DocketNumber: Docket No. 23170-88
Citation Numbers: 66 T.C.M. 799, 1993 Tax Ct. Memo LEXIS 445, 1993 T.C. Memo. 438
Judges: FAY
Filed Date: 9/20/1993
Status: Non-Precedential
Modified Date: 11/20/2020
*445 Decision will be entered under Rule 155.
MEMORANDUM FINDINGS OF FACT AND OPINION
FAY,
During its taxable years 1978 and 1980, petitioner acquired certain rights and properties associated with some 47 titles. In the notice of deficiency, respondent disallowed depreciation deductions and investment tax credits relating to these 47 titles, which petitioner claimed on its income tax returns for its taxable years 1978, 1979, and 1980. Respondent also disallowed an interest expense deduction of $ 310,650 claimed for its taxable year 1979, which deduction arose in connection with promissory notes associated with petitioner's purchase of the titles.
In addition, during 1979 and 1980, petitioner organized and promoted 51 limited partnerships (hereinafter the Partnerships). On its Federal income tax return for its taxable year 1980, petitioner deducted losses from nine of the partnerships*448 for which it was the general partner. Respondent also disallowed these losses.
One of the partnerships for which petitioner deducted losses was named Literary Arts Associates (hereinafter Arts). The parties have stipulated that, for purposes of this case only, our determination as to the allowability of the claimed partnership losses and investment credits relating to Arts shall control the allowability of the losses (attributable to the depreciation deductions, interest expense, and remaining unagreed printing expenses) and credits claimed by petitioner with respect to the 47 titles and with respect to its share of partnership losses and credits from the eight partnerships other than Arts. The parties have also agreed that the interest petitioner deducted for 1979 will not be allowable if Arts' nonrecourse notes are not includable in the tax basis of the titles it purchased.
We have already considered and decided the allowability of losses and credits arising from the participation in Arts by one of its limited partners, Thomas J. Leger, in
Consequently, the issues for our decision are: (1) Whether petitioner is entitled to deduct its share of losses and investment credits from Arts' publishing activities because they lacked economic substance; (2) whether petitioner may deduct its *450 share of interest on promissory notes that comprised part of the purchase price of the titles because the notes were properly includable in tax basis; (3) whether petitioner is liable for additions to tax under
FINDINGS OF FACT
Some of the facts have been stipulated and they are so found. Additionally, the parties have stipulated that the Court may incorporate the facts found in
During the years in issue, petitioner participated in the book publishing industry by purchasing titles and: (a) retaining ownership of some of the titles and arranging for the marketing of books produced therefrom, including the 47 titles referred to above, (b) reselling titles for a profit to unrelated individuals and entities, and (c) selling titles in groups to limited partnerships.
Petitioner organized Arts, the limited partnership at issue in this case, on July 23, 1979, to acquire and exploit mass market *451 units in Arts at $ 45,000 cash per unit, for a total of $ 1,125,000. Petitioner also acquired one of these limited partnership units for $ 45,000.
Arts then acquired, for a total purchase price of $ 12,319,000 ($ 824,000 in cash and $ 11,495,000 in nonrecourse notes), the following 23 titles *452 Flame
6. Meteorite Track 291
7. The Tapestry
8. Tara of the Twilight
9. Benediction
10. Another Love, Another Time
11. The Sin
12. What Price Love
13. Without Sin Among You
14. Shadow Game
15. Chrysalis 5
16. You'll Die Today
17. The Final Fair
18. Death in a Small World
19. The Sandcastle Murder
20. Murder by the Book
21. You'll Be the Death of Me
22. The Whispering Cat Mystery
23. Who Killed Me?
Both petitioner and Madison were owned beneficially by members of Cohen's family and were controlled by Cohen during the years in issue.
All 23 titles were produced from original manuscripts; none were reprints. *453 of the novels in the "Making of America" series. The eight mystery puzzlers (titles 16-23) were numbers 21 through 28 of a series. As an innovative feature, each mystery puzzler contained a sealed final chapter giving the solution to the mystery. This provided the reader with an opportunity to solve the mystery before finding out "who done it".
Between November 1978 and January 1979, the authors of titles 1-5 sold exclusive rights to print, publish, license, and sell their works *454 on all additional copies sold thereafter. On March 29, 1979, Bryans Books assigned all of its rights in titles 1-5 to Richard Gallen & Co., Inc. (hereinafter Gallen), for an interest in profits.
On November 17, 1977, the author of title 6 sold his rights to GM Publishing, Inc. This work was deliverable by March 31, 1978. The author received a $ 5,000 advance plus the right to royalties of 6 percent of net retail sales on the first 150,000 copies and 8 percent thereafter. This agreement was also subsequently assigned to Gallen. *455 By agreements, dated between July 26, 1978, and April 2, 1979, the authors of titles 7-23 sold exclusive rights to license, manufacture, print, publish, and distribute their works to Kensington Publishing Corp. (hereinafter Kensington), with deadlines ranging between January 1, 1979, and April 15, 1979. The authors received advances against royalties ranging between $ 1,500 and $ 7,500 *456 The works Gallen and Kensington purchased required development before they could be printed. The author's final manuscript was edited, typeset, and then photographed onto lithographic films. Meanwhile, the editor developed a concept for the covers and spine of the book, an artist transformed that concept into a picture, and copy for the cover was written. Once approved, the cover was made into color separations. Finally, a print shop transferred the films and color separations onto metal plates from which the titles were printed. Early in 1979, Cohen, as president of Madison, negotiated with Gallen and Kensington to purchase the 23 titles subsequently acquired by Arts. Gallen and Kensington had previously decided to publish these 23 titles. From the numerous titles Gallen and Kensington intended to publish, Cohen "cherry-picked" the ones he wanted based on the expected initial printing, a synopsis of the story, a biography of the author, and consultations with people familiar with the industry. He read only one of the titles. By agreement dated March 28, 1979, Madison purchased from Gallen and Kensington the "physical properties" for each title together with the right to*457 print, publish, distribute, and sell each title in paperback form. The agreements with Kensington specifically excluded radio, television, and film rights. Gallen and Kensington retained their obligations to the authors under their respective contracts. The agreements described the physical properties as consisting of: a number of engraved lithographic films each embodying forms of either 32 or 16 pages of the text of the Work and other pages to be included in the printed book; four color processed engraved lithographic films embodying the front cover art work for the printed book; and four color processed engraved lithographic films embodying the spine and back cover art work for the printed book, it being understood and agreed that no original artist's rendition is included in the above. As consideration for the transfer of the Gallen titles, Madison agreed to pay Gallen $ 73,000 in cash (a downpayment of $ 6,500 plus $ 66,500 by December 31, 1979) and to execute a separate nonnegotiable, nonrecourse promissory note for each title, all due by October 1, 1988, and totaling $ 5,525,000. *458 downpayment, agreed to pay Kensington $ 91,000 in cash by December 31, 1979, and executed and delivered a separate nonnegotiable, nonrecourse promissory note for each title, all due on October 1, 1988, and totaling $ 5,970,000. *459 initial amount of proceeds (hereinafter guaranteed proceeds), which ranged from $ 20,000 to $ 40,000 for the Gallen titles and from $ 6,000 to $ 17,000 for the Kensington titles. In a separate security agreement for each note, Madison conveyed to Gallen or Kensington, as appropriate, its rights in the related title. In the event of default, forfeiture of the right to the transferred properties was the sole remedy available to the sellers. These notes were not cross-collateralized; that is, the proceeds Madison received from one title would not be used to pre-pay the notes on the other titles. Gallen and Kensington required at least part of the notes as additional compensation for the sales of the titles. However, they did not require notes in face amounts as high as ultimately resulted. On March 28, 1979, Madison also entered into services agreements with Confucian Press, Inc., a subsidiary of Gallen (hereinafter Confucian), and Hercules Service Corp., an affiliate of Kensington (hereinafter Hercules), in which Confucian and Hercules agreed to produce, print, bind, distribute, sell, and promote paperback editions of the 23 titles for 9 years. *460 a specified minimum number of copies (between 35,000 and 200,000) *461 appoint Dell Distributing Corp. (hereinafter Dell) and Kable News Co., Inc. (hereinafter Kable), respectively, as national distributors. *462 from sales of the books. The services agreements indicated that the 23 titles would be issued with retail cover prices ranging between $ 1.95 and $ 2.50, and the term "gross proceeds" equaled approximately 40 percent of the cover price. The services agreements required both Confucian and Hercules to use their best efforts to maximize sales and to create as much favorable publicity as reasonably possible. In return, Confucian and Hercules warranted that Madison would receive minimum specified amounts from sales (hereinafter guaranteed gross receipts). These guaranteed gross receipts under the services agreements equaled the amount*463 of guaranteed proceeds under the acquisition agreements. Although these guaranteed gross receipts were payable to Madison, Confucian and Hercules were entitled to retain these receipts as payment of the balance of their agreed consideration on initial sales. *464 Madison's obligations under the acquisition agreements. This included interest which had accrued on the notes, but did not include the $ 66,500 and $ 91,000 in cash due to Gallen and Kensington on December 31, 1979. Interest had been accruing on the nonrecourse notes at the rate of $ 57,475 per month ($ 11,495,000 X 6% / 12 mo.). Concurrently, Madison assigned to Arts its services agreements with Confucian and Hercules. Arts informed Gallen, Kensington, Confucian, and Hercules that it had acquired from Madison the 23 titles, as well as all related covenants and agreements under the acquisition and services agreements, and had assumed all of Madison's obligations under these agreements. However, the notices to Gallen and Kensington were dated June 12, 1979, over a full month before the sale by Madison to Arts on July 26, 1979, as well as over a full month before the organization of Arts on July 23, 1979. In connection with each assignment, Arts agreed to reimburse Madison for its $ 2,000 per title expenditure. In addition, Madison instructed (in letters dated June 12, 1979) Confucian and Hercules to pay directly to Gallen and Kensington, respectively, 60 percent of the gross*465 proceeds from sales, in excess of guaranteed gross proceeds, until the notes (aggregating $ 5,525,000 in the case of Gallen and $ 5,970,000 in the case of Kensington) plus interest, had been paid. Confucian and Hercules and their distributors promoted the titles. Their promotional activities included distributing promotional fliers and catalogues, advertising on radio and in trade publications like Publisher's Weekly, and making direct sales to book stores. Generally, the distributors solicited orders from their retailers 3 to 4 months before a title was ready for sale. Based upon the response to this solicitation, Gallen and Kensington determined the number of copies they would initially print. Generally, within 1 month after the titles appeared on retailers' racks, Gallen and Kensington would decide whether they would reprint a title. The 23 titles Arts purchased were first printed between March 1979 and June 1980; 14 of them were printed before August 1979. *466 In 1979, Gallen's bestselling title sold approximately 250,000 copies, while Kensington had no title selling more than 400,000 copies. Prior to purchasing a limited partnership interest in Arts, potential limited partners received a copy of a "Confidential Descriptive Memorandum" (hereinafter Offering Memorandum) dated April 17, 1979, and a "Summary of Offering" (hereinafter Offering Summary). The cover of the Offering Summary featured: 1. SOLID ECONOMICS 2. 4+ TO 1 LEVERAGE (aggregate of "at risk" deductions and investment tax credits) *467 The Offering Summary contained a description of the proposed acquisition, a brief synopsis of 11 of the titles, a biography of their authors, and a picture of 11 front covers. It explained that the first four titles were part of a "Making of America" series, similar in genre to three novels by John Jakes and James Michener which had sold millions of copies. It also stated that title 5 was a sequel to "Rose of Passion, Rose of Love", a B. Dalton bestseller. "Rose of Passion, Rose of Love" had been on the B. Dalton bestseller list for four weeks, sold between 125,000 and 150,000 copies, and was considered by both Gallen's president and Cohen to be a successful title. The Offering Summary concluded that: Should any one of our literary selections be received only moderately as well as the aforementioned Jakes and Michener works, each of our partners will receive a substantial return on this investment; of course, if more than one does well, the results will literally be a financial "bonanza." The Offering Memorandum contained a synopsis of each title and a biography of each author. In addition, it briefly reviewed the terms of the transaction, described the publishers, *468 the seller, the general partner, and contained an extensive tax opinion, a form limited partnership agreement, a subscription agreement, and an investor promissory note. The tax opinion contained carefully circumscribed recommendations about the program, such as the following: While it is our view, as discussed below, that the facts herein presented appear to support the conclusion that the fair market value of the Properties at the time of their purchase will be commensurate with the purchase price, Limited Partners should be aware that the Service has indicated that such transactions will be subject to particular scrutiny, and that no assurance can be given that a challenge by the Service will not be successful in any given case. Under the circumstances, we believe it to be the better view that the face amount of the Notes should be includible in the Partnership's basis in the Properties for computing depreciation and gain and loss, to the extent of their fair market value. However, there can be no assurance that the Service will not attack such a determination, based upon any of the contingencies discussed above. The Offering Memorandum also contained a list of the*469 purchase price of each title and a tabulation of the number of copies of each title which had to be sold to retire its related note (ranging from 311,000 to 1,900,000 copies), exclusive of interest. *470 soft cover book sales and the number of [copies] required to be sold to pay off the purchase money indebtedness in each case exceeds the industry average of sales of such books. No representation or assurance can be given as to the number of [copies], if any, embodying each work which may be sold. * * *
The Offering Memorandum and Offering Summary did not contain any projection of income, expenses, net income, or cash flow, which might be realized from sales or on the limited partners' investment.
The Offering Memorandum disclosed that Arts would pay Bromwell a $ 10,000 origination fee and organizational expenses of $ 37,500, and that Madison would realize a profit of between $ 335,000 and $ 470,000 on its sale to Arts. In addition, as annual management compensation, Arts agreed to pay petitioner 3 percent of the cash flow until the limited partners were credited with revenues equaling their investment. Afterward, petitioner was entitled to 20 percent of the cash flow. Petitioner, as general partner of Arts, maintained a separate bank account for Arts, maintained books and records, and timely filed Arts' partnership income tax returns.
On its 1979 Partnership Income Tax*471 Return, Arts reported:
Gross receipts | $ 307,000 |
Printing Expense | (353,000) |
Depreciation | (1,368,778) |
Amortization | (7,250) |
Other Deductions | (1,860) |
Ordinary Loss | $ (1,423,888) |
For the years 1980 through 1986, Arts reported the following gross receipts, deductions, and losses:
GROSS | TOTAL | ||
YEAR | RECEIPTS | DEDUCTIONS | LOSS |
1980 | 868,482 | 3,205,403 | (2,336,921) |
1981 | 352,175 | 2,237,475 | (1,885,300) |
1982 | 61,414 | 1,527,718 | (1,466,304) |
1983 | 22,853 | 1,181,295 | (1,158,442) |
1984 | 384 | 900,881 | (900,497) |
1985 | 565 | 904,007 | (903,442) |
1986 | (188) | 871,463 | (871,651) |
Madison retained several literary appraisers prior to Arts' purchase of the 23 titles. However, they rendered opinion letters dated April 12, 1979 and April 17, 1979, dates subsequent to Madison's purchase from Gallen and Kensington. These letters recited the author's expertise in the field, described the subject of each title, listed the purchase price, stated the number of copies of that title that would have to be sold to recoup its cost, *472 fact, may well exceed it after deductions of all costs" under the services agreements. This language had been written by Madison and adopted virtually verbatim by the appraisers. These opinion letters did not provide any representation of fair market value, or analysis of gross sales, publishing costs, cash flow, or net income expected to be realized from the title. Further, the Offering Memorandum, referring to (but not including) these opinions, cautioned that they were "estimates only" and could not "be regarded as definitive with respect to the relationship between the fair market value of the [titles] and the purchase price thereof."
Petitioner also submitted an expert's report prepared by DeWitt C. Baker (hereinafter Baker), dated January 29, 1986, evaluating the 23 titles, as of March 1979, as a package rather than individually. Baker computed what portion of the notes would have to be amortized*473 before the limited partners received back their cash investment, as well as two to three times their cash investment. However, Baker did not include interest payments required on the notes when making his computations. In this regard, he prepared a table showing the sales level (in copies) required for each title to return its cash investment. Respondent submitted the expert opinions of Robert Sachs (hereinafter Sachs) and Stephen Conland (hereinafter Conland). Sachs valued the titles as of March 1979, while Conland valued them as of the month they were printed. These appraisers valued the manuscripts individually by computing the net profit*474 expected from each of them. This involved estimating revenues by projecting sales based on the performance of the publisher and distributor, Evidentiary Objections Before we address whether petitioner is entitled to the losses, deductions, and credits at issue in this case, we must initially decide whether to sustain petitioner's evidentiary objections seeking to exclude from the record the reports and testimony of respondent's two expert witnesses, Sachs and Conland. Petitioner*475 bases its objection to the admission of such evidence on the Court of Appeals for the Second Circuit's opinion in In We reject this judicial version of the Siskel and Ebert "thumbs up, thumbs down" approach to film evaluation. * * * the court is not to reject profit motive because of subjective dislike of a film's style or disapproval of a film's theme. It is not for courts to predict what themes are geared to popular success. [ However, the Court of Appeals for the Second Circuit recently rejected such a contention in the appraisers' valuations of the Properties may contain an irreducible subjective element. The appraisal*477 of any property that does not have frequently traded identical substitutes will necessarily be guided by both objective and subjective considerations. * * * [ So, too, in this case, we may consider the expert evidence offered by respondent. The experts' reports and testimony are based, not upon their personal likes and dislikes, but rather upon their expertise in the book publishing industry. Accordingly, we may evaluate the expert evidence, notwithstanding that such evidence may contain "an irreducible subjective element". Next, petitioner argues that we should exclude respondent's expert evidence because Cohen and the publishers arrived at a purchase price for the titles through arm's-length negotiations. In support of his argument, petitioner again relies on Again, the Court of Appeals for the Second Circuit has already rejected petitioner's contention in Finally, in its reply brief, petitioner argues that the Court of Appeals for the Second Circuit's opinion in We disagree. A "gross valuation overstatement" includes a statement as to the value of any property, if the value so stated exceeds 200 percent of the amount determined to be the correct valuation, and if the value of that property is directly related to the amount of a claimed tax deduction or credit. This same comparison of price to value is *480 also important in determining whether a taxpayer has a profit objective. See Turning our attention now to the substantive issues before us, petitioner first contends that the deductions and credits it claimed are allowable because its interest in Arts possessed economic substance. In general, a transaction is effective for Federal income tax purposes only if its economic substance is consonant with its intended tax effects. In evaluating whether a transaction possesses economic substance, we look to objective factors which indicate whether the taxpayer acquired an equity interest in the property and whether the taxpayer had a reasonable opportunity for economic success. Petitioner contends that the record in this case contains sufficient evidence for us to find, not only that Cohen engaged in arm's-length negotiating to purchase the titles, but that such arm's-length negotiating established the fair market value of the properties acquired by Arts. In considering petitioner's argument, first let us specify exactly what negotiations we are evaluating. Because Cohen owned (either directly or indirectly), controlled, and operated Madison, Arts, and Bromwell, he could and did arrange the transactions between them. No negotiations, at arm's-length or otherwise, took place between those entities. On the other hand, Cohen's negotiations with Gallen and Kensington on behalf of Madison were between unrelated third parties. However, despite petitioner's argument to the contrary, the interests of these third parties were not always adverse to one another. To determine that an arm's-length transaction took place, we must find that the buyer was motivated to secure the lowest purchase price possible and, conversely, that the seller looked to obtain the highest price. Yet, it is evident that Cohen had little interest*484 in securing the lowest price for Madison. In fact, just the opposite was true. To support the tax benefits promised to Arts' limited partners, Cohen had to maximize the purchase price to provide the high tax basis needed to support the excessive depreciation deductions and investment tax credits that would be claimed by them. Cf. Despite the substantial prices petitioner alleges Cohen "negotiated" in tough bargaining sessions, there is little indication in this record of how Cohen arrived at the fair market value of these titles before Madison purchased them. The appraisals basically were written by Madison after the transaction had been "negotiated". Moreover, Cohen himself had read only one of the titles. In addition, when Arts made its purchase from Madison in May of 1979, the publishers had already solicited sales and printed 14 of the titles. The results of the solicitation indicated that these titles would not sell a sufficiently large number of copies to generate the income necessary to justify the prices Cohen agreed to pay for them. Had Cohen truly engaged in arm's-length negotiations on behalf of Madison, he would have taken these bleak prospects into account. On the other hand, when we focus on the cash aspect of the negotiations, it was in Cohen's interest to minimize the amount that would go to Gallen and Kensington. In this, he succeeded quite well. Madison initially paid them only $ *486 6,500 in cash upon signing the agreement, and promised to pay another $ 157,000 by the end of 1979, after Madison would have sold the properties to Arts. But when Cohen arranged the sale between Madison and Arts (that part of the transaction in which he represented both parties), Cohen structured a deal that involved a great deal of cash. Arts paid Madison $ 824,000 in cash, more than four times the cash Madison would pay Gallen and Kensington. Since Cohen's family owned Madison, all of such cash inured to his family's benefit. Thus here, as in The record is devoid of evidence showing that the purchase price * * * was in any way determined with a "true regard for the profitability of the activity." For their part, Gallen and Kensington bargained for enough cash to cover the costs of their initial printing, *487 plus the profit from the sales proceeds generated by the initial and secondary printings. There is no indication, however, that they insisted upon the vastly inflated purchase prices reflected in their agreements with Madison. Having received assurances of the cash and potential profit they sought, however, Gallen and Kensington had no reason to object to artificially inflating the selling price. The Court of Appeals for the Ninth Circuit has described an inflated purchase price as "Perhaps the most important single factor suggesting that the actual motive for the * * * *488 activities was tax avoidance rather than even speculative profit". We cannot take seriously the 1979 appraisals submitted by petitioner. The language in the appraisals was largely prepared by Madison and reflected the high prices it already had paid to purchase the titles from Gallen and Kensington. Moreover, these appraisals did not undertake to determine the titles' fair market value by the use of any type of objective criteria, nor did they consider the results of the publishers' solicitation for 14 of the 23 titles here involved. Mr. Baker's appraisal was equally unhelpful. He adopted the stated purchase prices as fair market value. He considered the number of sales necessary for the investors to receive back the cash portion of their investment (without taking *489 interest into account), but did not evaluate the likelihood of achieving such sales. His report endorsed the titles using vague generalities, such as "largest sale potential", or "strong category", without specifically quantifying such terms. Respondent's experts provided far more information and analysis. Sachs and Conland valued the manuscripts individually by computing the net profit expected from each of them. *490 They estimated income by projecting sales based on the performance of the publisher and distributor, On brief, petitioner renews its argument that respondent's experts were too subjective, that is, that*491 their values reflected their personal tastes rather than objective considerations. However, like the Court of Appeals for the Second Circuit in Moreover, petitioner's contention misses the point. It was petitioner's burden to establish a proximity between the $ 12,319,000 purchase price for the titles and their actual fair market value. Nonetheless, petitioner made no serious attempt to meet its burden of showing that the purchase price reflected such value. Such attempts as it did make contained little in the way of objective analysis. In conclusion, we find that petitioner has not submitted evidence regarding the fair market value of the titles which materially differs from such evidence in The greatest portion of the purchase price of the titles ($ 11,495,000 out of a total of $ 12,319,000) was financed by nonrecourse notes. Courts have found that a transaction with large amounts of debt (especially of the nonrecourse variety) is an important characteristic of a program that lacks economic substance, especially when, as a practical matter, there is little possibility that the notes will ever be paid. See, e.g., In this case, it is abundantly clear that the nonrecourse notes Madison gave Gallen and Kensington would never be paid. For Arts to pay off the 23 notes (not including interest), In excess of 43,000 books were published in the United States in 1977. Approximately 13,000 of these books were paperbacks of which in excess of 1,800 were mass market paperbacks. Many of these books receive little, if any, promotion or review by literary critics, thereby reducing the possibility of financial success for such books. There are many book publishers and distributors which possess substantial financial resources, large and experienced staffs, and, doubtless, ownership of substantially more literary properties than [Arts]. In sum, the unrealistically large sales needed to pay off the notes show that the amount financed was largely inconsistent with any net revenue the title might have produced. Given the nonrecourse nature of the debt, the fact that the titles securing the debt had a fair market value of no more than one million dollars, and that it was unlikely that sufficient revenues to pay off the debt were likely to be produced, we *495 conclude that this purported financing was largely inconsistent with economic reality. The transaction between Madison (and thereafter Arts) was framed so that the publishers never relinquished the burdens and benefits of owning the titles. Gallen and Kensington acquired and edited the manuscripts, designed the cover, and then, together with Confucian, Hercules, Dell, and Kable, promoted, printed, and distributed the titles. Gallen and Kensington also retained the benefits of such ownership. Their arrangements with Madison and its assignee Arts provided that the publishers (or their subsidiaries) were entitled to cash, plus fees, under the services agreements for producing and selling the books, plus note payments equal to 60 percent of the gross proceeds from those sales. The net effect was that the publishers would retain all the gross proceeds on the initial and secondary sales. On the other hand, other than claiming ownership, Madison (and thereafter Arts) had little to do with controlling, publishing, or promoting the titles. They merely paid relatively small amounts of cash to the publishers for bare ownership rights; *496 their primary interest was in establishing a basis for claiming the inflated tax benefits allegedly generated by their ownership of the titles. There is no indication in the record that the parties to the various contracts failed to abide by the terms of their respective agreements. However, as we have already concluded, the contracts were not arrived at by adverse parties participating in arm's-length negotiations. Rather, they were drafted to provide a structure for claiming tax benefits. Compliance with contrived contractual arrangements does nothing to suggest that the program possessed economic substance. We think it obvious that promoters of a program imbued with economic substance would, in their Offering Memorandum, try to demonstrate to a prospective investor that the program was likely to be profitable by including income projections prepared based on stated and reasonable assumptions. Yet, here the Offering Memorandum contained only generalized assertions that the titles would generate sufficient income to repay the notes. The only specific discussion in the Offering Memorandum about*497 the financial aspects of the transaction was directed to anticipated tax benefits. Moreover, the vague opinions of economic value provided in petitioner's experts' reports did not indicate the fair market value of the titles, nor did they make any projections of sales or profits. Instead, they merely recited that the revenues, net of costs under the services agreements, would equal or exceed the purchase price. Even in making these generalized conclusions, the substantial effect that the interest payable on the notes would have had upon profitability was overlooked. We conclude that the absence of such projections strongly suggests that the transactions at issue lacked economic substance. Nevertheless, petitioner argues that where a transaction changes the beneficial and economic rights of the parties, that transaction must possess economic substance, citing In so holding, the Court of Appeals, like this Court, noted four reasons for deciding that the gift-leaseback transaction at issue had effectively changed ownership of the office building for tax purposes. First, the physician relinquished control of the office building to independent trustees. Second, the rent paid for the building reflected its fair rental value. Third, the leaseback had a bona fide business purpose -- the physician needed an office. And fourth, the physician did not retain any legal or equitable rights (such as a reversionary interest) in the property. In contrast, Gallen and Kensington retained control over the property they ostensibly sold. The selling price of the titles did not reflect their fair market value. In addition, neither Madison nor Arts*499 had a valid business purpose (outside of tax considerations) for investing in an endeavor that was virtually guaranteed never to make a profit. See We acknowledge that documents were executed transferring legal ownership of the titles from Madison to Arts. Such formalisms, however, do not preclude us from investigating the substance of the transaction. See Respondent disallowed an interest expense deduction of $ 310,650 claimed by petitioner for its taxable year 1979. The deduction arose in connection with the nonrecourse promissory notes given as part of the purchase of the*502 titles by Madison to Gallen and Kensington, and subsequently assumed by Arts. The parties have stipulated that, if we find that the nonrecourse promissory notes are not includable in the tax basis of the titles for purposes of computing depreciation, the interest is not deductible. Under sections 1011 and 1012, the tax basis of an asset is generally the same as its cost. However, where the purchase price and the principal amount of a nonrecourse note have been shown to unreasonably exceed an asset's fair market value, the courts have excluded from basis the amount of the nonrecourse indebtedness used to acquire the asset. Under such circumstances, we have reasoned that no genuine indebtedness existed since there was no economic incentive to repay the debt. Here, Arts purchased 23 titles for $ 12,319,000 of which $ 11,495,000 was "paid" by Arts' assumption of Madison's nonrecourse debt. Since we have already found that the fair market*503 value of the 23 titles purchased by Arts was less than one million dollars, it follows that the nonrecourse debt Arts assumed was not genuine indebtedness and, consequently, petitioner may not deduct its share of interest on such "debt". Nevertheless, petitioner argues that, because the notes had specific due dates and the payments were made upon the principal balance, such notes should be considered part of the payment for the titles, citing Petitioner also argues that, in this case, only However, petitioner's argument ignores the fact that Arts' partners were not personally liable on the note and the titles themselves were the only security for the note. Because the amount of the note far exceeded the value of the titles, there was no economic incentive for anyone to make further payments. Respondent determined that petitioner is liable for the addition to tax under Petitioner makes several arguments as to why the addition to tax for negligence should not be imposed. First, petitioner contends that it reported the correct amount of tax on its Federal income tax returns. However, since we have held that petitioner claimed deductions and credits that were not allowable because the transactions upon which they were based lacked economic substance, in fact, *506 petitioner did understate the amount of its taxes. Next, petitioner argues that, because it organized and operated Arts with the advice of attorneys and accountants, obtained a tax opinion in connection with its promotion of Arts, and relied on these professionals in good faith, the imposition of the addition to tax for negligence is precluded. Although it is true that reliance on the advice of professionals may defeat a finding of negligence, to absolve the taxpayer of the negligence addition to tax, such reliance must be reasonable. We do not construe this record as petitioner would have us do. To the contrary, Cohen, who controlled petitioner, was an intelligent and savvy individual, experienced in the world of business. He caused petitioner to formulate and promote the Bromwell programs, a series of tax sheltered offerings. See Limited Partners should be aware that the Service has indicated that such transactions will be subject to particular scrutiny, and that no assurance can be given that a challenge by the Service will not be successful in any given case. Rather, we believe that Cohen was the individual who obtained the tax opinion from legal counsel for inclusion in the Offering Memorandum. Through his discussions*508 with such counsel, he must not only have known of the tax risks involved but, ignoring these risks, went on to profit from the promise of tax benefits to others. Under these circumstances, we find that the deductions and credits claimed by petitioner, a corporation controlled by Cohen, were the result of its negligent or intentional disregard of the rules or regulations, and the additions under Respondent also determined that petitioner is liable for the enhanced rate of interest provided for by section 6621(c), on the grounds that petitioner made a substantial underpayment of tax attributable to a valuation overstatement. Petitioner contends that it did not make any valuation overstatement which would result in the imposition of the increased rate of interest. Section 6621(c) provides for interest on the unpaid tax at a rate equal to "120 percent of the underpayment rate" (provided for in section 6621(a)(2)), where there is a substantial underpayment of tax attributable to a tax-motivated transaction. Such a transaction includes "any valuation overstatement (within the meaning of section 6659(c))". *509 Sec. 6621(c)(3)(A)(i). Under section 6659(c), a valuation overstatement exists when "the value of any property, or the adjusted basis of any property, claimed on any return is 150 percent or more of the amount determined to be the correct amount" of the value or adjusted basis of that property. We have found that the fair market value of the 23 titles Arts purchased was less than one million dollars. On its income tax return, Arts claimed that the titles had a tax basis of $ 12,319,000. The amount of basis claimed by petitioner vastly exceeds the 150 percent threshold for the application of section 6621(c). Accordingly, we hold that there was a valuation overstatement within the meaning of section 6621(c), and that, therefore, the increased interest rate applies. Our resolution of the issues discussed above entirely disposes of the deficiencies and additions to tax at issue. Therefore, we need not examine the other arguments presented by the parties. Accordingly, and because both parties previously have made concessions,
*510 APPENDIX A Gallen's and Kensington's Madison's Purchase Price Title Cash Notes 1 $ 10,000 $ 10,500 $ 800,000 2 6,000 10,500 800,000 3 9,000 10,500 800,000 4 9,000 10,500 800,000 5 8,000 18,000 1,400,000 6 5,000 13,000 925,000 7 7,500 11,000 687,600 8 3,000 11,000 687,600 9 3,000 11,000 687,600 10 4,000 11,000 687,600 11 4,000 11,000 687,600 12 1,500 3,000 211,000 13 2,500 3,000 211,000 14 1,750 3,000 211,000 15 2,500 3,000 211,000 16 2,000 3,000 211,000 17 2,000 3,000 211,000 18 1,500 3,000 211,000 19 1,500 3,000 211,000 20 1,500 3,000 211,000 21 1,500 3,000 211,000 22 1,750 3,000 211,000 23 2,000 3,000 211,000 $ 90,500 $ 164,000 $ 11,495,000
*511 APPENDIX A Art's Purchase Price Respondent's Value Title Cash Notes Sachs Conland 1 $ 75,000 $ 800,000 $ 15,400 $ 12,000 2 75,000 800,000 13,200 14,000 3 75,000 800,000 15,400 13,000 4 75,000 800,000 15,400 13,500 5 100,000 1,400,000 13,200 5,000 6 70,000 925,000 10,000 17,000 7 32,400 687,600 7,500 6,000 8 32,400 687,600 4,800 6,500 9 32,400 687,600 5,200 8,500 10 32,400 687,600 4,800 8,500 11 32,400 687,600 7,100 7,500 12 16,000 211,000 3,000 1,500 13 16,000 211,000 3,750 3,000 14 16,000 211,000 2,600 -0- 15 16,000 211,000 3,000 500 16 16,000 211,000 2,600 1,500 17 16,000 211,000 2,200 1,200 18 16,000 211,000 2,600 1,200 19 16,000 211,000 1,900 1,200 20 16,000 211,000 2,200 1,200 21 16,000 211,000 2,200 1,000 22 16,000 211,000 2,600 1,500 23 16,000 211,000 2,600 1,400 $ 824,000 $ 11,495,000 $ 143,250 $ 126,700 APPENDIX B Per Offering Copies Each Memorandum Title Required Copies Required To Return Its Date of To Pay Off Note Cash Investment First TITLE (Without Interest) (Per Baker) Printing 1 1,100,000 483,333 7/79 2 1,100,000 483,333 8/79 3 1,100,000 483,333 8/79 4 1,100,000 483,333 9/79 5 1,900,000 594,000 6/80 6 1,350,000 511,111 5/79 7 765,000 229,600 9/79 8 885,000 243,363 10/79 9 850,000 243,363 8/79 10 765,000 229,600 10/79 11 850,000 243,363 5/79 12 311,000 110,796 6/79 13 311,000 115,796 9/79 14 367,000 115,796 8/79 15 367,000 117,051 6/79 16 367,000 122,051 9/79 17 367,000 122,051 3/79 18 367,000 122,051 3/79 19 367,000 122,051 3/79 20 367,000 122,051 4/79 21 367,000 122,051 4/79 22 367,000 122,051 4/79 23 367,000 122,051 4/79 16,057,000 5,669,834
*512 Copies Printed Respondent's Sales Projections and (Number of Copies) TITLE Distributed Sachs Conland 1 238,759 175,000 90,000 2 210,825 150,000 90,000 3 210,600 175,000 90,000 4 159,150 175,000 90,000 5 131,895 150,000 75,000 6 130,500 125,000 100,000 7 65,621 80,000 50,000 8 30,096 60,000 50,000 9 50,097 55,000 50,000 10 59,672 50,000 50,000 11 67,349 75,000 50,000 12 43,887 35,000 20,000 13 30,254 40,000 22,500 14 30,563 35,000 17,500 15 30,138 40,000 20,000 16 35,636 35,00 20,000 17 38,856 30,000 20,000 18 35,539 35,000 20,000 19 35,709 25,000 20,000 20 30,096 30,000 20,000 21 30,067 30,000 20,000 22 30,101 35,000 20,000 23 30,223 35,000 20,000 1,752,633 1,675,000 1,025,000
1. Unless otherwise specified, all section references are to the Internal Revenue Code of 1986. All Rule references are to the Tax Court Rules of Practice and Procedure.↩
2. Petitioner filed its Federal income tax returns based on fiscal years ending on October 31st. Hereinafter, all references to petitioner's taxable years of 1978, 1979, and 1980 shall refer to petitioner's fiscal years ending October 31, 1978, October 31, 1979, and October 31, 1980, respectively.↩
3. The parties have settled the following issues: (1) For its taxable year 1978, petitioner conceded that respondent's disallowance of $ 3,493 of taxes is correct; (2) for the taxable years 1978 and 1979, a part of respondent's proposed adjustments relate to contributions, which were statutory adjustments generated by other adjustments and, consequently, the correct amount of petitioner's contribution deductions will be determined based upon our resolution of other issues in this case; and (3) for the taxable year 1980, respondent disallowed $ 635,300 in printing expense, but has conceded $ 579,300 of this amount. The remaining $ 56,000 remains at issue.↩
4. The term "mass market paperback" refers to rack-sized paperback books. They are usually marketed by national magazine distributors and independent wholesalers to various retail establishments. They are distinguishable from non-rack-sized "trade" paperback books that generally are marketed through bookstores.↩
5. All subsequent reference to these titles will be by number.↩
6. Hardcover publications subsequently distributed as paperbacks are known as "reprints".↩
7. A "manuscript" or "work" is the raw product submitted to a publisher by an author as distinguished from a "title" which is the finished product ready for printing.↩
8. See appendix A for the exact amount of the advance each author received.↩
9. The record does not reflect on what date this agreement was assigned to Gallen.↩
10. See appendix A for the exact amount each author received.↩
11. The amounts of the notes were $ 800,000 for each of titles 1-4; $ 1,400,000 for title 5, and $ 925,000 for title 6. See appendix A.↩
12. The amounts of the notes were $ 687,600 for each of titles 7-11; and $ 211,000 for each of titles 12-23. See appendix A.↩
13. The average life of a mass market paperback is less than 1 year.↩
14. Confucian guaranteed an initial printing of 150,000 for titles 1-5 and 200,000 for book 6; Kensington guaranteed an initial printing of: 100,000 copies for titles 7-11; 40,000 copies for titles 12 and 15-23; 45,000 copies for title 13; and 35,000 copies for title 14.↩
15. Contracts between Dell and Kable as distributors and Gallen and Kensington as publishers actually date back to 1978 and 1974 respectively. No evidence was produced to show any written contractual obligations between Confucian and Dell or Hercules and Kable.↩
16. The fee varied between $ 8,000 and $ 42,000 on initial sales. The rate then varied between $ .32 and $ .42 per copy on secondary sales, and varied between $ .133 and $ .175 for all copies sold thereafter. For example, for title 9, Madison agreed to pay $ 19,000 for the first 22,100 copies sold, $ .377 for each of the next 87,900 copies sold, and $ .152 for each copy sold thereafter.↩
17. The payment of $ 2,000 per title was part of the consideration.↩
18. See appendix B for the date each title was first printed and the number of copies printed and distributed.↩
19. The Offering Summary explained: "
20. The Offering Summary explained that: While recapture exists in a technical sense due to the possibility of "forgiven debt", there are corresponding offsets predicated on accrued unused depreciation, thereby avoiding any future tax liabilities. Tax credits on the other hand are not subject to recapture -- see Tax Opinion in memorandum * * *.↩
21. See appendix B.↩
22. The appraisers received these amounts from Madison. They are the same as those listed in the Offering Memorandum.↩
23. See appendix B.↩
24. See appendix B for projected sales in copies.↩
25. See appendix A for Sach's and Conland's valuations of each of the 23 titles.↩
26. Sachs valued the titles as of March 1979, while Conland valued them as of the month they were printed.↩
27. See appendix B for projected sales in copies.↩
28. See appendix A for Sach's and Conland's valuations of the 23 titles.↩
29. Petitioner contends that these figures are irrelevant, because they were not available when petitioner purchased the titles in 1979. However, this contention ignores the point that it was petitioner's obligation to produce evidence to prove that the notes were likely to be paid and its publishers' past success in selling mass market paperbacks certainly is an important factor to consider in evaluating their chance of succeeding in a comparable transaction. Rule 142(a).↩
30. On its Federal income tax return, Arts reported losses of many millions of dollars for 1980 through 1986. Petitioner argues that use of the figures showing the post-acquisition performance of Arts constitutes impermissible hindsight in evaluating Arts' prospects as of 1979. We do not recite these figures for purposes of deciding this case by hindsight. Instead, we have set them forth to show that subsequent events are consistent with our evaluation that the Arts' transaction lacked economic substance during the years at issue. See
1. In addition, for every title except number 11, Gallen and Kensington agreed to pay royalties of 6 percent on the net retail sales of the first 150,000 copies and 8 percent on the net retail sales of all additional copies. For title 11, the royal percentages at these levels were 8 and 10 percent.↩
Knetsch v. United States , 81 S. Ct. 132 ( 1960 )
Helvering v. Gregory , 69 F.2d 809 ( 1934 )
Kapel Goldstein and Tillie Goldstein v. Commissioner of ... , 364 F.2d 734 ( 1966 )
William S. Skeen and Alison Skeen v. Commissioner of ... , 864 F.2d 93 ( 1989 )
John Jackson, Yvonne Jackson, Gregory M. Barrow and Timsey ... , 864 F.2d 1521 ( 1989 )
Rice's Toyota World, Inc. (Formerly Rice Auto Sales, Inc.) ... , 752 F.2d 89 ( 1985 )
Estate of Sydney S. Baron, Sylvia S. Baron, Administratrix, ... , 798 F.2d 65 ( 1986 )
Bernard A. Levin, Phyllis Levin, Alan T. Hrabosky, and ... , 832 F.2d 403 ( 1987 )
Harvey Jacobson and Marcia Jacobson v. Commissioner of ... , 915 F.2d 832 ( 1990 )
United States v. Allen F. Campbell and A.F. Campbell & Co., ... , 897 F.2d 1317 ( 1990 )
Gregory v. Helvering , 55 S. Ct. 266 ( 1935 )
Edward N. Gomberg and Helen E. Gomberg v. Commissioner, ... , 868 F.2d 865 ( 1989 )
United States v. Philatelic Leasing, Ltd., Melvin Hersch, ... , 794 F.2d 781 ( 1986 )
in-re-mdl-731-tax-refund-litigation-of-organizers-and-promoters-of , 989 F.2d 1290 ( 1993 )
hilary-p-gardner-judith-c-gardner-reed-clark-audrey-clark-dominick-a , 954 F.2d 836 ( 1992 )
jack-s-james-and-carol-n-james-glen-e-michael-and-sybil-h-michael-af , 899 F.2d 905 ( 1990 )
James L. Rose and Judy S. Rose v. Commissioner of Internal ... , 868 F.2d 851 ( 1989 )
John W. Barnard & June W. Barnard, Earl D. Kay, Jr. & Nancy ... , 731 F.2d 230 ( 1984 )
independent-electric-supply-inc-v-commissioner-of-internal-revenue , 781 F.2d 724 ( 1986 )
George v. Zmuda and Walburga Zmuda v. Commissioner of ... , 731 F.2d 1417 ( 1984 )