Stoddard White, Jr. v. Twentieth Century Fox Corporat , 572 F. App'x 475 ( 2014 )


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  •                                                                                FILED
    NOT FOR PUBLICATION                                MAY 02 2014
    MOLLY C. DWYER, CLERK
    UNITED STATES COURT OF APPEALS                          U.S. COURT OF APPEALS
    FOR THE NINTH CIRCUIT
    STODDARD WHITE, Jr.,                             No. 12-55920
    Plaintiff - Appellant,             D.C. No. 2:11-cv-01987-SJO-SH
    v.
    MEMORANDUM*
    TWENTIETH CENTURY FOX
    CORPORATION, a Delaware corporation,
    with its principal place of business in
    California; et al.,
    Defendants - Appellees.
    Appeal from the United States District Court
    for the Central District of California
    S. James Otero, District Judge, Presiding
    Submitted January 22, 2014**
    San Francisco, California
    Before: D.W. NELSON, LEAVY, and THOMAS, Circuit Judges.
    Stoddard White, Jr., appeals pro se the district court’s Federal Rule of Civil
    Procedure 12(b)(6) dismissal of his complaint. Because the parties are familiar
    *
    This disposition is not appropriate for publication and is not precedent
    except as provided by 9th Cir. R. 36-3.
    **
    The panel unanimously concludes this case is suitable for decision
    without oral argument. See Fed. R. App. P. 34(a)(2).
    with the history of this case, we need not recount it here. We have jurisdiction
    pursuant to 
    28 U.S.C. § 1291
    , and we affirm.
    I
    We review de novo a district court’s dismissal under Rule 12(b)(6). Fayer v.
    Vaughn, 
    649 F.3d 1061
    , 1063-64 (9th Cir. 2011). A Rule 12(b)(6) motion to
    dismiss may be granted if the complaint either (1) lacks a cognizable legal theory
    or (2) fails to allege sufficient facts under a cognizable legal theory. Balistreri v.
    Pacifica Police Dep’t, 
    901 F.2d 696
    , 699 (9th Cir. 1990). “We accept factual
    allegations in the complaint as true and construe the pleadings in the light most
    favorable to the nonmoving party.” Manzarek v. St. Paul Fire & Marine Ins. Co.,
    
    519 F.3d 1025
    , 1031 (9th Cir. 2008). But a plaintiff’s factual allegations “must be
    enough to raise a right to relief above the speculative level.” Bell Atlantic Corp. v.
    Twombly, 
    550 U.S. 544
    , 545 (2007).
    “To establish a successful copyright claim, a plaintiff must show: (1) his
    ownership of the copyright; (2) the defendant's access to his work; and (3)
    ‘substantial similarity’ between the defendant's work and his own.” Berkic v.
    Crichton, 
    761 F.2d 1289
    , 1291-92 (9th Cir. 1985). A plaintiff’s failure to establish
    any one of these three elements is fatal to the complaint. Funky Films, Inc. v. Time
    Warner Entm’t Co., L.P., 
    462 F.3d 1072
    , 1081 (9th Cir. 2006). The district court
    dismissed White’s complaint based on a lack of “substantial similarity.”
    “The substantial-similarity test contains an extrinsic and intrinsic
    component.” 
    Id. at 1077
    . A plaintiff must satisfy both components, and therefore
    a lack of extrinsic similarity is fatal to a plaintiff’s copyright case as a matter of
    law. See 
    id.
     “Extrinsic analysis is objective in nature. ‘[I]t depends not on the
    responses of the trier of fact, but on specific criteria which can be listed and
    analyzed.’ The extrinsic test focuses on ‘articulable similarities between the plot,
    themes, dialogue, mood, setting, pace, characters, and sequence of events’ in the
    two works. In applying the extrinsic test, this court ‘compares, not the basic plot
    ideas for stories, but the actual concrete elements that make up the total sequence
    of events and the relationships between the major characters.’” 
    Id.
     (citations
    omitted) (alteration in original). “Although the substantial similarity test is often
    decided on summary judgment or at trial,” courts may determine as a matter of law
    that works are not substantially similar. Gilbert v. New Line Prods., Inc., 
    2009 WL 7422458
    , at *2 (C.D. Cal. Nov. 16, 2009); Funky Films, 
    462 F.3d at 1076-77
    .
    II
    The district court did not err in holding as a matter of law that White’s
    screenplay is not substantially similar to any of defendants’ allegedly-infringing
    works. First, most of the alleged similarities are not protectable similarities. For
    example, White alleges as one similarity that the grocery store scenes from his
    screenplay and defendants’ movie both include as a main prop shopping carts full
    of food. It goes without saying that nearly any grocery store scene in a screenplay
    or movie would feature shopping carts full of food. Second, there are significant
    differences between White’s screenplay and defendants’ allegedly-infringing
    works. For example, the dog in White’s screenplay is not injured from the fight
    whereas the dog in defendants’ movie is severely injured. See Funky Films, 
    462 F.3d at 1078
     (no substantial similarity, despite initial appearance of similarities,
    because of significant differences).
    III
    White contends that the district court erred because it didn’t allow him to
    introduce the screenplays of two allegedly-infringing movies. Even assuming that
    White preserved this argument for appeal, the underlying screenplays are irrelevant
    because the operative question is whether the films–the allegedly-infringing
    materials–and White’s screenplay are substantially similar. See See v. Durang, 
    711 F.2d 141
    , 142 (9th Cir. 1983) (“The only discovery plaintiff suggests is the
    production of early drafts of defendant's play on the theory they might reflect
    copying from plaintiff's play that was disguised or deleted in later drafts. Copying
    deleted or so disguised as to be unrecognizable is not copying.”).
    Similarly, the district court did not err by declining to consider the Blu-Ray
    version of defendants’ movie. The question before the district court was whether
    the two works are substantially similar. White does not allege that the Blu-Ray
    version in particular is substantially similar to his screenplay, and therefore the
    Blu-Ray version was properly disregarded.
    IV
    White also contends that the district court erred by not commenting on each
    of his alleged similarities. White, however, cites no authority holding that a court
    errs by not explaining in its analysis every alleged similarity in a copyright
    infringement case, particularly in a case like this one in which over 100 similarities
    are alleged. Additionally, courts may properly disregard alleged similarities that
    are not protectable. Funky Films, 
    462 F.3d at 1077
     (“we filter out and disregard
    the non-protectable elements in making [our] substantial similarity determination.”
    (internal quotation marks omitted) (alteration in original)).
    V
    Even assuming that White can properly raise fraud as a separate cause of
    action rather than merely as a reply to a statute of limitations defense, he has
    not–and cannot–show any damages, a necessary element of a fraud claim, because
    his screenplay is not substantially similar to the defendants’ work. Bank of the
    West v. Valley Nat. Bank of Arizona, 
    41 F.3d 471
    , 477 (9th Cir. 1994) (“To prevail
    on its fraud claim, Valley National had to prove . . . resulting damage.”).
    5
    AFFIRMED.
    6