Steve Briggs v. Sony Pictures Entertainment, I , 714 F. App'x 712 ( 2018 )


Menu:
  •                            NOT FOR PUBLICATION                           FILED
    UNITED STATES COURT OF APPEALS                        MAR 1 2018
    MOLLY C. DWYER, CLERK
    U.S. COURT OF APPEALS
    FOR THE NINTH CIRCUIT
    STEVE K. WILSON BRIGGS,                         No.    14-17175
    Plaintiff-Appellant,            D.C. No. 4:13-cv-04679-PJH
    v.
    MEMORANDUM*
    SONY PICTURES ENTERTAINMENT,
    INC.; TRISTAR PICTURES, INC.; MEDIA
    RIGHTS CAPITAL; QED
    INTERNATIONAL; NEILL BLOMKAMP,
    Defendants-Appellees.
    Appeal from the United States District Court
    for the Northern District of California
    Phyllis J. Hamilton, Chief Judge, Presiding
    Submitted February 28, 2018
    Before:      Thomas, Chief Judge, Trott and Silverman, Circuit Judges.
    Steve K. Wilson Briggs appeals pro se from the district court’s summary
    judgment in his copyright action. We have jurisdiction under 
    28 U.S.C. § 1291
    .
    We review de novo, Cavalier v. Random House, Inc., 
    297 F.3d 815
    , 822 (9th Cir.
    *
    This disposition is not appropriate for publication and is not precedent
    except as provided by Ninth Circuit Rule 36-3.
    
    The panel unanimously concludes that this case is suitable for
    decision without oral argument. See Fed. R. App. P. 34(a)(2).
    2002), and we affirm.
    The district court properly granted summary judgment on Briggs’s copyright
    infringement claim because Briggs failed to raise a genuine dispute of material fact
    as to whether defendants accessed his screenplay Butterfly Driver, or whether
    Briggs’s screenplay and defendants’ film Elysium are either strikingly or
    substantially similar. See L.A. Printex Indus., Inc. v. Aeropostale, Inc., 
    676 F.3d 841
    , 846 (9th Cir. 2012) (setting forth ways a plaintiff may prove access); Baxter v.
    MCA, Inc., 
    812 F.2d 421
    , 423 (9th Cir. 1987) (“Absent evidence of access, a
    ‘striking similarity’ between the works may give rise to a permissible inference of
    copying.”); see also Benay v. Warner Bros. Entm’t, Inc., 
    607 F.3d 620
    , 624-25 (9th
    Cir. 2010) (setting forth the extrinsic test to assess substantial similarity between
    specific expressive elements of copyrighted works at issue, such as plot, sequence
    of events, theme, dialogue, mood, setting, pace, and characters).
    We reject Briggs’s unsupported contention that the district court applied the
    wrong standard for deciding whether the defendant has accessed the plaintiff’s
    work. L.A. Printex did not overrule Art Attacks Ink, LLC v. MGA Entertainment,
    Inc., 
    581 F.3d 1138
     (9th Cir. 2009), or Three Boys Music Corp. v. Bolton, 
    212 F.3d 477
     (9th Cir. 2000), by not expressly reiterating that speculation or conjecture fails
    to establish a reasonable probability of access. See L.A. Printex, 
    676 F.3d at 846
    (““To prove access, a plaintiff must show a reasonable possibility, not merely a
    2                                    14-17175
    bare possibility, that an alleged infringer had the chance to view the protected
    work.””) (quoting Art Attacks Ink, 
    581 F.3d at 1143
    ); see also Nelson v. Pima
    Cmty. Coll., 
    83 F.3d 1075
    , 1081-82 (9th Cir. 1996) (“[M]ere allegation and
    speculation do not create a factual dispute for purposes of summary judgment.”).
    This court in Loomis v. Cornish reaffirmed that access can be proved with
    circumstantial evidence either by a chain of events linking the plaintiff’s work and
    the defendant’s access, or by showing that the plaintiff’s work has been widely
    disseminated. See Loomis v. Cornish, 
    836 F.3d 991
    , 995 (9th Cir. 2016).
    Summary judgment was proper because Briggs’s speculations about access did not
    raise a triable dispute.
    The district court did not abuse its discretion by denying Briggs’s motion to
    amend his complaint after the deadline set forth in the pretrial scheduling order
    because Briggs failed to show “good cause.” See Johnson v. Mammoth
    Recreations, Inc., 
    975 F.2d 604
    , 607-09 (9th Cir. 1992) (setting forth standard of
    review and the “good cause” requirement to modify a scheduling order).
    The district court did not abuse its discretion by granting Briggs a shorter
    discovery continuance than he had requested. See Martel v. Cnty. of Los Angeles,
    
    56 F.3d 993
    , 995 (9th Cir. 1995) (en banc) (“[A] district court’s decision to deny a
    continuance sought for the purposes of obtaining discovery will be disturbed only
    upon the clearest showing that denial of discovery results in actual and substantial
    3                                    14-17175
    prejudice to the complaining litigant.”) (citation and internal quotation marks
    omitted).
    AFFIRMED.
    4                                   14-17175