Jl Beverage Company, LLC v. Beam, Inc. ( 2020 )


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  •                            NOT FOR PUBLICATION                           FILED
    UNITED STATES COURT OF APPEALS                       MAY 27 2020
    MOLLY C. DWYER, CLERK
    U.S. COURT OF APPEALS
    FOR THE NINTH CIRCUIT
    JL BEVERAGE COMPANY, LLC,                       No.    18-16597
    Plaintiff-Appellant,            D.C. No.
    2:11-cv-00417-MMD-CWH
    v.
    JIM BEAM BRANDS CO.; BEAM INC.,                 MEMORANDUM*
    Defendants-Appellees.
    Appeal from the United States District Court
    for the District of Nevada
    Miranda M. Du, Chief District Judge, Presiding
    Argued and Submitted January 10, 2020
    San Francisco, California
    Before: WALLACE and FRIEDLAND, Circuit Judges, and LASNIK,** District
    Judge.
    JL Beverage Company, LLC (“JL Beverage”) brought a trademark
    infringement action against Jim Beam Brands Co. and Beam Inc. (“Jim Beam”).
    JL Beverage appeals from the district court’s order granting Jim Beam’s motion to
    *
    This disposition is not appropriate for publication and is not precedent
    except as provided by Ninth Circuit Rule 36-3.
    **
    The Honorable Robert S. Lasnik, United States District Judge for the
    Western District of Washington, sitting by designation.
    strike JL Beverage’s jury trial demand and from the district court’s judgment in
    favor of Jim Beam. We affirm.
    1. The district court did not err by striking JL Beverage’s demand for a jury
    trial. JL Beverage contends that it had a Seventh Amendment right to a jury trial
    on its claim for disgorgement of profits under the Lanham Act. See 15 U.S.C.
    § 1117(a) (providing that a prevailing plaintiff is “entitled, . . . subject to the
    principles of equity, to recover . . . defendant’s profits”). But we held in Fifty-Six
    Hope Road Music, Ltd. v. A.V.E.L.A., Inc., 
    778 F.3d 1059
    (9th Cir. 2015), that “[a]
    claim for disgorgement of profits under § 1117(a) is equitable, not legal” and thus
    does not “invoke[] [the] right” to a jury trial.
    Id. at 1074-76.
    Under Fifty-Six Hope
    Road Music, the Seventh Amendment did not provide JL Beverage the right to a
    jury trial in this action.
    2. As we previously held, the “likelihood of consumer confusion is central”
    to JL Beverage’s claims. JL Beverage Co. v. Jim Beam Brands Co., 
    828 F.3d 1098
    , 1104 (9th Cir. 2016). The district court’s conclusion that there was no
    likelihood of consumer confusion was not clearly erroneous.
    a. It was not clear error for the district court to conclude that the “similarity
    of the marks” factor of the Sleekcraft test weighed against finding a likelihood of
    confusion. See generally AMF Inc. v. Sleekcraft Boats, 
    599 F.2d 341
    , 348-49
    (9th Cir. 1979), abrogated on other grounds by Mattel, Inc. v. Walking Mountain
    2
    Prods., 
    353 F.3d 792
    (9th Cir. 2003). We acknowledge that the design of the lips
    featured on Jim Beam’s product was very similar to the design of the lips featured
    on JL Beverage’s product. And both Jim Beam and JL Beverage coordinated the
    color of the lips with the flavor of the vodka. But the marks must be considered
    “in their entirety and as they appear in the marketplace.” See Pom Wonderful LLC
    v. Hubbard, 
    775 F.3d 1118
    , 1128 (9th Cir. 2014). On JL Beverage’s product, the
    lips were used to spell “Johnny Love Vodka” (the name of JL Beverage’s vodka)
    and were featured against a clean silver background. On Jim Beam’s product, the
    lips appeared below “Pucker” (the name of Jim Beam’s vodka) and were featured
    against a background with bright splotches of color. Cf. Cohn v. Petsmart, Inc.,
    
    281 F.3d 837
    , 842 (9th Cir. 2002) (concluding that consumers “encounter[ed] the
    trademarks differently in the marketplace” when two companies used the exact
    same slogan “as a tagline to their distinctive business names”). The shapes of the
    bottles were also different. In light of these dissimilarities, the district court’s
    determination on the “similarity of the marks” factor was not clearly erroneous.
    b. The district court correctly summarized the relevant law on the “intent”
    factor. With respect to JL Beverage’s forward confusion claim, the district court
    quoted the legal standard outlined in Marketquest Group, Inc. v. BIC Corp., 
    862 F.3d 927
    (9th Cir. 2017): “whether defendant in adopting its mark intended to
    capitalize on plaintiff’s good will.” See
    id. at 934
    (quoting Fortune Dynamic, Inc.
    3
    v. Victoria’s Secret Stores Brand Mgmt., Inc., 
    618 F.3d 1025
    , 1043 (9th Cir.
    2010)). There is a presumption that such intent exists “whe[n] an alleged infringer
    knowingly adopts a mark similar to another’s.” See Brookfield Commc’ns, Inc. v.
    W. Coast Entm’t Corp., 
    174 F.3d 1036
    , 1059 (9th Cir. 1999) (quoting Official
    Airline Guides, Inc. v. Goss, 
    6 F.3d 1385
    , 1394 (9th Cir. 1993)). With respect to
    JL Beverage’s reverse confusion claim, the district court accurately restated the
    “indicia of intent” referred to in Marketquest Group: “evidence that a defendant
    deliberately intended to push the plaintiff out of the market,” and evidence that a
    defendant “culpably disregarded the risk of reverse confusion,” the latter of which
    can be proved by showing that “the defendant knew of the mark [or] should have
    known of the mark.” 
    See 862 F.3d at 934-35
    .
    In applying these legal standards to the facts here, the district court did not
    clearly err in holding that the “intent” factor “does not weigh in favor of a finding
    of likelihood of confusion.” Jim Beam at least had constructive knowledge of one
    of JL Beverage’s marks when Jim Beam received from its trademark counsel a
    letter referring to the mark and a report containing the mark. And Jim Beam
    eventually had actual knowledge of JL Beverage’s marks, such as through JL
    Beverage’s cease and desist letter. However, Jim Beam’s mere knowledge of JL
    Beverage’s mark does not warrant an inference that Jim Beam had an intent to
    confuse in light of the district court’s not-clearly-erroneous determination that the
    4
    marks were not similar. See Entrepreneur Media, Inc. v. Smith, 
    279 F.3d 1135
    ,
    1148 (9th Cir. 2002) (holding that such an inference “may be drawn only” when an
    alleged infringer uses a mark that is held to be “similar” to the plaintiff’s mark); cf.
    Marketquest 
    Group, 862 F.3d at 937
    (“An inference of bad faith does not arise
    from mere knowledge of a mark when the use is otherwise objectively fair, even in
    a case presenting reverse confusion.”). Moreover, the evidence in the record
    indicating that Jim Beam had a good faith belief that it was not infringing further
    supports that it was not clear error for the district court to treat the intent factor as
    indeterminate. Cf. M2 Software, Inc. v. Madacy Entm’t, 
    421 F.3d 1073
    , 1085 (9th
    Cir. 2005) (not weighing the intent factor in the plaintiff’s favor when there was
    evidence that the defendant’s “attorney believed that [the defendant] could ‘carve
    out’ a non-infringing mark”).
    c. JL Beverage also challenges the district court’s holding that the “strength
    of the mark” factor did not weigh in favor of finding a likelihood of confusion. “In
    a reverse confusion case, . . . we must focus on the strength of the junior user’s
    mark.” Dreamwerks Prod. Grp., Inc. v. SKG Studio, 
    142 F.3d 1127
    , 1130 n.5 (9th
    Cir. 1998) (second alteration in original). Due to Jim Beam’s strong market
    presence, it is possible that “consumers doing business with [JL Beverage] might
    [have] mistakenly believe[d] that they [were] dealing with [Jim Beam].” See JL
    
    Beverage, 828 F.3d at 1107
    (quoting Dreamwerks Prod. Grp. 
    Inc., 142 F.3d at 5
    1130). But this could only have been true in the year 2011, when both JL
    Beverage’s vodka product and Jim Beam’s vodka product were being sold. It
    appears to be unclear from the record whether Jim Beam’s trade dress design was
    already commercially strong in 2011 (the year its vodka product launched), such
    that consumers were likely to have been confused at that time.
    We need not decide, however, whether the district court’s “strength of the
    mark” determination was clearly erroneous. Even assuming it was, when the
    district court’s “errors are corrected and the totality of the facts is considered,”1 we
    are not persuaded that the court’s overall likelihood of confusion finding was
    clearly erroneous. See Pom 
    Wonderful, 775 F.3d at 1132
    . The visual
    dissimilarities between JL Beverage’s product and Jim Beam’s product, coupled
    with the number of factors that do not clearly weigh in favor of finding a likelihood
    of confusion, prevent us from having a “definite and firm conviction that a mistake
    has been committed.” See
    id. (quoting Lahoti
    v. VeriCheck, Inc., 
    586 F.3d 1190
    ,
    1196 (9th Cir. 2009)).
    AFFIRMED.
    1
    We agree with JL Beverage that the “type of goods and the degree of care
    likely to be exercised by the purchaser” factor should be given little weight.
    6
    FILED
    JL Beverage Company, LLC v. Beam, Inc., et al., No. 18-16597                 MAY 27 2020
    MOLLY C. DWYER, CLERK
    FRIEDLAND, Circuit Judge, concurring:                                     U.S. COURT OF APPEALS
    I agree that JL Beverage had no Seventh Amendment right to a jury trial
    under Fifty-Six Hope Road Music, Ltd. v. A.V.E.L.A., Inc., 
    778 F.3d 1059
    (9th Cir.
    2015). I write separately to highlight the tension between Fifty-Six Hope Road
    Music, which concluded that a claim for disgorgement of profits under the Lanham
    Act does not trigger the constitutional right to a jury trial, and Sid & Marty Krofft
    Television Productions, Inc. v. McDonald’s Corp., 
    562 F.2d 1157
    (9th Cir. 1977),
    overruled on other grounds by Skidmore v. Led Zeppelin, 
    952 F.3d 1051
    (9th Cir.
    2020), which concluded that a claim for disgorgement of profits under the
    Copyright Act of 1909 (“Copyright Act”)1 does trigger that right. In my view,
    Fifty-Six Hope Road Music was correct, and Krofft was not.
    The Seventh Amendment right to a jury trial applies in “Suits at common
    law,” U.S. Const. amend. VII, which the Supreme Court has “consistently
    interpreted . . . to refer to ‘suits in which legal rights were to be ascertained and
    determined, in contradistinction to those where equitable rights alone were
    recognized, and equitable remedies were administered,’” Granfinanciera, S.A. v.
    1
    This Act has since been superseded by the Copyright Act of 1976, Pub. L.
    No. 94-553, 90 Stat. 2541. Like the Copyright Act of 1909, the Copyright Act of
    1976 permits a plaintiff to recover the infringer’s profits. See 17 U.S.C. § 504(b).
    1
    Nordberg, 
    492 U.S. 33
    , 41 (1989) (quoting Parsons v. Bedford, 28 U.S. (3 Pet.)
    433, 447 (1830)). To determine whether the Seventh Amendment provides a right
    to a jury trial, the most important inquiry is whether “the remedy sought . . . is
    legal or equitable in nature.” See
    id. at 42
    (quoting Tull v. United States, 
    481 U.S. 412
    , 417-18 (1987)).
    Applying this inquiry would seem to indicate that disgorgement of profits is
    an equitable remedy, not a legal one, whether sought under the Lanham Act (which
    focuses on “the registration, use, and infringement of trademarks and related
    marks,” Dastar Corp. v. Twentieth Century Fox Film Corp., 
    539 U.S. 23
    , 28-29
    (2003)), or under the Copyright Act.
    In early trademark and copyright cases alike, disgorgement of profits (also
    referred to as an “accounting” of profits, see Restatement (Third) of Restitution
    and Unjust Enrichment § 51 cmt. a) was a remedy awarded by courts of equity. In
    trademark cases, “[t]he infringer [was] required in equity to account for and yield
    up his gains to the true owner.” Hamilton-Brown Shoe Co. v. Wolf Bros. & Co.,
    
    240 U.S. 251
    , 259-60 (1916) (emphasis added); see also generally Romag
    Fasteners, Inc. v. Fossil, Inc., No. 18-1233, 
    2020 WL 1942012
    , at *3-4 (U.S. Apr.
    23, 2020). Likewise, “recovery of profits . . . had been allowed in equity . . . in
    copyright . . . cases as appropriate equitable relief incident to a decree for an
    injunction.” Sheldon v. Metro-Goldwyn Pictures Corp., 
    309 U.S. 390
    , 399 (1940)
    2
    (emphasis added); see also Tex. Advanced Optoelectronic Sols., Inc. v. Renesas
    Elecs. Am., Inc., 
    895 F.3d 1304
    , 1324-25 (Fed. Cir. 2018) (“As for copyright and
    trademark infringement, we have seen no support for concluding that disgorgement
    of profits was available at law for those wrongs.”), cert. denied, 
    139 S. Ct. 2741
    (2019).
    And in both the trademark and copyright contexts, the theoretical
    justification for awarding profits was based on an analogy to the equitable remedy
    of a constructive trust, also called a trust ex maleficio. “When property has been
    acquired in such circumstances that the holder of the legal title may not in good
    conscience retain the beneficial interest, equity converts him into a [constructive]
    trustee” who is obligated to turn over the property to the constructive beneficiary.
    See Trust, Black’s Law Dictionary (11th ed. 2019) (quoting Beatty v. Guggenheim
    Expl. Co., 
    122 N.E. 378
    , 380 (N.Y. 1919)). Applied to trademark and copyright
    cases, “[t]he theory was that it was unconscionable for an infringer to retain a
    benefit which he had received by the appropriation and use of the plaintiff’s
    property right; and to prevent unjust enrichment the infringer was treated as a
    trustee ex maleficio of his ill gotten gains.” See Sammons v. Colonial Press, 
    126 F.2d 341
    , 345 (1st Cir. 1942) (italicization added) (copyright); see also Hamilton-
    Brown Shoe 
    Co., 240 U.S. at 259
    (trademark); 
    Sheldon, 309 U.S. at 405-06
    (copyright); Hard Candy, LLC v. Anastasia Beverly Hills, Inc., 
    921 F.3d 1343
    ,
    3
    1357 (11th Cir. 2019) (trademark); Mark A. Thurmon, Ending the Seventh
    Amendment Confusion: A Critical Analysis of the Right to a Jury Trial in
    Trademark Cases, 11 Tex. Intell. Prop. L.J. 1, 97 (2002).
    Moreover, as Fifty-Six Hope Road Music explained, both the Supreme Court
    and our court have indicated that “actions for disgorgement of improper profits are
    equitable in nature.” 
    See 778 F.3d at 1075
    ; see also Feltner v. Columbia Pictures
    Television, Inc., 
    523 U.S. 340
    , 352 (1998) (observing that the Supreme Court has
    described “actions for disgorgement of improper profits” as “equitable”); 
    Tull, 481 U.S. at 424
    (stating that “an action for disgorgement of improper profits” is
    “traditionally considered an equitable remedy”); SEC v. Rind, 
    991 F.2d 1486
    , 1493
    (9th Cir. 1993) (“[A]ctions for disgorgement of improper profits are equitable in
    nature.”); Smith v. Barton, 
    914 F.2d 1330
    , 1337 (9th Cir. 1990) (“[D]amages may
    be equitable where they are restitutionary, ‘such as in action[s] for disgorgement of
    improper profits.’” (second alteration in original) (quoting Chauffeurs, Teamsters
    & Helpers, Local No. 391 v. Terry, 
    494 U.S. 558
    , 570 (1990))).2
    2
    In a recent case involving a claim for disgorgement of profits under the
    Copyright Act of 1976, the Supreme Court stated: “Like other restitutional
    remedies, recovery of profits ‘is not easily characterized as legal or equitable,’ for
    it is an ‘amalgamation of rights and remedies drawn from both systems.’ Given
    the ‘protean character’ of the profits-recovery remedy, we regard as appropriate its
    treatment as ‘equitable’ in this case.” Petrella v. Metro-Goldwyn-Mayer, Inc., 
    572 U.S. 663
    , 668 n.1 (2014) (citations omitted) (quoting Restatement (Third) of
    Restitution and Unjust Enrichment § 4 cmts. b, c)). This statement is consistent
    4
    The foregoing suggests that Fifty-Six Hope Road Music was right to
    conclude that disgorgement of profits is an equitable remedy, and that Krofft was
    wrong to conclude that it is a legal remedy. And nothing in Krofft itself persuades
    otherwise.
    Krofft concluded that an accounting of profits was “basically a money claim
    for damages” and thus a legal remedy which made the Seventh Amendment right
    applicable. 
    See 562 F.2d at 1175
    (quoting Swofford v. B & W, Inc., 
    336 F.2d 406
    ,
    411 (5th Cir. 1964)); see also generally Bayer v. Neiman Marcus Grp., Inc., 
    861 F.3d 853
    , 866 (9th Cir. 2017) (explaining that “compensatory damages” are “the
    classic form of legal relief”). But Krofft did not explain why an accounting of
    profits was tantamount to a legal claim for “compensatory damages.” 
    See 562 F.2d at 1175
    (quoting 
    Swofford, 336 F.2d at 411
    ).
    In fact, Krofft itself acknowledged that “[a]n accounting for profits” was “a
    creature of equity.”
    Id. (emphasis added)
    (quoting 
    Swofford, 336 F.2d at 411
    ).
    And historically, while “[d]amages [we]re awarded to a copyright proprietor on the
    conventional legal principle of affording compensation[,] . . . an infringer’s profits
    from his wrongful act [we]re awarded to the copyright proprietor” on a different
    with a general rule treating disgorgement of profits as an equitable remedy—while
    also suggesting that there could be exceptions on a case-by-case basis where there
    are “peculiarly legal considerations at play.” See 3 Melville B. Nimmer & David
    Nimmer, Nimmer on Copyright § 12.06[B][3][d][i].
    5
    rationale: “prevent[ing] the infringer’s unjust enrichment.” F.W. Woolworth Co. v.
    Contemporary Arts, Inc., 
    193 F.2d 162
    , 167-68 (1st Cir. 1951), aff’d, 
    344 U.S. 228
    (1952); Kenneth E. Burdon, Note, Accounting for Profits in a Copyright
    Infringement Action: A Restitutionary Perspective, 87 B.U. L. Rev. 255, 269
    (2007). Thus, “if the infringer [made] greater profits than the copyright owner
    lost,” the owner would be “allowed to capture the additional profit even though it
    [would] not [compensate any] loss to him.” Taylor v. Meirick, 
    712 F.2d 1112
    ,
    1120 (7th Cir. 1983); see also 
    Sammons, 126 F.2d at 345-46
    . Krofft did not
    mention this distinction between profits and damages, much less provide a reason
    for analogizing the former to the latter despite it.
    Krofft also considered the Supreme Court’s decision in Dairy Queen, Inc. v.
    Wood, 
    369 U.S. 469
    (1962), to be “controll[ing]” on the jury trial question. See
    
    Krofft, 562 F.2d at 1175
    & n.22. But Krofft’s interpretation that Dairy Queen held
    there is a right to a jury trial on a claim for disgorgement of profits has been
    repudiated in the years since Krofft was decided. Both the Supreme Court and our
    court have observed that Dairy Queen’s holding was about a claim for damages,
    not a claim for disgorgement of profits. See 
    Feltner, 523 U.S. at 346
    (describing
    Dairy Queen as an “action for damages for trademark infringement”); Fifty-Six
    Hope Road 
    Music, 778 F.3d at 1075
    (noting that “the Supreme Court characterizes
    6
    the Dairy Queen claim as a legal claim for damages (not disgorgement of profits)”
    (citing 
    Feltner, 523 U.S. at 346
    )).
    Since Krofft was decided, we have not relied on its jury trial analysis in any
    published decision. And other courts have declined to apply Krofft’s conclusion on
    the Seventh Amendment right. See Fair Isaac Corp. v. Fed. Ins. Co., 
    408 F. Supp. 3d
    1019, 1029 & n.9 (D. Minn. 2019) (rejecting the reasoning of Krofft and
    observing that “[i]t is telling that, in the more than forty years since [Krofft], no
    court has cited, much less adopted, its analysis”); Siegel v. Warner Bros. Entm’t
    Inc., 
    581 F. Supp. 2d 1067
    , 1073-74 (C.D. Cal. 2008) (distinguishing Krofft and
    holding that “an accounting of profits between co-owners of a copyright” is an
    equitable remedy that does not trigger the jury trial right). By contrast, in the
    trademark context, other courts are in accord with Fifty-Six Hope Road Music that
    there is no right to a jury trial if the only monetary relief sought by the plaintiff is
    disgorgement of profits. See 6 J. Thomas McCarthy, McCarthy on Trademarks
    and Unfair Competition § 32:124.
    Our decision in this trademark action applies that rule and reaches what I
    think is the right result under governing Seventh Amendment doctrine: JL
    Beverage sought an equitable remedy and therefore had no constitutional right to a
    jury trial. Although I think the contrary rule in Krofft is incorrect, we have no
    occasion in this trademark case to decide the applicability of the jury trial right in
    7
    copyright cases.3 But if and when we are presented with an appeal in which a
    copyright plaintiff’s right to a jury trial on a claim for disgorgement of profits is
    contested, I think the rule we adopted more than forty years ago in Krofft would be
    worth revisiting.
    3
    The question whether a plaintiff seeking disgorgement of profits in a
    copyright infringement action has a constitutional right to a jury trial may be raised
    in few cases. In the overwhelming majority of copyright cases, the plaintiff does
    not seek profits and instead elects to seek statutory damages (for which there is a
    right to a jury trial under 
    Feltner, 523 U.S. at 355
    ). See Ben Depoorter, Copyright
    Enforcement in the Digital Age: When the Remedy Is the Wrong, 66 UCLA L. Rev.
    400, 407, 418 & tbl. 1 (2019).
    8