Detmers v. Costner , 2012 S.D. LEXIS 35 ( 2012 )


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  • #26104-a-DG
    
    2012 S.D. 35
    IN THE SUPREME COURT
    OF THE
    STATE OF SOUTH DAKOTA
    ****
    PEGGY A. DETMERS and
    DETMERS STUDIOS, INC.,
    a South Dakota Corporation,                Plaintiffs and Appellants,
    v.
    KEVIN COSTNER and
    THE DUNBAR, INC.,
    a South Dakota Corporation,                Defendants and Appellees.
    ****
    APPEAL FROM THE CIRCUIT COURT OF
    THE FOURTH JUDICIAL CIRCUIT
    LAWRENCE COUNTY, SOUTH DAKOTA
    ****
    THE HONORABLE RANDALL L. MACY
    Judge
    ****
    ANDREW R. DAMGAARD
    A. RUSSELL JANKLOW of
    Janklow Law Firm, Prof. LLC
    Sioux Falls, South Dakota                  Attorneys for plaintiffs
    and appellants.
    KYLE L. WIESE
    JAMES S. NELSON of
    Gunderson, Palmer, Nelson & Ashmore, LLP
    Rapid City, South Dakota                   Attorneys for defendants
    and appellees.
    ****
    ARGUED MARCH 19, 2012
    OPINION FILED 05/09/12
    #26104
    GILBERTSON, Chief Justice
    [¶1.]        In 2008, Peggy Detmers and Detmers Studios, Inc. (collectively
    “Detmers”) brought suit against Kevin Costner and The Dunbar, Inc. (collectively
    “Costner”). The suit sought declaratory judgment regarding an agreement on the
    placement of sculptures Costner had commissioned from Detmers. After a bench
    trial, the court granted judgment in favor of Costner. Detmers appeals. We affirm.
    FACTS
    [¶2.]        In the early 1990s, Costner envisioned building a luxury resort called
    “The Dunbar” on property he owned near Deadwood, South Dakota. After
    discussions, Costner commissioned Detmers to design 17 buffalo and Lakota
    warrior sculptures, intending to display them at The Dunbar’s entrance. The
    bronze sculptures are 25% larger than life-size and depict three Lakota warriors on
    horseback pursuing 14 buffalo at a “buffalo jump.” Detmers and Costner orally
    agreed that she would be paid $250,000 and would receive royalty rights in the
    sculptures’ reproductions, which were to be marketed and sold at The Dunbar’s gift
    shop. When The Dunbar had not been built in the late 1990s, Detmers stopped
    working on the sculptures.
    [¶3.]        After several months of negotiations, on May 5, 2000, Costner sent
    Detmers a letter detailing an agreement that would provide her additional
    compensation in exchange for completing the sculptures. Detmers agreed and
    signed the letter as requested, creating a binding contract. As part of the
    agreement, Costner paid Detmers an additional $60,000, clarified royalty rights on
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    reproductions, and provided her certain rights regarding display of the sculptures.
    Paragraph three of the agreement, which is at issue in this case, provides:
    Although I do not anticipate this will ever arise, if The Dunbar
    is not built within ten (10) years or the sculptures are not
    agreeably displayed elsewhere, I will give you 50% of the profits
    from the sale of the one and one-quarter life scale sculptures
    after I have recouped all my costs incurred in the creation of the
    sculptures and any such sale. The sale price will be at our above
    standard bronze market pricing. All accounting will be
    provided. In addition, I will assign back to you the copyright of
    the sculptures so sold (14 bison, 3 Lakota horse and riders).
    [¶4.]         Paragraph four of the agreement provides: “We will locate a suitable
    site for displaying the sculptures if The Dunbar is not under construction within
    three (3) years after the last sculpture has been delivered to the mold makers.”
    Because the resort was not under construction within three years after the last
    sculpture had been delivered, Detmers and Costner began looking for display
    locations as required by paragraph four. Detmers suggested locations in Hill City,
    while Costner considered locations near Deadwood.
    [¶5.]         On January 23 or 24, 2002, Costner called Detmers and they discussed
    permanently placing the sculptures at a site on Costner’s property where he
    intended to build The Dunbar.1 The project became known as “Tatanka.” Costner
    hired landscape architect Patrick Wyss to design Tatanka. Costner instructed Wyss
    to keep Detmers informed and involved in the design process. Detmers was
    1.      During her deposition, Detmers initially denied that she received this phone
    call. After being confronted with telephone records, Detmers agreed Costner
    had called her. She then denied that Costner had suggested placement of the
    statutes at his Deadwood property during this call. During later questioning,
    she admitted that during the call he talked about The Dunbar location for the
    statutes.
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    influential in the sculptures’ placement at Tatanka, including suggesting and
    implementing wood “mock-ups” to predetermine the exact location of each
    sculpture. Detmers, Costner, and Wyss were all present when the sculptures were
    placed at Tatanka. Tatanka was funded solely by Costner and is a separate legal
    entity from The Dunbar. In addition to the sculptures, Tatanka consists of a visitor
    center, gift shop, café, interactive museum, and nature walkways. Both Detmers
    and Costner spoke at Tatanka’s grand opening in June 2003, expressing
    enthusiasm and pride in the attraction.
    [¶6.]        In 2008, Detmers brought suit against Costner, seeking a declaratory
    judgment that she did not agree to the placement of the sculptures as required by
    paragraph three of their May 2000 contract. For relief, Detmers sought an order
    requiring Costner to sell the sculptures with the proceeds dispersed consistent with
    paragraph three. Detmers claimed that because The Dunbar had not been built
    within ten years and the sculptures were not “agreeably displayed elsewhere,” she
    was entitled to 50% of the proceeds from the sale of the sculptures.
    [¶7.]        Before trial, Costner moved to use parol evidence. Detmers objected,
    requesting a ruling that the May 2000 contract was unambiguous and parol
    evidence was therefore inadmissible. The circuit court concluded that the May 2000
    contract was unambiguous and denied Costner’s motion to admit parol evidence.
    The sole issue at the bench trial was whether the sculptures were “agreeably
    displayed elsewhere.” Costner, Detmers, and Wyss testified at trial.
    [¶8.]        After post-trial briefing, the court granted judgment in favor of
    Costner. The court maintained its earlier conclusion that the May 2000 contract
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    was unambiguous. The court concluded that “‘[e]lsewhere,’ as used in the contract,
    clearly means at a site other than The Dunbar.” Additionally, “[b]ecause The
    Dunbar has not been built, any site is elsewhere, i.e., somewhere other than The
    Dunbar. The placement of the sculptures at Tatanka is elsewhere.” The court also
    concluded: “Detmers actions following the decision to place the sculptures at
    Tatanka indicate that she agreed to display them at that location. . . .” Detmers
    appeals.
    STANDARD OF REVIEW
    [¶9.]        “We will not set aside a trial court’s findings of fact unless they are
    clearly erroneous.” Alto Twp. v. Mendenhall, 
    2011 S.D. 54
    , ¶ 9, 
    803 N.W.2d 839
    ,
    842. “[W]e review conclusions of law under a de novo standard, with no deference to
    the trial court’s conclusions of law.” 
    Id.
    ANALYSIS
    [¶10.]       We restate and consolidate Detmers’ issues on appeal to whether the
    circuit court erred in determining that the sculptures were “agreeably displayed
    elsewhere,” as required under the contract. Under paragraph three, Detmers would
    only be entitled to specific performance if The Dunbar was not built or the
    sculptures were not “agreeably displayed elsewhere.” The issue at trial was
    whether Detmers agreed to displaying the sculptures at Tatanka, which is a factual
    inquiry. The circuit court concluded Detmers agreed, as demonstrated by her
    conduct and actions, to permanent display of the sculptures at Tatanka.
    [¶11.]       On appeal, Detmers does not dispute that she agreed to display the
    sculptures at Tatanka. Instead, she asserts that she only agreed to the location
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    because she had been promised or guaranteed that The Dunbar would still be built.
    Detmers cannot point to anything in the record supporting this assertion other than
    her own testimony. The circuit court found that Detmers was never promised or
    guaranteed that the Dunbar would be built. Costner maintained throughout this
    suit that he continues to attempt to build The Dunbar, but cannot promise it will
    happen. Detmers has not shown any findings to be clearly erroneous.
    [¶12.]       Furthermore, this action centers around a clause in the contract
    addressing what would happen if the resort was not built. The contract itself
    contemplates the possibility that The Dunbar might not be built. Detmers cannot
    assert that she was not aware that The Dunbar’s future was questionable. Detmers
    has not demonstrated that the circuit court’s finding was clearly erroneous. As to
    Detmers’ argument that the finding was unnecessary, the court appeared to address
    it because it was an issue raised by Detmers through questioning.
    [¶13.]       Detmers asserts that to the extent the court used the testimony of
    Patrick Wyss to find that Detmers had not been guaranteed The Dunbar would be
    built, the court erred. The court found: “Testimony from Costner and others
    associated with The Dunbar and Tatanka projects indicates that although Costner
    has been attempting to build The Dunbar for years, and continues to try to build it,
    he has never promised Detmers or anyone else that it would actually be built.”
    (Emphasis added.) Presumably, Wyss is an “other[] associated with” the projects as
    he was the only other person to testify besides Costner and Detmers.
    [¶14.]       Wyss was prepared for trial by Costner’s counsel. He testified as a fact
    witness, called adversely as part of Detmers’ case-in-chief. Wyss was sequestered,
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    so he had not heard Costner’s testimony, given after being called adversely, or
    Detmers’ testimony. Detmers’ counsel asked whether, during the time the
    sculptures were being placed at Tatanka, “there was not only an understanding by
    [Wyss] but an understanding by Peggy Detmers that the Dunbar resort was
    ultimately going to be built.” Wyss responded “No.” Detmers’ counsel then
    attempted to impeach Wyss with his deposition testimony where he was asked: “So
    the placement of the monument back in 2002, there was always an understanding,
    and it was being told to Peggy, that the Dunbar was still going to be built at that
    time; right?” Wyss responded, “That was my understanding.”
    [¶15.]       Detmers made a motion after trial to strike Wyss’ changed trial
    testimony. The court denied the motion. Detmers argues that the court should not
    have relied on Wyss’ testimony. A review of Wyss’ testimony reveals the context of
    Wyss’ statements and his questioning. During Wyss’ deposition, counsel was
    questioning Wyss on whether “the plan was still to build The Dunbar” when the
    sculptures were being placed. The context of the questioning shows that Costner
    and his team were still working towards building The Dunbar, and the placement of
    Tatanka was important to ensure The Dunbar could go forward if investors
    committed. Wyss explained at trial that “[t]he context of that conversation was the
    planned hotel . . . .” He continued to emphasize that “there were efforts in place to
    attempt to get the hotel built.”
    [¶16.]       Wyss’ responses to Detmers’ “impeachment” questions provide the
    necessary framework for understanding his answers. The circuit court was able to
    witness Wyss and the questioning at trial to determine credibility and the weight
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    that should be afforded his testimony. We will not second-guess that
    determination. Even if the court did err in relying on Wyss’ testimony, Detmers has
    not shown that the finding was clearly erroneous in light of the entire record
    indicating that Detmers had no reason to assume The Dunbar would be built.
    [¶17.]          Detmers also argues that the circuit court erred as a matter of law in
    its construction of the term “elsewhere.” She asserts that “elsewhere” must be
    somewhere other than the proposed site for The Dunbar. She suggests that the
    circuit court’s conclusion rewrites the contract. Additionally, she argues that if
    “elsewhere” is ambiguous, it should be construed against Costner. However,
    Detmers asserted before trial, and the court agreed, that the contract was
    unambiguous. That decision was not appealed.2
    [¶18.]         The circuit court concluded as a matter of law that the regular
    meaning of the term “elsewhere” applied. The court noted that Black’s Law
    Dictionary defines elsewhere as “in another place, in any other place,” and
    Webster’s Dictionary defined it as “in or to another place.” See Black’s Law
    Dictionary 560 (8th ed. 2004). Accordingly, there must first be a designated place to
    determine if somewhere is “another place.” Paragraph three provides: “if The
    Dunbar is not built within ten (10) years or the sculptures are not agreeably
    displayed elsewhere.” (Emphasis added.) The designated place is The Dunbar. The
    2.       “Whether the language of a contract is ambiguous is . . . a question of law.”
    Pankratz v. Hoff, 
    2011 S.D. 69
    , ¶ 10 n.*, 
    806 N.W.2d 231
    , 235 n.*. Even if
    this Court were to decide that the contract was ambiguous, the language of
    the contract, in addition to the findings of the circuit court, support judgment
    for Costner.
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    circuit court concluded that “elsewhere” meant at a place other than The Dunbar.
    And because The Dunbar had not been built, Tatanka was elsewhere.
    [¶19.]       Costner points out that the circuit court and Detmers both assign
    “elsewhere” its ordinary meaning, i.e., “in another place.” The analysis diverges on
    whether “in another place” means another place from The Dunbar itself or from The
    Dunbar’s intended site. Costner asserts that the circuit court was correct in
    concluding that “elsewhere” is in a place other than The Dunbar resort itself, which,
    according to the language, must be built. The land could not be built, but the resort
    could. Furthermore, the terms of the contract plainly do not say The Dunbar site.
    [¶20.]       “Contract interpretation is a question of law” reviewed de novo.
    Clarkson & Co. v. Cont’l Res., Inc., 
    2011 S.D. 72
    , ¶ 10, 
    806 N.W.2d 615
    , 618. “When
    interpreting a contract, ‘this Court looks to the language that the parties used in
    the contract to determine their intention.’” Id. ¶ 15, 806 N.W.2d at 619 (quoting
    Pauley v. Simonson, 
    2006 S.D. 73
    , ¶ 8, 
    720 N.W.2d 665
    , 667-68). “When the words
    of a contract are clear and explicit and lead to no absurd consequences, the search
    for the parties’ common intent is at an end.” Nelson v. Schellpfeffer, 
    2003 S.D. 7
    , ¶
    8, 
    656 N.W.2d 740
    , 743.
    [¶21.]       The plain words of the contract unequivocally provide that if The
    Dunbar was not built or the sculptures were not agreeably displayed elsewhere,
    then Detmers would be entitled to the relief described in paragraph three.
    “Elsewhere” must be understood in relation to the named place in the contract –
    The Dunbar. Costner is correct that to accept Detmers argument would rewrite the
    contract to include The Dunbar’s intended location as well as the resort itself. This
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    we will not do. See Culhane v. W. Nat’l Mut. Ins. Co., 
    2005 S.D. 97
    , ¶ 27, 
    704 N.W.2d 287
    , 297 (“[W]e may neither rewrite the parties’ contract nor add to its
    language . . . .”). As a matter of law, the court did not err in its conclusion that
    Tatanka was elsewhere from The Dunbar. This conclusion is supported by giving
    the terms in the parties’ contract their plain and ordinary meaning.
    [¶22.]        Detmers also alleges that the court was clearly erroneous in finding
    that Tatanka was intended to be separate and distinct from The Dunbar. She
    points to newspaper articles and testimony in the record indicating that if The
    Dunbar is built, Tatanka would be part of the resort property.
    [¶23.]        The record and numerous exhibits support the circuit court’s finding
    that Tatanka is separate from The Dunbar. Testimony reinforced that Tatanka was
    constructed and managed as a separate legal entity from The Dunbar proposal. In
    her response to Costner’s proposed findings of fact, Detmers concedes that Tatanka
    is a stand-alone site. Detmers has not demonstrated that the court was clearly
    erroneous or made an error of law in determining that Tatanka was separate from
    The Dunbar.
    CONCLUSION
    [¶24.]        The circuit court did not err or make any clearly erroneous factual
    findings in determining that the sculptures are “agreeably displayed elsewhere,” in
    the absence of a guarantee from Costner that The Dunbar would be built.
    Furthermore, the circuit court did not err in concluding that Tatanka was
    “elsewhere” under the language of the contract. We affirm.
    [¶25.]        KONENKAMP, ZINTER, SEVERSON, and WILBUR, Justices, concur.
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