
    contention that substantial evidence allowed the inference that children’s interaction
    with violent games causes violent behavior. Craig A. Anderson, An update on the
    Effects of Playing Violent Video Games, 27 J. Adolescence 113 (2004). The State also
    introduced into evidence the joint statement of six medical and public health
    organizations, asserting that “well over 1000 studies . . . point overwhelmingly to a
    causal connection between media violence and aggressive behavior in some children”
    and suggesting that the preliminary research suggests the impact is greater for violent
    video games than for television, movies, or music. Am. Acad. of Pediatrics et al.,
    Joint statement on the Impact of Entertainment Violence on Children, Congressional
    Public Health Summit (2000).
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    The State’s brief contains the following descriptions of several of the video
    games that have received M ratings:
    #    Postal 2: Apocalypse Weekend (M-rated) -- The ads for this game
    boast that new weapons will enable you “to hack your enemies to
    meaty bits!” It involves a game character who commits violent acts
    against unarmed civilians. Other features in the Postal series
    include: urinating on people to make them vomit in disgust, using
    cats as shotgun silencers, and playing fetch with dogs using human
    heads.
    #    The Punisher (M-rated) -- Game player is able to jam knives into
    victims’ sternums and pull up to increase the damage, cut off heads,
    ram a character’s open mouth onto a curb, run a character over with
    a forklift, rip a character’s arms off with an industrial hook, and set
    a character on fire in an electric chair.
    #    Resident Evil: 4 (M-rated) -- Game player uses a special blood-
    splattered chainsaw controller designed for playing the game, which
    includes chainsaw decapitations and impalements, and characters
    ripping off other character’s throats and biting off their heads.
    #    Manhunt (M-rated) -- Game player’s character is James Earl Cash,
    a convicted serial killer facing execution. The execution is ordered
    to be faked so that a character named “The Director” can use Cash
    as a star in a series of snuff films. As the Cash character kills other
    characters, by suffocating them with a plastic bag, slicing them up
    with a chainsaw, shooting them point blank with a nail gun,
    stabbing them in the eyeballs with a glass shard, or beheading them
    with a cleaver, The Director makes comments such as “You’re
    really getting me off, Cash” and “You’re really doing it for me!
    Why I ain’t been this turned on since . . . Well, let’s not go there.”
    The game has two difficulty settings: fetish and hardcore.
    #    God of War (M-rated) -- Game features disembowelment, mouth-
    stabbing, eye-gouging, severed limbs, and human sacrifice.
    -4-
    The district court held that violent video games are protected speech even for
    children. It therefore applied strict scrutiny analysis to the Act, which required the
    State to show that the Act was narrowly tailored to address the State’s compelling
    interest of protecting children from psychological and moral harm resulting from their
    interaction with violent video games. It found that even if the protection of minors
    from harm represented a compelling state interest generally, the State’s evidence was
    largely based on flawed or inapposite studies and thus failed to establish its claim that
    playing violent video games causes lasting harm to the psychological well-being of
    minors. The district court further concluded that even if the State had presented
    sufficient evidence, the Act was underinclusive because it did not address other forms
    of violence in the media. Finally, it held that the Act’s dependence on the ESRB to
    make ratings determinations that result in prohibitions on speech, with associated civil
    penalties, was unconstitutional because the scheme established by the Act did not
    permit immediate judicial supervision of ratings. The district court granted the
    permanent injunction and held that the sign-posting requirement was a state-
    compelled false-statement that unconstitutionally required the expression of an
    unenforceable law. Entertainment Software Ass’n v. Hatch, 
    443 F. Supp. 2d 1065
     (D.
    Minn. 2006).
    II.
    We normally review for abuse of discretion a district court’s grant of a
    permanent injunction. Qwest Corp. v. Scott, 
    380 F.3d 367
    , 370 (8th Cir. 2004) (citing
    Forest Park II v. Hadley, 
    336 F.3d 724
    , 731 (8th Cir. 2003)). Where, as here, the
    “determinative question is purely legal, our review is more accurately characterized
    as de novo.” Id.; see also Ways v. City of Lincoln, Neb., 
    274 F.3d 514
    , 518 (8th Cir.
    2001) (applying de novo review of a permanent injunction arising from a First
    Amendment violation).
    -5-
    The State contends that the district court erred by concluding that children have
    a protected First Amendment right of access to violent video games and consequently
    erred by applying strict scrutiny analysis to the Act’s prohibition rather than the
    scrutiny more typically reserved for obscenity. The State asserts that even under its
    strict scrutiny analysis, the district court demanded a more rigorous evidentiary
    showing (that of actual causation) than that which is legally required. It also argues
    that the Act is neither unconstitutionally over- or under-inclusive, and that the
    delegation of authority to the ESRB is constitutional because the ESRB applies clear
    and discernable standards. Because we conclude that, under the exacting standard of
    proof that has been established for cases of this nature, we must affirm the district
    court’s finding with respect to the inadequacy of the State’s evidence, we do not pass
    on the correctness vel non of the district court’s decision on the other issues.
    We have held that violent video games are protected free speech. Interactive
    Digital Software Ass’n v. St. Louis County, 
    329 F.3d 954
    , 958 (8th Cir. 2003)
    (hereinafter Interactive Digital), a holding that the State recognizes is binding upon
    us, but one which it hopes might be overturned in an en banc review of this case. In
    light of Interactive Digital, any restriction on the purchase or rental by minors of
    violent video games is subject to strict scrutiny analysis. 
    Id. at 958
    . We will find the
    Act constitutional, then, only if it is “necessary to serve a compelling state interest and
    . . . is narrowly tailored to achieve that end.” 
    Id.
     (citing R.A.V. v. St. Paul, Minn.,
    
    505 U.S. 377
    , 382 (1992)).
    The State offers two interests that it asserts are compelling—safeguarding both
    the psychological well-being and the moral and ethical development of minors. As
    the Supreme Court has recognized, “[T]here is a compelling interest in protecting the
    physical and psychological well-being of minors.” Sable Communications of Cal.,
    Inc. v. F.C.C., 
    492 U.S. 115
    , 126 (1989). While we have concluded that an interest in
    safeguarding the psychological well-being of minors is “compelling in the abstract,”
    the alleged harms must be shown to be “‘real, not merely conjectural, and that the
    -6-
    regulation will in fact alleviate these harms in a direct and material way.’” Interactive
    Digital, 
    329 F.3d at 958
     (quoting Turner Broad. Sys., Inc. v. FCC, 
    512 U.S. 622
    , 664
    (1994) (plurality opinion)). Specifically, the State must “come forward with
    empirical support for its belief that ‘violent’ video games cause psychological harm
    to minors.” Id. at 959. “Where first amendment rights are at stake, ‘the Government
    must present more than anecdote and supposition.’” Id. (quoting United States v.
    Playboy Entm’t Group, Inc., 
    529 U.S. 803
    , 822 (2000)).
    In finding that the video games at issue (the specific contents of which are not
    described) were protected free speech, the Interactive Digital court described them as
    containing “stories, imagery, age-old themes of literature, and messages, even an
    ideology, just as books and movies do.” Id. at 957 (internal quotations omitted).
    Whether the court would have characterized, say, “Manhunt” in similar terms, we do
    not know. Granted, great literature includes many themes and descriptions of
    violence. See, e.g., Judges 4:21 (NIV) (“But Jael, Heber’s wife, picked up a tent peg
    and a hammer and went quietly to [Sisera] while he lay fast asleep, exhausted. She
    drove the peg through his temple into the ground and he died.”) Indeed, a good deal
    of the Bible portrays scenes of violence, and one would be hard-pressed to hold up as
    a proper role model the regicidal Macbeth. Although some might say that it is risible
    to compare the violence depicted in the examples offered by the State to that described
    in classical literature, such violence has been deemed by our court worthy of First
    Amendment protection, and there the matter stands.
    As did the Interactive Digital court, we accept as a given that the State has a
    compelling interest in the psychological well-being of its minor citizens. Likewise,
    we believe that the State’s evidence provides substantial support for its contention that
    violent video games have a deleterious effect upon the psychological well-being of
    minors. Nevertheless, in light of the heightened standard of proof that Interactive
    Digital says must be applied, we conclude that the evidence falls short of establishing
    the statistical certainty of causation demanded thereby. In so holding, we are not as
    -7-
    dismissive of that evidence as have been some of the courts that have found similar
    evidence to be inadequate to establish the causal link between exposure to violent
    video games and subsequent behavior. See., e.g., American Amusement Machine
    Ass’n v. Kendrick, 
    244 F.3d 572
    , 578-79 (7th Cir. 2001); Entertainment Software
    Ass’n v. Blagojevich, 
    404 F. Supp. 2d 1051
     (D.N.D. Ill. 2005); Entertainment
    Software Ass’n v. Granholm, 
    426 F. Supp. 2d 646
    , 653-54 (E.D. Mich. 2006); Video
    Software Dealers Ass’n v. Schwarzenegger, No. C-05-04188, 
    2007 WL 2261546
    , at
    *11 (N.D. Cal. Aug. 6, 2007).
    Whatever our intuitive (dare we say commonsense) feelings regarding the effect
    that the extreme violence portrayed in the above-described video games may well
    have upon the psychological well-being of minors, Interactive Video requires us to
    hold that, having failed to come forth with incontrovertible proof of a causal
    relationship between the exposure to such violence and subsequent psychological
    dysfunction, the State has not satisfied its evidentiary burden. The requirement of
    such a high level of proof may reflect a refined estrangement from reality, but apply
    it we must.
    As indicated earlier, we pass no judgment on the remainder of the district
    court’s findings and conclusions.
    The judgment is affirmed.
    _____________________________
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